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Richard Strauss
Du meines Herzens Krönelein, Op. 21/2
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Works Info
Composer
:
Richard Strauss
Genre
:
Vocal
Style
:
Song
Compose Date
:
1887 - 1888
Average_duration
:
2:16
"Du meines Herzens Krönelein, Op. 21/2" is a song composed by Richard Strauss in 1897. It was premiered on November 22, 1897, in Berlin, with the composer himself at the piano and the famous soprano, Hedwig Reicher-Kindermann, as the soloist. The song is part of a collection of six songs, collectively known as "Sechs Lieder, Op. 21," which were composed between 1895 and 1897. "Du meines Herzens Krönelein" is the second song in the collection and is set to a poem by the German poet, Felix Dahn. The song is in the key of F major and is written for a solo voice and piano. It is a relatively short song, lasting just over two minutes, and is in a simple ABA form. The first movement of the song is marked "Sehr ruhig" (very calm) and begins with a gentle piano introduction. The soloist enters with a soft, delicate melody that is full of tenderness and longing. The piano accompaniment is sparse and understated, allowing the voice to take center stage. The melody is simple and lyrical, with a flowing, almost improvisational quality. The second movement of the song is marked "Etwas bewegter" (somewhat more animated) and features a more lively piano accompaniment. The melody is more complex and dynamic, with a sense of urgency and passion. The soloist's voice soars above the piano, expressing the intensity of the emotions conveyed in the text. The final movement of the song returns to the calm and gentle mood of the opening. The melody is a variation of the first movement, but with a more subdued and introspective quality. The piano accompaniment is once again understated, providing a delicate and intimate backdrop for the soloist's voice. Overall, "Du meines Herzens Krönelein" is a beautiful and poignant song that showcases Strauss's gift for melody and his ability to convey complex emotions through music. The song is characterized by its simplicity, elegance, and emotional depth, making it a beloved piece in the repertoire of many singers and pianists.
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