Composer

:

César Franck

Genre

:

Vocal

Style

:

Communion

Compose Date

:

1872

Publication Date

:

1872

Average_duration

:

4:03

César Franck's "Panis angelicus" is a sacred motet for tenor, organ, harp, cello, and bass. It was composed in 1872 as part of his Messe à trois voix, Op. 12. The piece premiered on October 7, 1872, at the Church of Sainte-Clotilde in Paris, where Franck was the organist. The motet consists of three movements: an instrumental prelude, the tenor solo "Panis angelicus," and a final "Agnus Dei" for choir and soloists. The prelude sets the tone for the piece with a gentle, flowing melody played by the harp and cello, accompanied by the organ. The tenor solo "Panis angelicus" is a lyrical and expressive setting of the eucharistic hymn by Saint Thomas Aquinas. The soloist is accompanied by the organ, harp, and cello, which provide a delicate and ethereal backdrop to the soaring vocal line. The final "Agnus Dei" is a choral setting of the text, with the soloists joining in for the final section. The piece is characterized by its simplicity and elegance, with a focus on the beauty of the vocal line and the interplay between the instruments. The use of the harp and cello adds a unique and ethereal quality to the piece, while the organ provides a solid foundation for the ensemble. The text of the motet is deeply spiritual and reflective, and Franck's setting captures the reverence and awe of the eucharistic celebration. Overall, "Panis angelicus" is a beautiful and moving work that showcases Franck's skill as a composer and his deep faith. Its enduring popularity has made it a staple of the sacred choral repertoire, and it continues to inspire and uplift listeners today.

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