Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

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1846 - 1852

Publication Date

:

1852

Average_duration

:

6:46

Franz Liszt's "Soirées de Vienne, No. 6 (I; after Schubert D. 969 & 779) S. 427/6" is a solo piano piece that was composed in 1852. It was premiered in the same year in Weimar, Germany. The piece is part of a set of nine pieces that Liszt composed, which were inspired by the Viennese waltzes of Johann Strauss II. The piece is divided into three movements, with the first movement being the most well-known. The first movement is a transcription of two waltzes by Franz Schubert, D. 969 and D. 779. Liszt's transcription is faithful to the original waltzes, but he adds his own virtuosic flourishes and embellishments. The result is a piece that is both elegant and technically challenging. The second movement is a slower waltz that is more introspective than the first. It features a lyrical melody that is played over a simple accompaniment. The third movement is a faster waltz that is more playful than the first two. It features a lively melody that is played over a more complex accompaniment. One of the characteristics of "Soirées de Vienne, No. 6" is its use of rubato. Rubato is a technique in which the performer takes liberties with the tempo of the music, slowing down or speeding up certain passages for expressive effect. Liszt was known for his use of rubato, and it is a prominent feature of this piece. Another characteristic of the piece is its use of virtuosic runs and arpeggios. Liszt was one of the greatest pianists of his time, and he was known for his incredible technical ability. "Soirées de Vienne, No. 6" showcases his virtuosity, with fast runs and arpeggios that require great skill and dexterity. Overall, "Soirées de Vienne, No. 6" is a beautiful and technically challenging piece that showcases Liszt's skill as a composer and pianist. Its use of rubato and virtuosic runs make it a favorite among pianists and audiences alike.

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