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classic
Sarah Brailey
ARTIST MUSICS
12
The Master's Hospitality  The Master's Hospitality - Znamenny Chant
The Master's Hospitality  The Master's Hospitality - Znamenny Chant
 
2:
17
Regret not for me, O Mother  Do Not Lament Me, O Mother - Znamenny Chant
Lament not for me, O Mother  Do Not Lament Me, O Mother - Znamenny Chant
2:12
19
Arise, O God  Arise, O God - Znamenny Chant
Arise, O God  Arise, O God - Znamenny Chant
 
45
21
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
 
7:10
22
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
 
4:29
23
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
 
2:27
24
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
 
3:26
25
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
 
1:36
26
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
 
3:38
27
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
 
3:12
28
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
 
5:9
29
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
 
3:59
30
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
 
2:51
31
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
 
2:13
32
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
 
2:45
33
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
 
3:6
34
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
 
2:1
35
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
 
5:13
36
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
 
10:38
37
Antigone  Prologue: Ecce quomodo moritur
Antigone  Prologue: Ecce quomodo moritur
 
2:44
38
Antigone  I. Two Sisters: During the Time of the Great War
Antigone  I. Two Sisters: During the Time of the Great War
 
2:1
39
Antigone  I. Two Sisters: My Dear Sister
Antigone  I. Two Sisters: My Dear Sister
 
2:26
40
Antigone  I. Two Sisters: Who Could Be Sure
Antigone  I. Two Sisters: Who Could Be Sure
 
2:16
41
Antigone  I. Two Sisters: Everywhere and at All Times
Antigone  I. Two Sisters: Everywhere and at All Times
 
2:56
42
Antigone  II. The Arrest of Antigone: Then, Creon, Knowing That the People
Antigone  II. The Arrest of Antigone: Then, Creon, Knowing That the People
 
3:0
43
Antigone  II. The Arrest of Antigone: O, Numberless Wonders
Antigone  II. The Arrest of Antigone: O, Numberless Wonders
 
4:36
44
Antigone  II. The Arrest of Antigone: Then, Suddently, a Sentry Approached
Antigone  II. The Arrest of Antigone: Then, Suddently, a Sentry Approached
 
1:2
45
Antigone  II. The Arrest of Antigone: But, lo, What Dark Sign
Antigone  II. The Arrest of Antigone: But, lo, What Dark Sign
 
1:33
46
Antigone  II. The Arrest of Antigone: Yea, for These Laws
Antigone  II. The Arrest of Antigone: Yea, for These Laws
 
1:24
47
Antigone  II. The Arrest of Antigone: The State Is Never an End
Antigone  II. The Arrest of Antigone: The State Is Never an End
 
2:18
48
Antigone  III. The Death of Antigone: Farewell My Friends, My Countrymen
Antigone  III. The Death of Antigone: Farewell My Friends, My Countrymen
 
2:17
49
Antigone  III. The Death of Antigone: It Seems So, and Will Be So
Antigone  III. The Death of Antigone: It Seems So, and Will Be So
 
1:24
50
Antigone  III. The Death of Antigone: Sophie's Dream; Ecce quomodo moritur
Antigone  III. The Death of Antigone: Sophie's Dream; Ecce quomodo moritur
 
6:38
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