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Johann Sebastian Bach
Cantata No. 19, "Es erhub sich ein Streit", BWV 19
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Composer
:
Johann Sebastian Bach
Genre
:
Choral
Style
:
Cantata
Compose Date
:
Sep 29, 1726
Publication Date
:
1852
First Performance
:
Sep 29, 1726
Average_duration
:
19:43
Movement_count
:
7
Movement ....
Johann Sebastian Bach composed Cantata No. 19, Es erhub sich ein Streit, BWV 19, in 1726 for the Feast of St. Michael and All Angels. The cantata premiered on September 29, 1726, at the St. Nicholas Church in Leipzig, Germany. The cantata consists of six movements, including an opening chorus, three arias, a recitative, and a closing chorale. The text is based on the biblical account of the battle between Michael and the dragon in the Book of Revelation. The opening chorus, "Es erhub sich ein Streit," is a grand and majestic piece that features a full orchestra and choir. The music is characterized by its use of fanfare-like motifs and powerful choral passages. The first aria, "Stürmt nur, stürmt, ihr Trübsalwetter," is a solo for tenor that features a virtuosic vocal line and a lively accompaniment. The music is characterized by its rapid, running passages and its use of syncopation. The second aria, "Man singet mit Freuden vom Sieg," is a solo for bass that features a more subdued and contemplative mood. The music is characterized by its use of long, flowing melodic lines and its gentle, pastoral accompaniment. The third aria, "Gottlob! es geht uns wohl," is a solo for alto that features a joyful and celebratory mood. The music is characterized by its use of lively dance rhythms and its bright, cheerful orchestration. The recitative, "So stehe denn bei Christi blutgefärbten Fahnen," is a solo for bass that features a declamatory vocal line and a sparse, understated accompaniment. The music is characterized by its use of dramatic pauses and its emphasis on the text. The closing chorale, "Das Wort sie sollen lassen stahn," is a simple and straightforward piece that features a four-part choir and a simple, hymn-like melody. The music is characterized by its use of homophonic textures and its emphasis on the text. Overall, Cantata No. 19, Es erhub sich ein Streit, BWV 19, is a powerful and dramatic work that showcases Bach's mastery of choral and orchestral writing. The music is characterized by its use of grand, majestic themes, lively dance rhythms, and virtuosic vocal lines, making it a true masterpiece of the Baroque era.
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