Bedrich Smetana
Piano Trio in G minor, JB 1:64, Op. 15
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Composer:Bedrich SmetanaGenre:ChamberStyle:TrioCompose Date:1855Publication Date:1880Average_duration:28:41Movement_count:3Movement ....Bedrich Smetana's Piano Trio in G minor, JB 1:64, Op. 15, was composed in 1855 and premiered in Prague in 1855. The piece is divided into four movements: Moderato assai, Allegro ma non agitato, Finale: Presto, and Adagio. The first movement, Moderato assai, begins with a melancholic and introspective melody played by the cello. The piano and violin then join in, creating a sense of tension and drama. The movement is characterized by its use of chromaticism and sudden shifts in dynamics, creating a sense of unease and uncertainty. The second movement, Allegro ma non agitato, is a lively and energetic scherzo. The piano takes the lead in this movement, with the violin and cello providing a playful accompaniment. The movement is characterized by its use of syncopation and rhythmic complexity, creating a sense of excitement and joy. The third movement, Finale: Presto, is a fast and furious race to the finish. The movement is characterized by its use of virtuosic passages and rapid-fire exchanges between the three instruments. The movement builds to a frenzied climax before coming to a sudden and unexpected stop. The final movement, Adagio, is a slow and mournful lament. The movement is characterized by its use of long, sustained notes and a sense of resignation and acceptance. The movement ends with a quiet and peaceful coda, bringing the piece to a gentle close. Overall, Smetana's Piano Trio in G minor is a powerful and emotional work that showcases the composer's skill at creating complex and nuanced musical textures. The piece is characterized by its use of chromaticism, sudden shifts in dynamics, and virtuosic passages, creating a sense of drama and intensity throughout.More....
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Piano Trio in G minor, JB 1:64, Op. 15
Moderato assai. Più animato. Tempo I. Poco a poco accelerando sin' al fine
11:7
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Piano Trio in G minor, JB 1:64, Op. 15
II. Allegro ma non agitato - Alternativo 1: andante - Tempo I Alternativo 2: Maestoso - Tempo I
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