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Johann Sebastian Bach
Cantata No. 34, "O ewiges Feuer, O Ursprung der Liebe", BWV 34
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Works Info
Composer
:
Johann Sebastian Bach
Genre
:
Choral
Style
:
Cantata
Compose Date
:
1746 - 1747
Publication Date
:
1857
Average_duration
:
18:03
Movement_count
:
5
Movement ....
Johann Sebastian Bach composed Cantata No. 34, O ewiges Feuer, O Ursprung der Liebe, BWV 34, in Leipzig in 1746. The cantata was premiered on August 11, 1746, as part of the liturgy of the ninth Sunday after Trinity. The work is scored for soprano, alto, tenor, and bass soloists, a four-part choir, and a Baroque orchestra consisting of two oboes, two horns, timpani, strings, and continuo. The cantata is divided into six movements, each with its own distinct character and musical style. The opening chorus, "O ewiges Feuer, O Ursprung der Liebe," is a grand and majestic setting of a text that praises God's eternal love and mercy. The choir and orchestra engage in a lively dialogue, with the horns and timpani adding a festive touch to the music. The second movement is a recitative for the bass soloist, who reflects on the power of God's love and the need for humanity to repent and seek forgiveness. The third movement is an aria for the soprano soloist, accompanied by the oboes and continuo. The music is gentle and lyrical, with the soprano expressing her longing for God's love and protection. The fourth movement is a duet for the alto and tenor soloists, accompanied by the strings and continuo. The music is light and playful, with the two voices intertwining in a joyful celebration of God's love. The fifth movement is a recitative for the tenor soloist, who urges the listener to turn away from sin and embrace God's love and mercy. The final movement is a chorale setting of the hymn "Nun danket alle Gott." The choir and orchestra join together in a triumphant expression of gratitude and praise, with the horns and timpani once again adding a festive touch to the music. Overall, Cantata No. 34 is a powerful and uplifting work that showcases Bach's mastery of Baroque music. The music is richly textured and full of contrasts, with moments of grandeur and moments of intimacy. The text is deeply spiritual and reflective, urging the listener to turn towards God and embrace his love and mercy.
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