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classic
John Eliot Gardiner
ARTIST MUSICS
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Oberon  Act 2. No. 7. Chorus. Glory to the Caliph, to Haroun the Just!
Oberon  Act 2. No. 7. Chorus. Glory to the Caliph, to Haroun the Just!
1:26
2
Oberon  Act 2. It is the wedding day of Princess Reiza and Prince Babakhan
Oberon  Act 2. It is the wedding day of Princess Reiza and Prince Babakhan
31
3
Oberon  Act 2. No. 8. [Dance of the Bayaderes]
Oberon  Act 2. No. 8. [Dance of the Bayaderes]
34
4
Oberon  Act 2. Reiza whispers anxiously to her maid, "Will my rescuer desert me now?"
Oberon  Act 2. Reiza whispers anxiously to her maid, "Will my rescuer desert me now?"
1:13
5
Oberon  Act 2. No. 8a. [Melodrama] Summoned by the horn, Oberon is suddenly in their midst
Oberon  Act 2. No. 8a. [Melodrama] Summoned by the horn, Oberon is suddenly in their midst
1:38
6
Oberon  Act 2. While Huon and Reiza get ready to leave, Sherasmin seizes his chance with the pretty Arab ma
Oberon  Act 2. While Huon and Reiza get ready to leave, Sherasmin seizes his chance with the pretty Arab ma
23
7
Oberon  Act 2. No. 9. Ariette. A lonely Arab maid, the desert's simple child
Oberon  Act 2. No. 9. Ariette. A lonely Arab maid, the desert's simple child
2:51
8
Oberon  Act 2. All is now set fair for both couples to sail from Ascalon back to France
Oberon  Act 2. All is now set fair for both couples to sail from Ascalon back to France
8
9
Oberon  Act 2. No. 10. Quartet. Over the dark blue waters, over the wide wide sea
Oberon  Act 2. No. 10. Quartet. Over the dark blue waters, over the wide wide sea
3:
10
Oberon  Act 2. But the lovers' troubles are only about to begin
Oberon  Act 2. But the lovers' troubles are only about to begin
9
11
Oberon  Act 2. No. 11. Solo and Chorus. Spirits of air and earth and sea / [Storm Music]
Oberon  Act 2. No. 11. Solo and Chorus. Spirits of air and earth and sea / [Storm Music]
5:49
12
Oberon  Act 2. On a barren island, Huon and Reiza have been shipwrecked during the great storm
Oberon  Act 2. On a barren island, Huon and Reiza have been shipwrecked during the great storm
28
13
Oberon  Act 2. No. 12. Preghiera. Ruler of the awful hour, spare, o spare yon tender flow'r!
Oberon  Act 2. No. 12. Preghiera. Ruler of the awful hour, spare, o spare yon tender flow'r!
3:
14
Oberon  Act 2. Huon has lost the magic horn which could have brought them relief
Oberon  Act 2. Huon has lost the magic horn which could have brought them relief
15
15
Oberon  Act 2. No. 13. Scena and Aria. Ocean! thou mighty monster
Oberon  Act 2. No. 13. Scena and Aria. Ocean! thou mighty monster
8:39
16
Oberon  Act 2. What Reiza has seen approaching are not rescuers but corsairs!
Oberon  Act 2. What Reiza has seen approaching are not rescuers but corsairs!
22
17
Oberon  Act 2. No. 13a. Symphony. "Alas! poor mortal!"
Oberon  Act 2. No. 13a. Symphony. "Alas! poor mortal!"
52
18
Oberon  Act 2. Oberon orders Puck to erect a pavilion made of flowers to shield Huon
Oberon  Act 2. Oberon orders Puck to erect a pavilion made of flowers to shield Huon
27
19
Oberon  Act 2. No. 14. Finale. And hark, the mermaids' witching strain o'er the lull'd list'ning main / O!
Oberon  Act 2. No. 14. Finale. And hark, the mermaids' witching strain o'er the lull'd list'ning main / O!
8:47
20
Oberon  Act 3. Rescued by corsairs, Fatima and Sherasmin are alive and well in Tunis
Oberon  Act 3. Rescued by corsairs, Fatima and Sherasmin are alive and well in Tunis
16
21
Oberon  Act 3. No. 15. Song. O Araby, dear Araby, my own, my native land!
Oberon  Act 3. No. 15. Song. O Araby, dear Araby, my own, my native land!
3:20
22
Oberon  Act 3. Sherasmin is entranced by his Arab girl
Oberon  Act 3. Sherasmin is entranced by his Arab girl
12
23
Oberon  Act 3. No. 16. Duet. On the banks of sweet Garonne... Let's be merry, while we may
Oberon  Act 3. No. 16. Duet. On the banks of sweet Garonne... Let's be merry, while we may
5:21
24
Oberon  Act 3. Puck has magicked Huon to Tunis and pronounces a spell
Oberon  Act 3. Puck has magicked Huon to Tunis and pronounces a spell
59
25
Oberon  Act 3. No. 17. Terzettino. And must I then disemble? - No other hope I know
Oberon  Act 3. No. 17. Terzettino. And must I then disemble? - No other hope I know
3:
26
Oberon  Act 3. But there is no response by Oberon to their eloquent prayers
Oberon  Act 3. But there is no response by Oberon to their eloquent prayers
14
27
Oberon  Act 3. No. 18. Cavatina. Mourn thou, poor heart, for the joys that are dead!
Oberon  Act 3. No. 18. Cavatina. Mourn thou, poor heart, for the joys that are dead!
5:2
28
Oberon  Act 3. Almanzor is bewitched by Reiza's beauty and moved by her sorrow
Oberon  Act 3. Almanzor is bewitched by Reiza's beauty and moved by her sorrow
53
29
Oberon  Act 3. No. 19. Rondo. I revel in hope and joy again
Oberon  Act 3. No. 19. Rondo. I revel in hope and joy again
3:18
30
Oberon  Act 3. Suddenly the curtains part, but it is not Reiza who greets Huon
Oberon  Act 3. Suddenly the curtains part, but it is not Reiza who greets Huon
52
31
Oberon  Act 3. No. 20. Chorus and Ballet. For thee hath beauty decked her bower!
Oberon  Act 3. No. 20. Chorus and Ballet. For thee hath beauty decked her bower!
4:14
32
Oberon  Act 3. Huon tries to break free, but Roshana and her women cling to him
Oberon  Act 3. Huon tries to break free, but Roshana and her women cling to him
57
33
Oberon  Act 3. No. 21. Finale. Almanzor is rooted to the spot / Hark! What notes are swelling?... Rejoice,
Oberon  Act 3. No. 21. Finale. Almanzor is rooted to the spot / Hark! What notes are swelling?... Rejoice,
5:16
34
Oberon  Act 3. Huon, with true heroism, has fulfilled the terms of his reprieve
Oberon  Act 3. Huon, with true heroism, has fulfilled the terms of his reprieve
29
35
Oberon  Act 3. Marcia maestoso - Behold! Obedient to the oath he swore, Huon is kneeling / Hail to the knig
Oberon  Act 3. Marcia maestoso - Behold! Obedient to the oath he swore, Huon is kneeling / Hail to the knig
4:28
42
Cantata no. 3, "Oh God, how many heartaches", BWV 3  2. Recitative e Choral. Wie schwerlich lässt sich Fleisch und Blut
Cantata No. 3, "Ach Gott, wie manches Herzeleid", BWV 3  2. Recitative e Choral. Wie schwerlich lässt sich Fleisch und Blut
2:11
48
Cantata no. 13, "My sighs, my tears", BWV 13  2. Recitative. Mein liebster Gott läßt mich annoch
Cantata No. 13, "Meine Seufzer, meine Tränen", BWV 13  2. Recitative. Mein liebster Gott läßt mich annoch
58
82
Cantata no. 22, "Jesus took the twelve to himself", BWV 22  1. Arioso: Tenor, Bass e Coro. Jesus nahm zu sich die Zwölfe
Cantata No. 22, "Jesus nahm zu sich die Zwölfe", BWV 22  1. Arioso: Tenor, Bass e Coro. Jesus nahm zu sich die Zwölfe
4:55
87
Cantata no. 23, "Thou true God and Son of David", BWV 23  1. Aria (Duetto): Sopran, Alt. Du wahrer Gott und Davids Sohn
Cantata No. 23, "Du wahrer Gott und Davids Sohn", BWV 23  1. Aria (Duetto): Sopran, Alt. Du wahrer Gott und Davids Sohn
6:57
96
Cantata no. 159, "Behold, we are going up to Jerusalem", BWV 159  1. Arioso: Bass e Recitativo: Alt. Sehet! Wir gehn hinaur gen Jerusalem
Cantata No. 159, "Sehet, wir gehn hinauf gen Jerusalem", BWV 159  1. Arioso: Bass e Recitativo: Alt. Sehet! Wir gehn hinaur gen Jerusalem
3:6
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