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WORKS

GENRE

WORKS GENRE

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5501

Spoken Word

Spoken Word

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5502

Spoken Word

Spoken Word

Dame Nellie Melba's farewell speech

Dame Nellie Melba's farewell speech

5503

Emil Sjögren

Emil Sjögren

Hvil over Verden, you dybe Fred

Hvil over Verden, du dybe Fred

5504

Alessandro Stradella

Alessandro Stradella

The strength of the stars

La forza delle Stelle

5505

Spoken Word

Spoken Word

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5506

Spoken Word

Spoken Word

A Talking Portrait: Bruno Walter in Conversation

A Talking Portrait: Bruno Walter in Conversation

5507

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Weber's Der Freischütz

Wilhelm Furtwänlger talks about Weber's Der Freischütz

5508

Spoken Word

Spoken Word

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5509

Recorded Sound

Recorded Sound

New Years Greeting

New Year Greeting

5510

Emil Sjögren

Emil Sjögren

Because on me you dark eye

Weil auf mir du dunkles Auge

5511

Spoken Word

Spoken Word

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5512

Spoken Word

Spoken Word

Fourth Lesson—Isaiah 11:1-9

Fourth Lesson - Isaiah 11:1-9

5513

Spoken Word

Spoken Word

And so we have arrived…

And so we have arrived…

5514

Christian Sinding

Christian Sinding

The skreg un Fugl

Der skreg un Fugl

5515

Spoken Word

Spoken Word

Ghosts Introduction by John Browning

Spoken Introduction by John Browning

5516

Spoken Word

Spoken Word

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5517

Leo Sowerby

Leo Sowerby

Now There Lights Upon Us, H. 225

Now There Lightens upon Us, H. 225

5518

Stephen Storace

Stephen Storace

Captivity

Captivity

5519

Spoken Word

Spoken Word

Interview with the King's Singers

Interview with the King's Singers

5520

Arthur Somervell

Arthur Somervell

Air in C

Air in C

5521

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about music in opera

Wilhelm Furtwänlger talks about music in opera

5522

Spoken Word

Spoken Word

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5523

Spoken Word

Spoken Word

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5524

Emil Sjögren

Emil Sjögren

Lean your cheek, Op. 16

Lehn' deine Wang', Op. 16

5525

Alessandro Stradella

Alessandro Stradella

Work(s)

Work(s)

5526

Friedrich Silcher

Friedrich Silcher

Work(s)

Work(s)

5527

Spoken Word

Spoken Word

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

5528

Spoken Word

Spoken Word

A Working Portrait: Recording the Mahler Ninth Symphony

A Working Portrait: Recording the Mahler Ninth Symphony

5529

Recorded Sound

Recorded Sound

Reading: "Let me not the marriage of true minds"

Reading: "Let me not the the marriage of true minds"

5530

St. Godrich

St. Godrich

Saint Nicolaes Godes Drud

Sainte Nicolaes Godes Drud

5531

Spoken Word

Spoken Word

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5532

Reginald Smith Brindle

Reginald Smith Brindle

Orion M42

Orion M 42

5533

Spoken Word

Spoken Word

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

5534

Spoken Word

Spoken Word

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5535

Spoken Word

Spoken Word

Anglican Service

Anglican Service

5536

Christian Sinding

Christian Sinding

Sylvelin, Op.55

Sylvelin, Op. 55

5537

Spoken Word

Spoken Word

The Darkling Thrush

The Darkling Thrush

5538

Spoken Word

Spoken Word

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5539

Philip Sparke

Philip Sparke

Song for Ina

Song for Ina

5540

Stephen Storace

Stephen Storace

The Curfew

The Curfew

5541

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions

Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions

5542

Spoken Word

Spoken Word

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5543

Bent Sørensen

Bent Sørensen

Looking into Darkness

Looking on Darkness

5544

Emil Sjögren

Emil Sjögren

Prelude and fuga A minor, Op. 49

Preludium och fuga A minor, Op. 49

5545

Spoken Word

Spoken Word

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5546

Spoken Word

Spoken Word

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5547

Isaac Strauss

Isaac Strauss

Orpheus in the underworld

Orphée aux enfers

5548

Paul Simon

Paul Simon

Old Friends

Old Friends

5549

Spoken Word

Spoken Word

Award

Sentence

5550

Spoken Word

Spoken Word

All that we have said... Final

All that we have said... Finale

5551

Recorded Sound

Recorded Sound

Reading: "Shall I compare thee to a summer's day?"

Reading: "Shall I compare thee to a summer's day?"

5552

Stanton-Burleigh

Stanton-Burleigh

John

Jean

5553

Spoken Word

Spoken Word

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5554

Spoken Word

Spoken Word

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5555

H. Percy Smith

H. Percy Smith

O master, let me walk with you

O master, let me walk with thee

5556

Spoken Word

Spoken Word

Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause

Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause

5557

Spoken Word

Spoken Word

Brahms's Fourth Symphony in E minor...

Brahms' Fourth Symphony in E minor…

5558

Leone Sinigaglia

Leone Sinigaglia

La Baruffe Chiozzote, Op. 32

La Baruffe Chiozzote, Op. 32

5559

Spoken Word

Spoken Word

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5560

Spoken Word

Spoken Word

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5561

Oley Speaks

Oley Speaks

Morning

Morning

5562

M. Storkin

M. Storkin

Small Doxology

Small Doxology

5563

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato

Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato

5564

Spoken Word

Spoken Word

Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet

Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet

5565

Recorded Sound

Recorded Sound

Bells of St Adalbert's Church

Bells of St. Adalbert's Church

5566

Emil Sjögren

Emil Sjögren

Lullaby

Schlummerlied

5567

Spoken Word

Spoken Word

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5568

Spoken Word

Spoken Word

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5569

Josef Strauss

Josef Strauss

Work(s)

Work(s)

5570

Christopher Simpson

Christopher Simpson

Work(s)

Work(s)

5571

Spoken Word

Spoken Word

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5572

Spoken Word

Spoken Word

And here we are back home

And here we are back home

5573

Leo Sowerby

Leo Sowerby

A Carol in Praise of the Holly and the Ivy

A Carol in Praise of the Holly and the Ivy

5574

Michael Stegemann

Michael Stegemann

The Glenn Gould Trilogy, A Life

The Glenn Gould Trilogy, A Life

5575

Spoken Word

Spoken Word

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5576

Spoken Word

Spoken Word

Interview with Igor Markevich

Interview with Igor Markevitch

5577

Lille Bror Söderlundh

Lille Bror Söderlundh

Folklig Waltz No. 2

Folklig Vals No. 2

5578

Spoken Word

Spoken Word

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers

5579

Spoken Word

Spoken Word

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5580

Spoken Word

Spoken Word

Closing announcement

Closing announcement

5581

Jose Prats Sirera

Jose Prats Sirera

L’Hereu

L'Hereu

5582

Spoken Word

Spoken Word

Post session Thanks To the Performers

Post-Session Thanks To the Performers

5583

Daniel Speer

Daniel Speer

Work(s)

Work(s)

5584

Jack Strachey

Jack Strachey

In Party Mood

In Party Mood

5585

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Verdi's Otello

Wilhelm Furtwänlger talks about Verdi's Otello

5586

Spoken Word

Spoken Word

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

5587

Recorded Sound

Recorded Sound

Concert Atmosphere

Concert Atmosphere

5588

Emil Sjögren

Emil Sjögren

The Smuggler

The Contrabandist

5589

Spoken Word

Spoken Word

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5590

Spoken Word

Spoken Word

First Lesson—Genesis 3:8-15

First Lesson - Genesis 3:8-15

5591

Spoken Word

Spoken Word

And now the last movement…

And now the last movement…

5592

Oscar Strock

Oscar Strock

Where Shall I Go?

Where Shall I Go?

5593

Thomas Simpson

Thomas Simpson

Opusculum new pavans, galliards, courants and volts

Opusculum neuwer Pavanen, Galliarden, Couranten unnd Volten

5594

Spoken Word

Spoken Word

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5595

Leo Sowerby

Leo Sowerby

Lovely Infant, H. 391

Lovely Infant, H. 391

5596

Bernard Stevens

Bernard Stevens

Mark of Cain

Mark of Cain

5597

Spoken Word

Spoken Word

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5598

Spoken Word

Spoken Word

Interview with Paul Hindemith on his recording of the Symphony "Mathis der Maler"

Interview with Paul Hindemith on his recording of the Symphony "Mathis der Maler"

5599

Vicente Emilio Sojo

Vicente Emilio Sojo

Que No. te quiera más, serenade

Que No. te quiera más, serenata

5600

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about acoustics in large and small halls

Wilhelm Furtwänlger talks about acoustics in large and small halls

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