×
M
O
B
classic
Franz Liszt
ARTIST MUSICS
4
Hungarian Rhapsodies (19), p. 244  No. 15 in A Minor, 'Rakoczy March'
Hungarian Rhapsodies (19), S. 244  No. 15 in A Minor, 'Rakoczy March'
5:30
14
Feux-follets, etude for piano in B flat major, p. 139/5  12 Études d'exécution transcendante, S.139 No. 5 Feux follets. Allegretto
Feux-follets, etude for piano in B flat major, S. 139/5  12 Études d'exécution transcendante, S.139 No. 5 Feux follets. Allegretto
3:50
29
Au lac de Wallenstadt, p.160/2  Au lac de Wallenstadt (Années de pèlerinages)
Au lac de Wallenstadt, S.160/2  Au lac de Wallenstadt (Années de pèlerinages)
3:2
31
Christmas carol ('O holy night'), p. 49 (LW J42)  Weihnachtslied (O heilige Nacht) S.49 for solo teror, female chorus and Harmonium
Weihnachtslied ('O heilige nacht'), S. 49 (LW J42)  Weihnachtslied (O heilige Nacht) S.49 for solo teror, female chorus and Harmonium
4:52
32
Anima Chirsti (I & II), p.46 (LW J32)  Anima Christi sanctifica me S.46 for male chorus and harmonium
Anima Chirsti (I & II), S.46 (LW J32)  Anima Christi sanctifica me S.46 for male chorus and harmonium
5:5
33
Chorales (12), p. 669a (LW A286b) (German hymns and liturgical chants)  Meine Seel' erhebt den Herrn! S.50/III choral for female chorus and harmonium
Chorales (12), S. 669a (LW A286b) (Deutsche Kirchenlieder und liturgische Gesänge)  Meine Seel' erhebt den Herrn! S.50/III choral for female chorus and harmonium
1:23
34
Santa Caecilia, p. 343  Sancta Caecilia (Fiat cor meum) S.343 motet for solo voice and harmonium
Santa Caecilia, S. 343  Sancta Caecilia (Fiat cor meum) S.343 motet for solo voice and harmonium
4:15
35
Libera Me, p. 45  Libera me S.45 for soloists, male chorus and harmonium
Libera Me, S. 45  Libera me S.45 for soloists, male chorus and harmonium
5:43
36
Chorales (12), p. 669a (LW A286b) (German hymns and liturgical chants)  O Haupt voll Blut und Wunden S.50/VI choral for female chorus and harmonium
Chorales (12), S. 669a (LW A286b) (Deutsche Kirchenlieder und liturgische Gesänge)  O Haupt voll Blut und Wunden S.50/VI choral for female chorus and harmonium
2:37
37
Le crucifix, p. 342  Le Crucifix S.342 for solo voice and harmonium
Le crucifix, S. 342  Le Crucifix S.342 for solo voice and harmonium
1:54
38
Septem sacramenta, p. 52 (LW J35)  Baptisma for soloists, male chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Baptisma for soloists, male chorus and harmonium
5:14
39
Septem sacramenta, p. 52 (LW J35)  Confirmatio for soloists, mixed chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Confirmatio for soloists, mixed chorus and harmonium
5:36
40
Septem sacramenta, p. 52 (LW J35)  Eucharistia for mixed chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Eucharistia for mixed chorus and harmonium
4:40
41
Septem sacramenta, p. 52 (LW J35)  Poenitentia for male chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Poenitentia for male chorus and harmonium
5:44
42
Septem sacramenta, p. 52 (LW J35)  Extrema unctio for male chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Extrema unctio for male chorus and harmonium
5:8
43
Septem sacramenta, p. 52 (LW J35)  Ordo for soloists, male chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Ordo for soloists, male chorus and harmonium
4:43
44
Septem sacramenta, p. 52 (LW J35)  Matrimonium for soloists, mixed chorus and harmonium
Septem sacramenta, S. 52 (LW J35)  Matrimonium for soloists, mixed chorus and harmonium
4:42
45
Pater Noster III (I & II), p. 41/1  Pater noster III S.41/2 for male chorus and harmonium
Pater Noster III (I & II), S. 41/1  Pater noster III S.41/2 for male chorus and harmonium
3:48
46
Vallée d'Obermann, p. 160/6  Années de Pèlerinage, Première Année, "Suisse", S. 160: Vallée d'Obermann, S.160/6
Vallée d'Obermann, S. 160/6  Années de Pèlerinage, Première Année, "Suisse", S. 160: Vallée d'Obermann, S.160/6
13:16
47
Paysage, etude for piano in F major, p. 139/3  Études d'exécution transcendante: Paysage, S. 139/3
Paysage, etude for piano in F major, S. 139/3  Études d'exécution transcendante: Paysage, S. 139/3
5:8
48
Mazeppa II, etude for piano in D minor, p. 139/4  Études d'exécution transcendante: Mazeppa, S. 139/4
Mazeppa II, etude for piano in D minor, S. 139/4  Études d'exécution transcendante: Mazeppa, S. 139/4
8:34
49
Ricordanza in A flat major, p. 139/9  Études d'exécution transcendante: Ricordanza, S. 139/9
Ricordanza in A flat major, S. 139/9  Études d'exécution transcendante: Ricordanza, S. 139/9
11:10
50
Chasse-neige, etude for piano in D flat major, pp. 139/12  Études d'exécution transcendante: Chasse-neige, S. 139/12
Chasse-neige, etude for piano in D flat major, S. 139/12  Études d'exécution transcendante: Chasse-neige, S. 139/12
5:30
55
Paganini Etudes (6), p. 141  No.1 in G minor Preludio, Andante-Non troppo lento
Paganini Etudes (6), S. 141  No.1 in G minor Preludio, Andante-Non troppo lento
5:21
57
Paganini Etudes (6), p. 141  No.3 in A-flat minor, "La campanella" Allegretto
Paganini Etudes (6), S. 141  No.3 in A-flat minor, "La campanella" Allegretto
5:0
61
Piano Sonata in B minor, p. 178  I. Lento assai - Allegro energico
Piano Sonata in B minor, S. 178  I. Lento assai - Allegro energico
3:12
69
Piano Sonata in B minor, p. 178  IX. Cantando espressivo senza slentare
Piano Sonata in B minor, S. 178  IX. Cantando espressivo senza slentare
1:43
70
Piano Sonata in B minor, p. 178  X. Stretta quasi Presto - Presto - Prestissimo
Piano Sonata in B minor, S. 178  X. Stretta quasi Presto - Presto - Prestissimo
1:18
71
Piano Sonata in B minor, p. 178  XI. Andante sostenuto - Allegro moderato - Lento assai
Piano Sonata in B minor, S. 178  XI. Andante sostenuto - Allegro moderato - Lento assai
3:10
74
Who never ate his bread with tears, p. 297  Wer nie sein Brot mit Tränen aß, S. 297b
Wer nie sein Brot mit Tränen aß, S. 297  Wer nie sein Brot mit Tränen aß, S. 297b
2:39
75
Above all peaks is rest', p. 306  Über allen Gipfeln ist Ruh', S. 306b
Über allen gipfeln ist Ruh', S. 306  Über allen Gipfeln ist Ruh', S. 306b
4:7
76
Who art from Heaven, p. 279  Der du von dem Himmel bist, S. 279c
Der du von dem Himmel bist, S. 279  Der du von dem Himmel bist, S. 279c
3:39
80
To Ediltam, p. 333 (LW N74)  An Edlitam (Mathilde), S. 333
An Ediltam, S. 333 (LW N74)  An Edlitam (Mathilde), S. 333
2:18
82
You Are Like a Flower, p. 287  Du bist wie eine Blume, S. 287b
Du Bist wie eine Blume, S. 287  Du bist wie eine Blume, S. 287b
1:58
84
I get up in the morning and ask, p. 290  Morgens steh' ich auf und frage, S. 290b
Morgens steh' ich auf und frage, S. 290  Morgens steh' ich auf und frage, S. 290b
2:32
85
At first I almost despaired, p. 311  Anfangs woll' ich fast verzagen, S. 311b
Anfangs wollt'ich fast verzagen, S. 311  Anfangs woll' ich fast verzagen, S. 311b
2:21
86
My songs are poisoned, p. 289  Vergiftet sind meine Lieder, S. 289b
Vergiftet Sind Meine Lieder, S. 289  Vergiftet sind meine Lieder, S. 289b
1:43
89
The loud voices of the day are silent, p. 337  Des Tages laute Stimmen schweigen, S. 337
Des Tages laute Stimmen schweigen, S. 337  Des Tages laute Stimmen schweigen, S. 337
4:32
92
Consolations (6), p. 172  No. 3 in D flat major (Lento, placido)
Consolations (6), S. 172  No. 3 in D flat major (Lento, placido)
4:21
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy