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WORKS

GENRE

WORKS GENRE

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5501

Emil Sjögren

Emil Sjögren

The Smuggler

The Contrabandist

5502

Spoken Word

Spoken Word

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5503

Spoken Word

Spoken Word

First Lesson—Genesis 3:8-15

First Lesson - Genesis 3:8-15

5504

Spoken Word

Spoken Word

And now the last movement…

And now the last movement…

5505

Oscar Strock

Oscar Strock

Where Shall I Go?

Where Shall I Go?

5506

Thomas Simpson

Thomas Simpson

Opusculum new pavans, galliards, courants and volts

Opusculum neuwer Pavanen, Galliarden, Couranten unnd Volten

5507

Spoken Word

Spoken Word

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5508

Leo Sowerby

Leo Sowerby

Lovely Infant, H. 391

Lovely Infant, H. 391

5509

Bernard Stevens

Bernard Stevens

Mark of Cain

Mark of Cain

5510

Spoken Word

Spoken Word

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5511

Spoken Word

Spoken Word

Interview with Paul Hindemith on his recording of the Symphony "Mathis der Maler"

Interview with Paul Hindemith on his recording of the Symphony "Mathis der Maler"

5512

Vicente Emilio Sojo

Vicente Emilio Sojo

Que No. te quiera más, serenade

Que No. te quiera más, serenata

5513

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about acoustics in large and small halls

Wilhelm Furtwänlger talks about acoustics in large and small halls

5514

Spoken Word

Spoken Word

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5515

Spoken Word

Spoken Word

Dame Nellie Melba's farewell speech

Dame Nellie Melba's farewell speech

5516

Emil Sjögren

Emil Sjögren

Hvil over Verden, you dybe Fred

Hvil over Verden, du dybe Fred

5517

Alessandro Stradella

Alessandro Stradella

The strength of the stars

La forza delle Stelle

5518

Spoken Word

Spoken Word

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5519

Spoken Word

Spoken Word

A Talking Portrait: Bruno Walter in Conversation

A Talking Portrait: Bruno Walter in Conversation

5520

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Weber's Der Freischütz

Wilhelm Furtwänlger talks about Weber's Der Freischütz

5521

Spoken Word

Spoken Word

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5522

Recorded Sound

Recorded Sound

New Years Greeting

New Year Greeting

5523

Emil Sjögren

Emil Sjögren

Because on me you dark eye

Weil auf mir du dunkles Auge

5524

Spoken Word

Spoken Word

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5525

Spoken Word

Spoken Word

Fourth Lesson—Isaiah 11:1-9

Fourth Lesson - Isaiah 11:1-9

5526

Spoken Word

Spoken Word

And so we have arrived…

And so we have arrived…

5527

Christian Sinding

Christian Sinding

The skreg un Fugl

Der skreg un Fugl

5528

Spoken Word

Spoken Word

Ghosts Introduction by John Browning

Spoken Introduction by John Browning

5529

Spoken Word

Spoken Word

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5530

Leo Sowerby

Leo Sowerby

Now There Lights Upon Us, H. 225

Now There Lightens upon Us, H. 225

5531

Stephen Storace

Stephen Storace

Captivity

Captivity

5532

Spoken Word

Spoken Word

Interview with the King's Singers

Interview with the King's Singers

5533

Arthur Somervell

Arthur Somervell

Air in C

Air in C

5534

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about music in opera

Wilhelm Furtwänlger talks about music in opera

5535

Spoken Word

Spoken Word

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5536

Spoken Word

Spoken Word

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5537

Emil Sjögren

Emil Sjögren

Lean your cheek, Op. 16

Lehn' deine Wang', Op. 16

5538

Alessandro Stradella

Alessandro Stradella

Work(s)

Work(s)

5539

Friedrich Silcher

Friedrich Silcher

Work(s)

Work(s)

5540

Spoken Word

Spoken Word

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

5541

Spoken Word

Spoken Word

A Working Portrait: Recording the Mahler Ninth Symphony

A Working Portrait: Recording the Mahler Ninth Symphony

5542

Recorded Sound

Recorded Sound

Reading: "Let me not the marriage of true minds"

Reading: "Let me not the the marriage of true minds"

5543

St. Godrich

St. Godrich

Saint Nicolaes Godes Drud

Sainte Nicolaes Godes Drud

5544

Spoken Word

Spoken Word

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5545

Reginald Smith Brindle

Reginald Smith Brindle

Orion M42

Orion M 42

5546

Spoken Word

Spoken Word

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

5547

Spoken Word

Spoken Word

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5548

Spoken Word

Spoken Word

Anglican Service

Anglican Service

5549

Christian Sinding

Christian Sinding

Sylvelin, Op.55

Sylvelin, Op. 55

5550

Spoken Word

Spoken Word

The Darkling Thrush

The Darkling Thrush

5551

Spoken Word

Spoken Word

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5552

Philip Sparke

Philip Sparke

Song for Ina

Song for Ina

5553

Stephen Storace

Stephen Storace

The Curfew

The Curfew

5554

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions

Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions

5555

Spoken Word

Spoken Word

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5556

Bent Sørensen

Bent Sørensen

Looking into Darkness

Looking on Darkness

5557

Spoken Word

Spoken Word

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5558

Spoken Word

Spoken Word

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5559

Emil Sjögren

Emil Sjögren

Prelude and fuga A minor, Op. 49

Preludium och fuga A minor, Op. 49

5560

Isaac Strauss

Isaac Strauss

Orpheus in the underworld

Orphée aux enfers

5561

Paul Simon

Paul Simon

Old Friends

Old Friends

5562

Spoken Word

Spoken Word

Award

Sentence

5563

Spoken Word

Spoken Word

All that we have said... Final

All that we have said... Finale

5564

Recorded Sound

Recorded Sound

Reading: "Shall I compare thee to a summer's day?"

Reading: "Shall I compare thee to a summer's day?"

5565

Stanton-Burleigh

Stanton-Burleigh

John

Jean

5566

Spoken Word

Spoken Word

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5567

Spoken Word

Spoken Word

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5568

H. Percy Smith

H. Percy Smith

O master, let me walk with you

O master, let me walk with thee

5569

Spoken Word

Spoken Word

Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause

Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause

5570

Spoken Word

Spoken Word

Brahms's Fourth Symphony in E minor...

Brahms' Fourth Symphony in E minor…

5571

Leone Sinigaglia

Leone Sinigaglia

La Baruffe Chiozzote, Op. 32

La Baruffe Chiozzote, Op. 32

5572

Spoken Word

Spoken Word

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5573

Spoken Word

Spoken Word

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5574

Oley Speaks

Oley Speaks

Morning

Morning

5575

M. Storkin

M. Storkin

Small Doxology

Small Doxology

5576

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato

Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato

5577

Spoken Word

Spoken Word

Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet

Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet

5578

Recorded Sound

Recorded Sound

Bells of St Adalbert's Church

Bells of St. Adalbert's Church

5579

Emil Sjögren

Emil Sjögren

Lullaby

Schlummerlied

5580

Spoken Word

Spoken Word

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5581

Spoken Word

Spoken Word

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5582

Josef Strauss

Josef Strauss

Work(s)

Work(s)

5583

Christopher Simpson

Christopher Simpson

Work(s)

Work(s)

5584

Spoken Word

Spoken Word

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5585

Spoken Word

Spoken Word

And here we are back home

And here we are back home

5586

Leo Sowerby

Leo Sowerby

A Carol in Praise of the Holly and the Ivy

A Carol in Praise of the Holly and the Ivy

5587

Michael Stegemann

Michael Stegemann

The Glenn Gould Trilogy, A Life

The Glenn Gould Trilogy, A Life

5588

Spoken Word

Spoken Word

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5589

Spoken Word

Spoken Word

Interview with Igor Markevich

Interview with Igor Markevitch

5590

Lille Bror Söderlundh

Lille Bror Söderlundh

Folklig Waltz No. 2

Folklig Vals No. 2

5591

Spoken Word

Spoken Word

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers

5592

Spoken Word

Spoken Word

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5593

Spoken Word

Spoken Word

Closing announcement

Closing announcement

5594

Jose Prats Sirera

Jose Prats Sirera

L’Hereu

L'Hereu

5595

Spoken Word

Spoken Word

Post session Thanks To the Performers

Post-Session Thanks To the Performers

5596

Daniel Speer

Daniel Speer

Work(s)

Work(s)

5597

Jack Strachey

Jack Strachey

In Party Mood

In Party Mood

5598

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Verdi's Otello

Wilhelm Furtwänlger talks about Verdi's Otello

5599

Spoken Word

Spoken Word

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

5600

Recorded Sound

Recorded Sound

Concert Atmosphere

Concert Atmosphere

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