Insert title here

6:13

Arnold Cooke

Organ Sonata No. 1 II. Andante

5:27

Arnold Cooke

Organ Sonata No. 1 III. Allegro con brio

5:52

Arnold Cooke

Fantasia for organ, D95 Fantasia, D95. Poco lento - Allegro Fantasia, D95. Poco lento - Allegro

Fantasia for organ, D95 Fantasia, D95. Poco lento - Allegro

5:18

Arnold Cooke

Prelude, Intermezzo and Finale for organ, D87 I. Prelude (Allegro) I. Prelude (Allegro)

Prelude, Intermezzo and Finale for organ, D87 I. Prelude (Allegro)

2:41

Arnold Cooke

Prelude, Intermezzo and Finale for organ, D87 II. Intermezzo (Andante) II. Intermezzo (Andante)

Prelude, Intermezzo and Finale for organ, D87 II. Intermezzo (Andante)

2:36

Arnold Cooke

Prelude, Intermezzo and Finale for organ, D87 III. Finale (Allegro moderato) III. Finale (Allegro moderato)

Prelude, Intermezzo and Finale for organ, D87 III. Finale (Allegro moderato)

2:25

Arnold Cooke

Sarabande for organ, D34 Sarabande, D34 Sarabande, D34

Sarabande for organ, D34 Sarabande, D34

3:7

Arnold Cooke

Toccata and Aria for organ, D104 Toccata (Allegro moderato) Toccata (Allegro moderato)

Toccata and Aria for organ, D104 Toccata (Allegro moderato)

5:5

Arnold Cooke

Toccata and Aria for organ, D104 Aria (Andante) Aria (Andante)

Toccata and Aria for organ, D104 Aria (Andante)

3:24

Arnold Cooke

Organ Suite in G major, D167 I. Chaconne (Moderato) I. Chaconne (Moderato)

Organ Suite in G major, D167 I. Chaconne (Moderato)

4:30

Arnold Cooke

Organ Suite in G major, D167 II. Allegro vivace II. Allegro vivace

Organ Suite in G major, D167 II. Allegro vivace

3:31

Arnold Cooke

Organ Suite in G major, D167 III. Andante III. Andante

Organ Suite in G major, D167 III. Andante

4:52

Arnold Cooke

Organ Suite in G major, D167 IV. Jig (Allegro con brio) IV. Jig (Allegro con brio)

Organ Suite in G major, D167 IV. Jig (Allegro con brio)

2:44

Arnold Cooke

Impromptu for organ, D105 Impromptu, D105 Impromptu, D105

Impromptu for organ, D105 Impromptu, D105

3:9

Arnold Cooke

Organ Prelude for Tudeley, D166 Prelude for Tudeley, D166 Prelude for Tudeley, D166

Organ Prelude for Tudeley, D166 Prelude for Tudeley, D166

3:6

Arnold Cooke

Organ Sonata No. 2 in E major, D146 I Fantasia (Allegro moderato) I Fantasia (Allegro moderato)

Organ Sonata No. 2 in E major, D146 I Fantasia (Allegro moderato)

5:6

Arnold Cooke

Organ Sonata No. 2 in E major, D146 II. Aria (Lento) II. Aria (Lento)

Organ Sonata No. 2 in E major, D146 II. Aria (Lento)

4:36

Arnold Cooke

Organ Sonata No. 2 in E major, D146 III. Scherzo (Vivace) III. Scherzo (Vivace)

Organ Sonata No. 2 in E major, D146 III. Scherzo (Vivace)

2:46

Arnold Cooke

Organ Sonata No. 2 in E major, D146 IV. Finale (Allegro) IV. Finale (Allegro)

Organ Sonata No. 2 in E major, D146 IV. Finale (Allegro)

4:19

Le Tombeau de Marcel Dupré I: Toccata and Fugue - Toccata I: Toccata and Fugue - Toccata

Le Tombeau de Marcel Dupré I: Toccata and Fugue - Toccata

3:59

Le Tombeau de Marcel Dupré I: Toccata and Fugue - Fugue I: Toccata and Fugue - Fugue

Le Tombeau de Marcel Dupré I: Toccata and Fugue - Fugue

3:41

Le Tombeau de Marcel Dupré II: Prelude and Fugue - Prelude II: Prelude and Fugue - Prelude

Le Tombeau de Marcel Dupré II: Prelude and Fugue - Prelude

5:3

Le Tombeau de Marcel Dupré II: Prelude and Fugue - Fugue II: Prelude and Fugue - Fugue

Le Tombeau de Marcel Dupré II: Prelude and Fugue - Fugue

5:10

Le Tombeau de Marcel Dupré III: Prelude and Fugue on BACH - Prelude III: Prelude and Fugue on BACH - Prelude

Le Tombeau de Marcel Dupré III: Prelude and Fugue on BACH - Prelude

3:58

Le Tombeau de Marcel Dupré III: Prelude and Fugue on BACH - Fugue III: Prelude and Fugue on BACH - Fugue

Le Tombeau de Marcel Dupré III: Prelude and Fugue on BACH - Fugue

3:28

Le Tombeau de Marcel Dupré IV and V: Two Sketches on the name BACH - No. 1 Vivace IV and V: Two Sketches on the name BACH - No. 1 Vivace

Le Tombeau de Marcel Dupré IV and V: Two Sketches on the name BACH - No. 1 Vivace

3:10

Le Tombeau de Marcel Dupré IV and V: Two Sketches on the name BACH - No. 2 Deciso IV and V: Two Sketches on the name BACH - No. 2 Deciso

Le Tombeau de Marcel Dupré IV and V: Two Sketches on the name BACH - No. 2 Deciso

5:23

Sicilienne, Hommage à Maurice Duruflé Sicilienne Sicilienne

Sicilienne, Hommage à Maurice Duruflé Sicilienne

6:33

Choral, Hommage à César Franck Choral: Hommage à César Franck Choral: Hommage à César Franck

Choral, Hommage à César Franck Choral: Hommage à César Franck

13:25

Specula Petro Specula Petro

Specula Petro

9:48

Mawl i Asaff Sant (In Praise of St. Asaph) I. Introduction I. Introduction

Mawl i Asaff Sant (In Praise of St. Asaph) I. Introduction

2:54

Mawl i Asaff Sant (In Praise of St. Asaph) II. Fugue II. Fugue

Mawl i Asaff Sant (In Praise of St. Asaph) II. Fugue

5:32

Mawl i Asaff Sant (In Praise of St. Asaph) III. Interlude III. Interlude

Mawl i Asaff Sant (In Praise of St. Asaph) III. Interlude

3:47

Mawl i Asaff Sant (In Praise of St. Asaph) IV. Finale IV. Finale

Mawl i Asaff Sant (In Praise of St. Asaph) IV. Finale

3:10

Sketches (4), Op. 58 No. 1 in C minor: Nicht schnell und sehr markiert

3:0

Sketches (4), Op. 58 No. 2 in C major: Nicht schnell und sehr markiert

3:35

Sketches (4), Op. 58 No. 3 in F minor: Lebhaft

5:14

Sketches (4), Op. 58 No. 4 in D flat major: Allegretto

3:10

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 1 in C major: Nicht zu schnell

2:30

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 2 in A minor: Mit innigem Ausdruck

4:18

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 3 in E major: Andantino - Etwas schneller

1:58

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 4 in A flat major: Innig

4:8

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 5 in B minor: Nicht zu schnell

2:31

Etudes (6) in Canon Form, Op. 56 (arr. Debussy) No. 6 in B major: Adagio

3:41

Fugues (6) on BACH, Op. 60 No. 1 in B flat major: Langsam

Fugues (6) on B-A-C-H, Op. 60 No. 1 in B flat major: Langsam

5:19

Fugues (6) on BACH, Op. 60 No. 2 in B flat major: Lebhaft

Fugues (6) on B-A-C-H, Op. 60 No. 2 in B flat major: Lebhaft

6:1

Fugues (6) on BACH, Op. 60 No. 3 in G minor: Mit sanften Stimmen

Fugues (6) on B-A-C-H, Op. 60 No. 3 in G minor: Mit sanften Stimmen

3:10

Fugues (6) on BACH, Op. 60 No. 4 in B flat major: Mäßig, doch nicht zu langsam

Fugues (6) on B-A-C-H, Op. 60 No. 4 in B flat major: Mäßig, doch nicht zu langsam

5:8

Fugues (6) on BACH, Op. 60 No. 5 in F major: Lebhaft

Fugues (6) on B-A-C-H, Op. 60 No. 5 in F major: Lebhaft

2:36

Fugues (6) on BACH, Op. 60 No. 6 in B flat major: Mäßig, nach und nach schneller - Lebhafter

Fugues (6) on B-A-C-H, Op. 60 No. 6 in B flat major: Mäßig, nach und nach schneller - Lebhafter

6:59

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Introduction Introduction

Introduction

The uncle from Boston Act I: Overture [excerpt]

Der Onkel aus Boston Act I: Overture [excerpt]

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

1:14

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Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823 Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

6:59

Children's piece, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

Kinderstück, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

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An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847 An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

2:57

Song for my good father's birthday Lied zum Geburtstag meines guten Vaters

Lied zum Gebrutstag meines guten Vaters Lied zum Geburtstag meines guten Vaters

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

1:12

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By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

5:40

Octet for strings in E flat major, Op. 20 III. Scherzo: Allegro leggierissimo [excerpt]

1:0

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A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home

A Midsummer Night's Dream, overture, Op. 21 Overture [excerpt]

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

1:35

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The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

3:10

Est time in G minor/A major [excerpt]

Hora est in G minor/A major [excerpt]

2:22

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1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write 1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write

2:31

The Hebrides in B minor, Op. 26 "Fingal's Cave" [excerpt]

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

1:6

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At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

4:49

Symphony No. 4 in A major, Op. 90 Italian IV. Saltarello: Presto [excerpt]

Symphony No. 4 in A major, Op. 90 "Italian" IV. Saltarello: Presto [excerpt]

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

1:8

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The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest... The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

2:8

Overture for orchestra in C major "Trumpet", Op. 101 [excerpt]

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The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City

5:19

Paul, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Paulus, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

1:41

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Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud... Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

2:58

Motets (3) for female chorus & organ, Op. 39 No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

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The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'... The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

3:30

Organ Sonata No. 2 in C minor/C major, Op. 65/2 II. Allegro maestoso e vivace [excerpt]

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

1:5

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It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

3:11

Violin Concerto in E minor, Op.64 III. Allegro molto vivace [excerpt]

Violin Concerto in E minor, Op. 64 III. Allegro molto vivace [excerpt]

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:9

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Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:2

Hear My Prayer in G major [excerpt]

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

1:28

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Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah... Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

2:6

Elijah, Op.70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

Elijah, Op. 70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

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Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

3:37

Song Without Words for piano No. 28 in G major, Op. 62/4 Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4

1:26

The Boar's Head Carol The Boar's Head Carol

The Boar's Head Carol

3:13

Carols (2) in Memory of Peter Warlock No. 2. O Bethlehem No. 2. O Bethlehem

Carols (2) in Memory of Peter Warlock No. 2. O Bethlehem

2:41

Carols (2) in Memory of Peter Warlock No. 1. Praise our Lord No. 1. Praise our Lord

Carols (2) in Memory of Peter Warlock No. 1. Praise our Lord

1:48

Jesus Christ the Apple Tree

3:44

The Nativity: A Sequence for Christmas This is the truth sent from above This is the truth sent from above

The Nativity: A Sequence for Christmas This is the truth sent from above

1:44

The Nativity: A Sequence for Christmas O Joseph being an old man truly O Joseph being an old man truly

The Nativity: A Sequence for Christmas O Joseph being an old man truly

1:58

The Nativity: A Sequence for Christmas And while they lived in joy and bliss And while they lived in joy and bliss

The Nativity: A Sequence for Christmas And while they lived in joy and bliss

5:3

The Nativity: A Sequence for Christmas Spoken carol: I sing of a maiden Spoken carol: I sing of a maiden

The Nativity: A Sequence for Christmas Spoken carol: I sing of a maiden

The Nativity: A Sequence for Christmas Scena: Joseph and Mary walked Scena: Joseph and Mary walked

The Nativity: A Sequence for Christmas Scena: Joseph and Mary walked

5:16

The Nativity: A Sequence for Christmas As Joseph was a-walking As Joseph was a-walking

The Nativity: A Sequence for Christmas As Joseph was a-walking

3:15

The Nativity: A Sequence for Christmas There is no rose of such virtue There is no rose of such virtue

The Nativity: A Sequence for Christmas There is no rose of such virtue

2:3

The Nativity: A Sequence for Christmas I saw a fair maiden sitten and sing I saw a fair maiden sitten and sing

The Nativity: A Sequence for Christmas I saw a fair maiden sitten and sing

2:59

The Nativity: A Sequence for Christmas Spoken carol: A lovely lady thus did sing Spoken carol: A lovely lady thus did sing

The Nativity: A Sequence for Christmas Spoken carol: A lovely lady thus did sing

1:25

100

The Nativity: A Sequence for Christmas Qui creavit coelum Qui creavit coelum

The Nativity: A Sequence for Christmas Qui creavit coelum