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WORKS

GENRE

WORKS GENRE

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5501

Barbara Strozzi

Barbara Strozzi

Work(s)

Work(s)

5502

Spoken Word

Spoken Word

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5503

Tomás de Torrejón y Velasco

Tomás de Torrejón y Velasco

In this pilgrim sol

A este sol peregrino

5504

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Cuban Dance (after Brahms' Hungarian Dance No. 5)

Cuban Dance (after Brahms' Hungarian Dance No. 5)

5505

Alessandro Stradella

Alessandro Stradella

Work(s)

Work(s)

5506

Spoken Word

Spoken Word

Award

Sentence

5507

Traditional

Traditional

El Rey de France

El Rey de Francia

5508

Louise Talma

Louise Talma

Let's Touch the Sky

Let's Touch the Sky

5509

St. Godrich

St. Godrich

Saint Nicolaes Godes Drud

Sainte Nicolaes Godes Drud

5510

Paolo Tosti

Paolo Tosti

Without love

Senza l'amore

5511

Joachim Stutschewsky

Joachim Stutschewsky

Kaddish

Kadish

5512

Spoken Word

Spoken Word

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

5513

Spoken Word

Spoken Word

The Darkling Thrush

The Darkling Thrush

5514

Thomas Tollett

Thomas Tollett

Queen's Farewell

Queen's Farewell

5515

Barrett Strong

Barrett Strong

I Heard It Through The Grapevine

I Heard It Through The Grapevine

5516

Stephen Storace

Stephen Storace

The Curfew

The Curfew

5517

Traditional

Traditional

Last Post, bugle call

Last Post, bugle call

5518

Spoken Word

Spoken Word

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5519

Giovanni Antonio Terzi

Giovanni Antonio Terzi

Variations on Palestrina's "Vestiva and colli"

Variations on Palestrina's "Vestiva i colli"

5520

Georgy Sviridov

Georgy Sviridov

The Forest Sheds Its Crimson Dress

The Forest Sheds Its Crimson Dress

5521

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions

Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions

5522

Traditional

Traditional

Bonseaba

Bonse aba

5523

Gregorio Strozzi

Gregorio Strozzi

Elevation touch

Toccata per l'Elevazione

5524

Spoken Word

Spoken Word

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5525

Paolo Tosti

Paolo Tosti

Arcane!

Arcano!

5526

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Mambozart (after Mozart's Symphony No. 40)

Mambozart (after Mozart's Symphony No. 40)

5527

Isaac Strauss

Isaac Strauss

Orpheus in the underworld

Orphée aux enfers

5528

Spoken Word

Spoken Word

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5529

Traditional

Traditional

General's March

Generals March

5530

Éric Tanguy

Éric Tanguy

Towards

Towards

5531

Stanton-Burleigh

Stanton-Burleigh

John

Jean

5532

Spoken Word

Spoken Word

Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause

Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause

5533

Paolo Tosti

Paolo Tosti

Work(s)

Work(s)

5534

Tylman Susato

Tylman Susato

From post

De post

5535

Spoken Word

Spoken Word

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5536

Peire Raimon de Tolosa

Peire Raimon de Tolosa

Pessamen ai and cossir

Pessamen ai e cossir

5537

Barbara Strozzi

Barbara Strozzi

Next to the soft silvers

Appresso ai molli argenti

5538

M. Storkin

M. Storkin

Small Doxology

Small Doxology

5539

Spoken Word

Spoken Word

Post session Thanks To the Performers

Post-Session Thanks To the Performers

5540

Dylan Thomas

Dylan Thomas

Memories of Christmas

Memories of Christmas

5541

Timothy Swan

Timothy Swan

Rainbows

Rainbow

5542

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato

Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato

5543

Traditional

Traditional

Claros y Frescoes rios

Claros y Frescos rios

5544

Paolo Tosti

Paolo Tosti

My mandola is a hook

La mia mandola è un amo

5545

Nicolaus Adam Strungk

Nicolaus Adam Strungk

Capriccio in F major

Capriccio in F major

5546

Spoken Word

Spoken Word

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5547

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

SalsaNo. V (after Beethoven's Symphony No. 5)

Salsa No. V (after Beethoven's Symphony No. 5)

5548

Oscar Strock

Oscar Strock

Where Shall I Go?

Where Shall I Go?

5549

Spoken Word

Spoken Word

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5550

Traditional

Traditional

Jovan Jovanka

Jovano Jovanke

5551

Spoken Word

Spoken Word

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5552

William Tans'ur

William Tans'ur

Colchester "O'twas a joyful sound to hear"

Colchester "O 'twas a joyful sound to hear"

5553

Michael Stegemann

Michael Stegemann

The Glenn Gould Trilogy, A Life

The Glenn Gould Trilogy, A Life

5554

Spoken Word

Spoken Word

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers

5555

Marcel Tournier

Marcel Tournier

Russian Lullaby Op. 40

Berceuse Russe Op. 40

5556

Tylman Susato

Tylman Susato

Where does this come from, Bergerette

Dont vient céla, Bergerette

5557

Barbara Strozzi

Barbara Strozzi

Cottage, o giorni dolenti

Gite, o giorni dolenti

5558

Spoken Word

Spoken Word

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5559

Tomas Gubitsch / Hughes de Courson

Tomas Gubitsch / Hughes de Courson

The Flight

El Vuelo

5560

Jack Strachey

Jack Strachey

In Party Mood

In Party Mood

5561

Spoken Word

Spoken Word

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5562

Benny Thomasson

Benny Thomasson

Speed the Plow Medley

Speed the Plow Medley

5563

Howard Swanson

Howard Swanson

The Cuckoo

The Cuckoo

5564

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Verdi's Otello

Wilhelm Furtwänlger talks about Verdi's Otello

5565

Traditional

Traditional

Doodletown Fifers

Doodletown Fifers

5566

Paolo Tosti

Paolo Tosti

Dream

Rêve

5567

Joachim Stutschewsky

Joachim Stutschewsky

Free salmon

Freilachs

5568

Spoken Word

Spoken Word

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5569

Spoken Word

Spoken Word

Speech by Ralph Vaughan Williams

Speech by Ralph Vaughan Williams

5570

Toifl

Toifl

Imagine the world was a bouquet of flowers

Denk dir die Welt wár einn Blumenstrauss

5571

Alois Strohmayer

Alois Strohmayer

Ottakringer March

Ottakringer Marsch

5572

Traditional

Traditional

Kongrei

Kongerei

5573

Spoken Word

Spoken Word

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5574

Svend Erik Tarp

Svend Erik Tarp

The Battle of Jericho, Op.51

The Battle of Jericho, Op. 51

5575

Bernard Stevens

Bernard Stevens

Mark of Cain

Mark of Cain

5576

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about acoustics in large and small halls

Wilhelm Furtwänlger talks about acoustics in large and small halls

5577

René Touzet

René Touzet

Cervantine

Cervantina

5578

Tylman Susato

Tylman Susato

Ronde, "Where Bistu"

Ronde, "Wo Bistu"

5579

Barbara Strozzi

Barbara Strozzi

Think carefully my heart

Pensaci ben mio core

5580

Spoken Word

Spoken Word

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5581

Thomas Tomkins

Thomas Tomkins

Funeral Sentences

Funeral Sentences

5582

Liu Tian-hua

Liu Tian-hua

Liang Xiao

Liang Xiao

5583

Alessandro Stradella

Alessandro Stradella

The strength of the stars

La forza delle Stelle

5584

Spoken Word

Spoken Word

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

5585

Mario Talavera

Mario Talavera

China

La China

5586

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Weber's Der Freischütz

Wilhelm Furtwänlger talks about Weber's Der Freischütz

5587

Traditional

Traditional

Crying

El Llorar

5588

Paolo Tosti

Paolo Tosti

Pink

Rosa

5589

Joachim Stutschewsky

Joachim Stutschewsky

Hassidic Suite

Hassidic Suite

5590

Spoken Word

Spoken Word

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5591

Spoken Word

Spoken Word

Ghosts Introduction by John Browning

Spoken Introduction by John Browning

5592

Thomas Tollett

Thomas Tollett

Ground

Ground

5593

Strokin

Strokin

Now Let This Servant Department

Now Let This Thy Servant Depart

5594

Stephen Storace

Stephen Storace

Captivity

Captivity

5595

Traditional

Traditional

The Cancion de Cuna

La Cancion de Cuna

5596

Spoken Word

Spoken Word

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5597

Otto Teich

Otto Teich

In the Grunewald, there is a wood auction in the Grunewald

Im Grunewald, im Grunewald ist Holzauktion

5598

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about music in opera

Wilhelm Furtwänlger talks about music in opera

5599

René Touzet

René Touzet

Recording to the Master

Recordando al Maestro

5600

Harold Sventelius

Harold Sventelius

O peerless star

O makalösa stjärna

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