Composer

:

Darius Milhaud

Genre

:

Keyboard

Style

:

Suite

Compose Date

:

1920 - 1921

Publication Date

:

1922

Average_duration

:

21:20

Movement_count

:

12

Movement ....

Darius Milhaud's 'Saudades do Brasil (12)' is a suite of dances for piano, Op. 67, composed in 1920. The piece was premiered in Paris in 1921, and it quickly became one of Milhaud's most popular works. The suite is comprised of twelve movements, each of which is named after a different region or city in Brazil. The first movement, "Sorocaba," is a lively and rhythmic dance that sets the tone for the rest of the suite. It is followed by "Botafogo," a slower and more contemplative piece that features a haunting melody. "Leme" is a playful and syncopated dance that showcases Milhaud's skill at creating complex rhythms. The fourth movement, "Copacabana," is one of the most famous pieces in the suite. It is a lively and energetic dance that captures the spirit of the famous beach in Rio de Janeiro. "Ipanema" is a slower and more introspective piece that features a beautiful melody and intricate harmonies. The sixth movement, "Gavea," is a lively and syncopated dance that features a driving rhythm and complex harmonies. "Corcovado" is a slower and more contemplative piece that features a beautiful melody and lush harmonies. The eighth movement, "Tijuca," is a lively and rhythmic dance that features a driving rhythm and complex harmonies. "Sumare" is a slower and more introspective piece that features a beautiful melody and intricate harmonies. The tenth movement, "Paineras," is a lively and syncopated dance that features a driving rhythm and complex harmonies. "Itaim" is a slower and more contemplative piece that features a beautiful melody and lush harmonies. The final movement, "Laranjeiras," is a lively and energetic dance that brings the suite to a rousing conclusion. Throughout the suite, Milhaud showcases his skill at creating complex rhythms and harmonies while also capturing the spirit and energy of Brazil. Overall, 'Saudades do Brasil (12)' is a masterful work that showcases Milhaud's unique style and his love for Brazilian music and culture. It remains one of his most popular and beloved works to this day.

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