Franz Liszt
Ricordanza in A flat major, S. 139/9
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Composer:Franz LisztGenre:KeyboardStyle:Etude: ConcertCompose Date:1851Publication Date:1852Average_duration:9:29"Ricordanza in A flat major, S. 139/9" is a solo piano piece composed by Franz Liszt in 1851. It is the ninth piece in the "Paganini Etudes" set, which was inspired by the virtuosic violinist Niccolò Paganini. The piece premiered in Weimar, Germany in 1851. The piece is characterized by its technical difficulty and virtuosic display. It is written in A flat major and is in a fast tempo, with a time signature of 2/2. The piece is divided into three main sections, with a coda at the end. The first section begins with a series of rapid arpeggios and runs, which are interspersed with chords and octaves. The melody is played in the right hand, while the left hand provides accompaniment. The second section is slower and more lyrical, with a beautiful melody that is played in the right hand. The left hand provides a simple accompaniment, with broken chords and arpeggios. The third section is a return to the virtuosic display of the first section, with rapid runs and arpeggios. The melody is played in octaves in the right hand, while the left hand provides a driving accompaniment. The coda is a brief section that brings the piece to a close, with a final flourish of virtuosic runs and arpeggios. Overall, "Ricordanza in A flat major, S. 139/9" is a challenging and impressive piece that showcases Liszt's technical skill and virtuosic flair. It is a popular piece among pianists and is often performed in recitals and competitions.More....
Works Music
Released Music
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Ricordanza in A flat major, p. 139/9
Transcendental Etude No. 9 for piano in A flat major 'Ricordanza'
10:6
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Ricordanza in A flat major, p. 139/9
Ricordanza No. 9 of Douze Études d'exécution transcendante, S139
8:21
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9:3
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12:30
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10:8