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classic
Franz Liszt
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2
Titanium, p. 79  Der Titan, S. 79/2
Titan, S. 79  Der Titan, S. 79/2
 
10:18
7
Piano Concerto No. 2 in A major, p. 125  Adagio sostenuto assai - Allegro agitato assai - Allegro moderato - Allegro deciso
Piano Concerto No. 2 in A major, S. 125  Adagio sostenuto assai - Allegro agitato assai - Allegro moderato - Allegro deciso
20:26
9
Consolations (6), p. 172  No. 1. Andante con moto
Consolations (6), S. 172  No. 1. Andante con moto
1:30
10
Consolations (6), p. 172  No. 2. Un poco più mosso
Consolations (6), S. 172  No. 2. Un poco più mosso
3:12
12
Consolations (6), p. 172  No. 4. Quasi Adagio, cantabile con devozione
Consolations (6), S. 172  No. 4. Quasi Adagio, cantabile con devozione
3:2
14
Consolations (6), p. 172  No. 6. Allegretto sempre cantabile
Consolations (6), S. 172  No. 6. Allegretto sempre cantabile
3:8
15
Caprices-Valses (3), p. 214  No. 1 in B-flat Major "Valse de bravoure"
Caprices-Valses (3), S. 214  No. 1 in B-flat Major "Valse de bravoure"
8:25
16
Caprices-Valses (3), p. 214  No. 2 in E Major "Valse mélancolique"
Caprices-Valses (3), S. 214  No. 2 in E Major "Valse mélancolique"
6:11
17
Caprices-Valses (3), p. 214  No. 3 in A Major "Valse de concert sur deux motifs de Lucia et Parisina de Donizetti"
Caprices-Valses (3), S. 214  No. 3 in A Major "Valse de concert sur deux motifs de Lucia et Parisina de Donizetti"
9:26
19
Liebestraum (3) (after songs LW N18), p. 541  No. 1 in A-flat Major "Hohe Liebe"
Liebestraum (3) (after songs LW N18), S. 541  No. 1 in A-flat Major "Hohe Liebe"
6:47
20
Liebestraum (3) (after songs LW N18), p. 541  No. 2 in E-flat Major "Seliger Tod"
Liebestraum (3) (after songs LW N18), S. 541  No. 2 in E-flat Major "Seliger Tod"
4:31
21
Liebestraum (3) (after songs LW N18), p. 541  No. 3 in A-flat Major "Oh Lieb, so lang du lieben kannst"
Liebestraum (3) (after songs LW N18), S. 541  No. 3 in A-flat Major "Oh Lieb, so lang du lieben kannst"
4:50
22
Légendes (2), for piano, p.175  No. 1. St François d'Assise: la prédication aux oiseaux
Légendes (2), for piano, S.175  No. 1. St François d'Assise: la prédication aux oiseaux
9:43
23
Légendes (2), for piano, p.175  No. 2. St François de Paule: marchant sur les flots
Légendes (2), for piano, S.175  No. 2. St François de Paule: marchant sur les flots
8:44
24
Légendes (2), for piano, p.175  I. St. François d'Assise: la prédication aux oiseaux
Légendes (2), for piano, S.175  I. St. François d'Assise: la prédication aux oiseaux
10:42
25
Légendes (2), for piano, p.175  II. St. François de Paule marchant sur les flots
Légendes (2), for piano, S.175  II. St. François de Paule marchant sur les flots
7:53
27
Via Crucis, for solo voices, chorus & organ, p. 53  Station I: Jesus wird zum Tode verdammt (Jesus is condemned to death)
Via Crucis, for solo voices, chorus & organ, S. 53  Station I: Jesus wird zum Tode verdammt (Jesus is condemned to death)
1:22
28
Via Crucis, for solo voices, chorus & organ, p. 53  Station II: Jesus trägt sein Kreuz (Jesus takes up the Cross)
Via Crucis, for solo voices, chorus & organ, S. 53  Station II: Jesus trägt sein Kreuz (Jesus takes up the Cross)
2:21
29
Via Crucis, for solo voices, chorus & organ, p. 53  Station III: Jesus fällt zum ersten Mal (Jesus falls the first time)
Via Crucis, for solo voices, chorus & organ, S. 53  Station III: Jesus fällt zum ersten Mal (Jesus falls the first time)
1:26
30
Via Crucis, for solo voices, chorus & organ, p. 53  Station IV: Jesus begegnet seiner heiligen Mutter (Jesus meets his Blessed Mother)
Via Crucis, for solo voices, chorus & organ, S. 53  Station IV: Jesus begegnet seiner heiligen Mutter (Jesus meets his Blessed Mother)
2:15
31
Via Crucis, for solo voices, chorus & organ, p. 53  Station V: Simon von Kyrene hilft Jesus das Kreuz tragen (Simon of Cyrene helps Jesus carry the Cross)
Via Crucis, for solo voices, chorus & organ, S. 53  Station V: Simon von Kyrene hilft Jesus das Kreuz tragen (Simon of Cyrene helps Jesus carry the Cross)
3:9
33
Via Crucis, for solo voices, chorus & organ, p. 53  Station VII: Jesus fällt zum zweiten Mal (Jesus falls the second time)
Via Crucis, for solo voices, chorus & organ, S. 53  Station VII: Jesus fällt zum zweiten Mal (Jesus falls the second time)
1:26
34
Via Crucis, for solo voices, chorus & organ, p. 53  Station VIII: Die Frauen von Jerusalem (The women of Jerusalem weep for Jesus)
Via Crucis, for solo voices, chorus & organ, S. 53  Station VIII: Die Frauen von Jerusalem (The women of Jerusalem weep for Jesus)
3:5
35
Via Crucis, for solo voices, chorus & organ, p. 53  Station IX: Jesus fällt zum dritten Mal (Jesus falls the third time)
Via Crucis, for solo voices, chorus & organ, S. 53  Station IX: Jesus fällt zum dritten Mal (Jesus falls the third time)
1:32
36
Via Crucis, for solo voices, chorus & organ, p. 53  Station X: Jesus wird entkleidet (Jesus is stripped of his clothes)
Via Crucis, for solo voices, chorus & organ, S. 53  Station X: Jesus wird entkleidet (Jesus is stripped of his clothes)
1:46
37
Via Crucis, for solo voices, chorus & organ, p. 53  Station XI: Jesus wird ans Kreuz geschlagen (Jesus is nailed to the Cross)
Via Crucis, for solo voices, chorus & organ, S. 53  Station XI: Jesus wird ans Kreuz geschlagen (Jesus is nailed to the Cross)
58
38
Via Crucis, for solo voices, chorus & organ, p. 53  Station XII: Jesus stirbt am Kreuze (Jesus dies on the Cross)
Via Crucis, for solo voices, chorus & organ, S. 53  Station XII: Jesus stirbt am Kreuze (Jesus dies on the Cross)
7:41
39
Via Crucis, for solo voices, chorus & organ, p. 53  Station XIII: Jesus wird vom Kreuz genommen (Jesus is taken down from the Cross)
Via Crucis, for solo voices, chorus & organ, S. 53  Station XIII: Jesus wird vom Kreuz genommen (Jesus is taken down from the Cross)
3:50
40
Via Crucis, for solo voices, chorus & organ, p. 53  Station XIV: Jesus wird ins Grab gelegt (Jesus is laid in the tomb)
Via Crucis, for solo voices, chorus & organ, S. 53  Station XIV: Jesus wird ins Grab gelegt (Jesus is laid in the tomb)
5:25
44
Consolation no. 3 in D flat major "Lento placido", p. 172/3  Consolation: Lento placido in D-flat Major, S. 172 No. 3
Consolation No. 3 in D flat major "Lento placido", S. 172/3  Consolation: Lento placido in D-flat Major, S. 172 No. 3
4:25
45
Dedication (after Schumann, I & II), p. 566  Liebeslied - Widmung No. 1 from Myrthen, S. 566 (after Schumann)
Widmung (after Schumann, I & II), S. 566  Liebeslied - Widmung No. 1 from Myrthen, S. 566 (after Schumann)
4:29
72
Piano Concerto No. 1 in E flat major, p. 124  II. Quasi Adagio. Allegretto vivace. Allegro animato
Piano Concerto No. 1 in E flat major, S. 124  II. Quasi Adagio. Allegretto vivace. Allegro animato
7:47
74
Overture to Tannhäuser (after Wagner), p. 442  Ouvertüre zu Tannhäuser (After Richard Wagner), S. 442
Overture zu Tannhäuser (after Wagner), S. 442  Ouvertüre zu Tannhäuser (After Richard Wagner), S. 442
15:25
77
Serenade, quietly pleading my songs (after Schubert D. 957), p. 560/7  Ständchen - Leise flehen meine Lieder (after Schubert), S.560 No. 7a
Ständchen, Leise flehen meine Lieder (after Schubert D. 957), S. 560/7  Ständchen - Leise flehen meine Lieder (after Schubert), S.560 No. 7a
5:39
78
At the Still Hearth (after Wagner: Die Meistersinger), p. 448  Am stillen Herd, Lied aus Richard Wagners Meistersinger, S.448
Am stillen Herd (after Wagner: Die Meistersinger), S. 448  Am stillen Herd, Lied aus Richard Wagners Meistersinger, S.448
8:25
79
Loose heaven my soul after Lassen p. 494/2  Löse, Himmel, meine Seele (Lassen) (second version), S.494ii
Löse, Himmel, meine Seele (after Lassen), S. 494/2  Löse, Himmel, meine Seele (Lassen) (second version), S.494ii
4:32
80
I'm in deep solitude (after Lassen), p. 495  Ich weil' in tiefer Einsamkeit (Lassen), S. 495
Ich weil' in tiefer Einsamkeit (after Lassen), S. 495  Ich weil' in tiefer Einsamkeit (Lassen), S. 495
 
4:54
83
Hymne à Sainte Cécile (after Gounod), p. 491  Hymn to St. Cecilia (After Charles Gounod), S. 491
Hymne à Sainte Cécile (after Gounod), S. 491  Hymn to St. Cecilia (After Charles Gounod), S. 491
 
8:44
84
Polonaise from the Opera Eugene Onegin (after Tchaikovsky), p. 429  Polonaise from Eugene Onegin (After Pyotr Ilyich Tchaikovsky), S. 429
Polonaise aus der Opera Eugene Onegin (after Tchaikovsky), S. 429  Polonaise from Eugene Onegin (After Pyotr Ilyich Tchaikovsky), S. 429
6:15
85
Dante's Sonnet, p. 479  Dantes Sonett 'Tango gentile e tanto onesta' (Bülow), S.479
Dantes Sonnet, S. 479  Dantes Sonett 'Tango gentile e tanto onesta' (Bülow), S.479
5:3
95
Piano Sonata in B minor, p. 178  Lento assai - Allegro energico - Grandioso - Cantando espressivo - Pesante - Recitativo -
Piano Sonata in B minor, S. 178  Lento assai - Allegro energico - Grandioso - Cantando espressivo - Pesante - Recitativo -
11:44
96
Piano Sonata in B minor, p. 178  Andante sostenuto - Quasi Adagio -
Piano Sonata in B minor, S. 178  Andante sostenuto - Quasi Adagio -
9:9
97
Piano Sonata in B minor, p. 178  Allegro energico - Più mosso - Cantando espressivo senza slentare - Stretta quasi Presto - Presto - Prestissimo - Andante sostenuto - Allegro moderato - Lento assai
Piano Sonata in B minor, S. 178  Allegro energico - Più mosso - Cantando espressivo senza slentare - Stretta quasi Presto - Presto - Prestissimo - Andante sostenuto - Allegro moderato - Lento assai
11:29
98
The Doppelganger (after Schubert, D. 957/13), p. 560/12  Der Doppelgänger S 560/12 (from Schwanengesang D 957/13)
Der Doppelgänger (after Schubert, D. 957/13), S. 560/12  Der Doppelgänger S 560/12 (from Schwanengesang D 957/13)
5:31
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