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M
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classic
Helen Watts
ARTIST MUSICS
1
Messiah, oratory, HWV 56  No. 43 Air: I Know that my redeemer liveth
Messiah, oratorio, HWV 56  No. 43 Air: I Know that my redeemer liveth
6:16
2
Messiah, oratory, HWV 56  No. 44 Chorus: Since by man came death
Messiah, oratorio, HWV 56  No. 44 Chorus: Since by man came death
2:8
3
Messiah, oratory, HWV 56  No. 45 Accompagnato: Behold, I tell you a mystery
Messiah, oratorio, HWV 56  No. 45 Accompagnato: Behold, I tell you a mystery
37
4
Messiah, oratory, HWV 56  No. 46 Air: The trumpet shall sound
Messiah, oratorio, HWV 56  No. 46 Air: The trumpet shall sound
8:30
5
Messiah, oratory, HWV 56  No. 47 Recitative: Then shall be brought to pass/No. 48 Duet: O death, where is thy sting?/No. 49 C
Messiah, oratorio, HWV 56  No. 47 Recitative: Then shall be brought to pass/No. 48 Duet: O death, where is thy sting?/No. 49 C
3:48
6
Messiah, oratory, HWV 56  No. 50 Air: If God be for us
Messiah, oratorio, HWV 56  No. 50 Air: If God be for us
4:19
7
Messiah, oratory, HWV 56  No. 51 Chorus: Worthy is the Lamb/No. 52 Chorus: Amen
Messiah, oratorio, HWV 56  No. 51 Chorus: Worthy is the Lamb/No. 52 Chorus: Amen
7:10
8
Mass in B flat minor, BWV 232  1. Missa: Kyrie: Kyrie eleison
Mass in B minor, BWV 232  1. Missa: Kyrie: Kyrie eleison
8:41
9
Mass in B flat minor, BWV 232  1. Missa: Kyrie: Christe eleison
Mass in B minor, BWV 232  1. Missa: Kyrie: Christe eleison
6:1
10
Mass in B flat minor, BWV 232  1. Missa: Kyrie: Kyrie eleison
Mass in B minor, BWV 232  1. Missa: Kyrie: Kyrie eleison
3:2
11
Mass in B flat minor, BWV 232  1. Missa: Gloria: Gloria in excelsis Deo
Mass in B minor, BWV 232  1. Missa: Gloria: Gloria in excelsis Deo
1:57
12
Mass in B flat minor, BWV 232  1. Missa: Gloria: Et in terra pax
Mass in B minor, BWV 232  1. Missa: Gloria: Et in terra pax
4:39
14
Mass in B flat minor, BWV 232  1. Missa: Gloria: Gratias agimus tibi
Mass in B minor, BWV 232  1. Missa: Gloria: Gratias agimus tibi
2:53
18
Mass in B flat minor, BWV 232  1. Missa: Gloria: Quoniam tu solus
Mass in B minor, BWV 232  1. Missa: Gloria: Quoniam tu solus
4:34
19
Mass in B flat minor, BWV 232  1. Missa: Gloria: Cum Sancto Spiritu
Mass in B minor, BWV 232  1. Missa: Gloria: Cum Sancto Spiritu
4:17
20
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Credo in unum Deum
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Credo in unum Deum
2:7
21
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Patrem omnipotentem
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Patrem omnipotentem
2:4
22
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Et in unum Dominum
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Et in unum Dominum
5:37
23
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Et incarnatus est
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Et incarnatus est
2:42
24
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Crucifixus
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Crucifixus
2:20
25
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Et resurrexit
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Et resurrexit
4:18
26
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Et in Spiritum
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Et in Spiritum
5:22
27
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Confiteor
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Confiteor
3:35
28
Mass in B flat minor, BWV 232  2. Symbolum Nicenum: Credo: Ex expecto
Mass in B minor, BWV 232  2. Symbolum Nicenum: Credo: Ex expecto
2:16
30
Mass in B flat minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
Mass in B minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
2:56
31
Mass in B flat minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
Mass in B minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
6:33
32
Mass in B flat minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
Mass in B minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
4:50
33
Mass in B flat minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
Mass in B minor, BWV 232  4. Osanna, Benedictus, Agnus Dei et Dona nobis pacem
3:1
53
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
55
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
56
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
57
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
59
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
63
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
64
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
65
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
66
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
67
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
69
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
71
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
72
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
74
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
75
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
79
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
81
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
83
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
84
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
85
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
86
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
87
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
89
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
96
Cantata no. 147, "Heart and mouth and deed and life", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
Cantata No. 147, "Herz und Mund und Tat und Leben", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
1:49
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