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WORKS

GENRE

WORKS GENRE

56
57
58
59
60

5501

Traditional

Traditional

Doodletown Fifers

Doodletown Fifers

5502

Howard Swanson

Howard Swanson

The Cuckoo

The Cuckoo

5503

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Verdi's Otello

Wilhelm Furtwänlger talks about Verdi's Otello

5504

Spoken Word

Spoken Word

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5505

Paolo Tosti

Paolo Tosti

Dream

Rêve

5506

Joachim Stutschewsky

Joachim Stutschewsky

Free salmon

Freilachs

5507

Alois Strohmayer

Alois Strohmayer

Ottakringer March

Ottakringer Marsch

5508

Spoken Word

Spoken Word

Speech by Ralph Vaughan Williams

Speech by Ralph Vaughan Williams

5509

Toifl

Toifl

Imagine the world was a bouquet of flowers

Denk dir die Welt wár einn Blumenstrauss

5510

Svend Erik Tarp

Svend Erik Tarp

The Battle of Jericho, Op.51

The Battle of Jericho, Op. 51

5511

Bernard Stevens

Bernard Stevens

Mark of Cain

Mark of Cain

5512

Traditional

Traditional

Kongrei

Kongerei

5513

Spoken Word

Spoken Word

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5514

Tylman Susato

Tylman Susato

Ronde, "Where Bistu"

Ronde, "Wo Bistu"

5515

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about acoustics in large and small halls

Wilhelm Furtwänlger talks about acoustics in large and small halls

5516

René Touzet

René Touzet

Cervantine

Cervantina

5517

Thomas Tomkins

Thomas Tomkins

Funeral Sentences

Funeral Sentences

5518

Barbara Strozzi

Barbara Strozzi

Think carefully my heart

Pensaci ben mio core

5519

Spoken Word

Spoken Word

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5520

Spoken Word

Spoken Word

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

5521

Liu Tian-hua

Liu Tian-hua

Liang Xiao

Liang Xiao

5522

Alessandro Stradella

Alessandro Stradella

The strength of the stars

La forza delle Stelle

5523

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Weber's Der Freischütz

Wilhelm Furtwänlger talks about Weber's Der Freischütz

5524

Traditional

Traditional

Crying

El Llorar

5525

Mario Talavera

Mario Talavera

China

La China

5526

Spoken Word

Spoken Word

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5527

Paolo Tosti

Paolo Tosti

Pink

Rosa

5528

Joachim Stutschewsky

Joachim Stutschewsky

Hassidic Suite

Hassidic Suite

5529

Strokin

Strokin

Now Let This Servant Department

Now Let This Thy Servant Depart

5530

Spoken Word

Spoken Word

Ghosts Introduction by John Browning

Spoken Introduction by John Browning

5531

Thomas Tollett

Thomas Tollett

Ground

Ground

5532

Otto Teich

Otto Teich

In the Grunewald, there is a wood auction in the Grunewald

Im Grunewald, im Grunewald ist Holzauktion

5533

Stephen Storace

Stephen Storace

Captivity

Captivity

5534

Traditional

Traditional

The Cancion de Cuna

La Cancion de Cuna

5535

Spoken Word

Spoken Word

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5536

René Touzet

René Touzet

Recording to the Master

Recordando al Maestro

5537

Harold Sventelius

Harold Sventelius

O peerless star

O makalösa stjärna

5538

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about music in opera

Wilhelm Furtwänlger talks about music in opera

5539

Tomás de Torrejón y Velasco

Tomás de Torrejón y Velasco

In this pilgrim sol

A este sol peregrino

5540

Barbara Strozzi

Barbara Strozzi

Work(s)

Work(s)

5541

Spoken Word

Spoken Word

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5542

Spoken Word

Spoken Word

Award

Sentence

5543

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Cuban Dance (after Brahms' Hungarian Dance No. 5)

Cuban Dance (after Brahms' Hungarian Dance No. 5)

5544

Alessandro Stradella

Alessandro Stradella

Work(s)

Work(s)

5545

St. Godrich

St. Godrich

Saint Nicolaes Godes Drud

Sainte Nicolaes Godes Drud

5546

Traditional

Traditional

El Rey de France

El Rey de Francia

5547

Louise Talma

Louise Talma

Let's Touch the Sky

Let's Touch the Sky

5548

Joachim Stutschewsky

Joachim Stutschewsky

Kaddish

Kadish

5549

Spoken Word

Spoken Word

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

5550

Paolo Tosti

Paolo Tosti

Without love

Senza l'amore

5551

Barrett Strong

Barrett Strong

I Heard It Through The Grapevine

I Heard It Through The Grapevine

5552

Spoken Word

Spoken Word

The Darkling Thrush

The Darkling Thrush

5553

Thomas Tollett

Thomas Tollett

Queen's Farewell

Queen's Farewell

5554

Giovanni Antonio Terzi

Giovanni Antonio Terzi

Variations on Palestrina's "Vestiva and colli"

Variations on Palestrina's "Vestiva i colli"

5555

Stephen Storace

Stephen Storace

The Curfew

The Curfew

5556

Traditional

Traditional

Last Post, bugle call

Last Post, bugle call

5557

Spoken Word

Spoken Word

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5558

Traditional

Traditional

Bonseaba

Bonse aba

5559

Georgy Sviridov

Georgy Sviridov

The Forest Sheds Its Crimson Dress

The Forest Sheds Its Crimson Dress

5560

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions

Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions

5561

Spoken Word

Spoken Word

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5562

Paolo Tosti

Paolo Tosti

Arcane!

Arcano!

5563

Gregorio Strozzi

Gregorio Strozzi

Elevation touch

Toccata per l'Elevazione

5564

Spoken Word

Spoken Word

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5565

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Mambozart (after Mozart's Symphony No. 40)

Mambozart (after Mozart's Symphony No. 40)

5566

Isaac Strauss

Isaac Strauss

Orpheus in the underworld

Orphée aux enfers

5567

Stanton-Burleigh

Stanton-Burleigh

John

Jean

5568

Traditional

Traditional

General's March

Generals March

5569

Éric Tanguy

Éric Tanguy

Towards

Towards

5570

Tylman Susato

Tylman Susato

From post

De post

5571

Spoken Word

Spoken Word

Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause

Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause

5572

Paolo Tosti

Paolo Tosti

Work(s)

Work(s)

5573

Peire Raimon de Tolosa

Peire Raimon de Tolosa

Pessamen ai and cossir

Pessamen ai e cossir

5574

Barbara Strozzi

Barbara Strozzi

Next to the soft silvers

Appresso ai molli argenti

5575

Spoken Word

Spoken Word

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5576

Dylan Thomas

Dylan Thomas

Memories of Christmas

Memories of Christmas

5577

M. Storkin

M. Storkin

Small Doxology

Small Doxology

5578

Spoken Word

Spoken Word

Post session Thanks To the Performers

Post-Session Thanks To the Performers

5579

Traditional

Traditional

Claros y Frescoes rios

Claros y Frescos rios

5580

Timothy Swan

Timothy Swan

Rainbows

Rainbow

5581

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato

Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato

5582

Spoken Word

Spoken Word

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5583

Paolo Tosti

Paolo Tosti

My mandola is a hook

La mia mandola è un amo

5584

Nicolaus Adam Strungk

Nicolaus Adam Strungk

Capriccio in F major

Capriccio in F major

5585

Oscar Strock

Oscar Strock

Where Shall I Go?

Where Shall I Go?

5586

Spoken Word

Spoken Word

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5587

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

SalsaNo. V (after Beethoven's Symphony No. 5)

Salsa No. V (after Beethoven's Symphony No. 5)

5588

Michael Stegemann

Michael Stegemann

The Glenn Gould Trilogy, A Life

The Glenn Gould Trilogy, A Life

5589

Traditional

Traditional

Jovan Jovanka

Jovano Jovanke

5590

Spoken Word

Spoken Word

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5591

William Tans'ur

William Tans'ur

Colchester "O'twas a joyful sound to hear"

Colchester "O 'twas a joyful sound to hear"

5592

Tylman Susato

Tylman Susato

Where does this come from, Bergerette

Dont vient céla, Bergerette

5593

Spoken Word

Spoken Word

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers

5594

Marcel Tournier

Marcel Tournier

Russian Lullaby Op. 40

Berceuse Russe Op. 40

5595

Tomas Gubitsch / Hughes de Courson

Tomas Gubitsch / Hughes de Courson

The Flight

El Vuelo

5596

Barbara Strozzi

Barbara Strozzi

Cottage, o giorni dolenti

Gite, o giorni dolenti

5597

Spoken Word

Spoken Word

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5598

Spoken Word

Spoken Word

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5599

Benny Thomasson

Benny Thomasson

Speed the Plow Medley

Speed the Plow Medley

5600

Jack Strachey

Jack Strachey

In Party Mood

In Party Mood

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