Composer

:

Eugen d'Albert

Genre

:

Opera

Style

:

Opera

Compose Date

:

1903

Average_duration

:

121:08

Tiefland is an opera composed by Eugen d'Albert, with a libretto by Rudolf Lothar. The opera was composed between 1901 and 1903 and premiered on November 15, 1903, at the Hofoper in Berlin. The plot of Tiefland revolves around the story of a young woman named Marta, who lives in a small village in the mountains of Catalonia. She falls in love with a wealthy landowner named Sebastiano, who promises to marry her and take her away from her impoverished life. However, Sebastiano is already married to a woman who is confined to a wheelchair, and he has no intention of leaving her. Marta is heartbroken when she discovers the truth, but she agrees to become Sebastiano's mistress in exchange for his financial support. As the years go by, Marta becomes increasingly unhappy with her situation. She longs for a life of respectability and dreams of being reunited with her childhood sweetheart, Pedro, who has become a successful bullfighter. When Pedro returns to the village, Marta sees an opportunity to escape from Sebastiano and start a new life with him. However, Sebastiano is unwilling to let Marta go and he plots to ruin Pedro's career and reputation. The music of Tiefland is characterized by its lush orchestration and melodic lyricism. The opera features a number of memorable arias and duets, including Marta's poignant "Ich hab' ihn gesehen" and Pedro's rousing "Ich bin ein Torero." Tiefland was a popular success when it premiered in 1903, and it has remained a staple of the operatic repertoire ever since. The opera is divided into three acts and features a number of memorable set pieces, including a bullfight scene in the second act and a dramatic confrontation between Marta and Sebastiano in the third act. Overall, Tiefland is a powerful and emotionally charged opera that explores themes of love, betrayal, and redemption. Its memorable music and compelling storyline have made it a favorite of audiences and performers alike.

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