Composer

:

Friedrich von Flotow

Genre

:

Opera

Style

:

Opera

Average_duration

:

95:59

"Alessandro Stradella" is an opera composed by Friedrich von Flotow, a German composer, in 1844. The opera is based on the life of the Italian composer and singer Alessandro Stradella, who lived in the 17th century. The libretto was written by Wilhelm Friedrich, and the opera premiered on December 30, 1844, at the Stadttheater in Hamburg, Germany. The plot of the opera revolves around the life of Alessandro Stradella, a famous composer and singer who falls in love with Leonore, the daughter of a wealthy merchant. However, Leonore's father disapproves of their relationship and hires assassins to kill Stradella. Despite the danger, Stradella continues to pursue Leonore, and they plan to elope. However, their plans are foiled when the assassins attack Stradella, and he is left for dead. The second act of the opera takes place in Rome, where Stradella has fled to escape his attackers. He meets a group of musicians who are rehearsing for a performance of his music, and he joins them. However, his past catches up with him when Leonore's father arrives in Rome and recognizes him. He again hires assassins to kill Stradella, but this time, he is saved by the musicians who come to his aid. The final act of the opera takes place in Venice, where Stradella and Leonore are reunited. However, their happiness is short-lived when the assassins attack again. This time, Stradella is mortally wounded, but he dies in Leonore's arms, declaring his love for her until the end. The music of "Alessandro Stradella" is characterized by its lyrical melodies and dramatic intensity. The opera features several arias and duets that showcase the vocal talents of the performers. The orchestration is also notable, with Flotow using a variety of instruments to create a rich and colorful sound. Overall, "Alessandro Stradella" is a romantic and tragic opera that tells the story of a passionate love affair and the dangers that come with it. Its premiere in 1844 was well-received, and it remains a popular work in the operatic repertoire.

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