Composer

:

Erik Satie

Genre

:

Keyboard

Style

:

Collection

Compose Date

:

1903

Average_duration

:

13:41

Movement_count

:

7

Movement ....

Erik Satie's 'Morceaux (3) en forme de poire' is a set of three pieces for piano, composed in 1903. The premiere of the work took place on June 6, 1903, at the Salle Pleyel in Paris, with Satie himself performing. The three movements are titled 'Manière de commencement', 'Prolongation du même', and 'Epilogue'. The title of the work, 'Morceaux (3) en forme de poire', translates to 'Pieces (3) in the shape of a pear'. This title is characteristic of Satie's whimsical and often nonsensical approach to composition. The title is not meant to be taken literally, as the pieces do not resemble a pear in any way. The first movement, 'Manière de commencement', is a short and simple piece that sets the tone for the rest of the work. It is characterized by a slow and steady tempo, with a simple melody that is repeated throughout the piece. The second movement, 'Prolongation du même', is a longer and more complex piece that builds on the themes introduced in the first movement. It features a more intricate melody and a faster tempo, with frequent changes in dynamics and rhythm. The final movement, 'Epilogue', is a short and simple piece that brings the work to a close. It returns to the slow and steady tempo of the first movement, with a simple melody that is repeated several times before coming to a gentle close. Overall, 'Morceaux (3) en forme de poire' is a characteristic example of Satie's unique approach to composition. The work is characterized by its simplicity, repetition, and whimsical titles, which are often more playful than descriptive. Despite its simplicity, the work is also notable for its use of unusual harmonies and rhythms, which give it a distinctive and memorable sound.

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