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Boston Modern Orchestra Project
ARTIST MUSICS
1
Symphony No. 2 ("Symphony of Chorales")  I. Toccata: Allegro (chorale 90 "Hilf, Gott, daß mir's gelinge")
Symphony No. 2 ("Symphony of Chorales")  I. Toccata: Allegro (chorale 90 "Hilf, Gott, daß mir's gelinge")
 
11:5
2
Symphony No. 2 ("Symphony of Chorales")  II. Contrapunctus: B-A-C-H. Andante sostenuto (chorale 77, 78 "Herr, ich habe mißgehandelt")
Symphony No. 2 ("Symphony of Chorales")  II. Contrapunctus: B-A-C-H. Andante sostenuto (chorale 77, 78 "Herr, ich habe mißgehandelt")
 
11:10
3
Symphony No. 2 ("Symphony of Chorales")  III. Allegretto tranquillo (chorale 139 "Nun ruhen alle Wälder")
Symphony No. 2 ("Symphony of Chorales")  III. Allegretto tranquillo (chorale 139 "Nun ruhen alle Wälder")
 
6:2
4
Symphony No. 2 ("Symphony of Chorales")  IV. Introduzione - Vivace (chorale 133 "Nun danket alle Gott")
Symphony No. 2 ("Symphony of Chorales")  IV. Introduzione - Vivace (chorale 133 "Nun danket alle Gott")
 
11:48
6
Symphony No. 3 ("Symphony of Sorrows")  II. Elegy for Anne Frank. Andante sostenuto - Allegretto
Symphony No. 3 ("Symphony of Sorrows")  II. Elegy for Anne Frank. Andante sostenuto - Allegretto
 
7:11
7
Symphony No. 3 ("Symphony of Sorrows")  III. Wasteland "Bursts in the violet air" (Agitato) - "Withered stumps of time" (Lento) - "Staring forms" "broken images" (Doppio più mosso ma pesante) - "Voices singing out of empty cisterns" (più sostenuto)
Symphony No. 3 ("Symphony of Sorrows")  III. Wasteland "Bursts in the violet air" (Agitato) - "Withered stumps of time" (Lento) - "Staring forms" "broken images" (Doppio più mosso ma pesante) - "Voices singing out of empty cisterns" (più sostenuto)
 
11:56
9
Kereshmeh (Calligraphy No. 8)  Kereshmeh, for string quartet (Calligraphy No. 8)
Kereshmeh (Calligraphy No. 8)  Kereshmeh, for string quartet (Calligraphy No. 8)
 
6:47
14
Large Spiral  Grand Spiral: Desert Flowers Bloom
Grand Spiral  Grand Spiral: Desert Flowers Bloom
13:18
26
Cuban concert  II. Calm, introspective
Concierto Cubano  II. Calm, introspective
 
5:56
27
Cuban concert  III. Dancing, with fire
Concierto Cubano  III. Dancing, with fire
 
6:40
28
Oboram  I. Dark, somber
Oborama  I. Dark, somber
 
7:45
29
Oboram  II. Crisp, bright
Oborama  II. Crisp, bright
 
1:47
30
Oboram  III. Graceful, wistful
Oborama  III. Graceful, wistful
 
3:53
31
Oboram  IV. Dark, solemn
Oborama  IV. Dark, solemn
 
4:20
35
Concerto Percussion  III. Quarter Note = ca. 100
Percussion Concerto  III. Quarter Note = ca. 100
 
8:19
40
Piano Concerto No. 2  I. Molto vivo - Half tempo - Double tempo - Molto vivo - Half tempo
Piano Concerto No. 2  I. Molto vivo - Half tempo - Double tempo - Molto vivo - Half tempo
 
13:47
41
Piano Concerto No. 2  II. Elegy for Milton: Slow - Freely, expressive - Allegro - A bit slower - Cadenza - Tempo primo
Piano Concerto No. 2  II. Elegy for Milton: Slow - Freely, expressive - Allegro - A bit slower - Cadenza - Tempo primo
 
14:29
42
Piano Concerto No. 2  III. Scherzo - Cadenza - Tempo prissimo - Scary fast
Piano Concerto No. 2  III. Scherzo - Cadenza - Tempo prissimo - Scary fast
 
14:35
43
Four Saints  Prologue: A narrative of prepare for saints
Four Saints  Prologue: A narrative of prepare for saints
11:20
44
Four Saints  Act I: Tableau I: A garden at Avila in early Spring
Four Saints  Act I: Tableau I: A garden at Avila in early Spring
5:58
45
Four Saints  Act I: Tableau II: St. Teresa II with dove
Four Saints  Act I: Tableau II: St. Teresa II with dove
1:59
46
Four Saints  Act I: Tableau III: St. Teresa II seated
Four Saints  Act I: Tableau III: St. Teresa II seated
2:34
47
Four Saints  Act I: Tableau IV: St. Ignatius presents flowers
Four Saints  Act I: Tableau IV: St. Ignatius presents flowers
2:44
48
Four Saints  Act I: Tableau V: St. Ignatius showing St. Teresa II the model of a Heavenly Mansion
Four Saints  Act I: Tableau V: St. Ignatius showing St. Teresa II the model of a Heavenly Mansion
3:30
49
Four Saints  Act I: Tableau VI: St. Teresa II in ecstasy
Four Saints  Act I: Tableau VI: St. Teresa II in ecstasy
3:9
50
Four Saints  Act I: Tableau VII: St. Teresa II, with halo
Four Saints  Act I: Tableau VII: St. Teresa II, with halo
1:8
51
Four Saints  Act I: Tableau VIII: No pose
Four Saints  Act I: Tableau VIII: No pose
3:17
52
Four Saints  Act II: Might it be mountains
Four Saints  Act II: Might it be mountains
5:15
53
Four Saints  Act II: Dance of the Angels
Four Saints  Act II: Dance of the Angels
3:51
57
Four Saints  Act II: Vision of a Heavenly Mansion
Four Saints  Act II: Vision of a Heavenly Mansion
3:15
60
Four Saints  Act III: Vision of Holy Ghost
Four Saints  Act III: Vision of Holy Ghost
7:12
62
Four Saints  Act III: Saint Ignatius predicts the Last Judgment
Four Saints  Act III: Saint Ignatius predicts the Last Judgment
2:1
63
Four Saints  Act III: Saints' Precession
Four Saints  Act III: Saints' Precession
6:11
65
Four Saints  Act III: Prologue to Act IV
Four Saints  Act III: Prologue to Act IV
1:57
66
Four Saints  Act IV: The Sisters and Saints reassembled
Four Saints  Act IV: The Sisters and Saints reassembled
3:35
69
American Muse  American Lights, Seen from Off Abroad
American Muse  American Lights, Seen from Off Abroad
6:15
80
Pop Concert or guitar & orchestra  II. based on "You Oughta Know" by Alanis Morissette
Pop Concerto or guitar & orchestra  II. based on "You Oughta Know" by Alanis Morissette
 
5:50
82
Pop Concert or guitar & orchestra  IV. based on "The Way You Make Me Feel by Michael Jackson"
Pop Concerto or guitar & orchestra  IV. based on "The Way You Make Me Feel by Michael Jackson"
 
8:59
94
Sea Journey  Sea Journey (Improvisation)
Sea Journey  Sea Journey (Improvisation)
 
6:9
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