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Steven Fox
ARTIST MUSICS
6
The Master's Hospitality  The Master's Hospitality - Znamenny Chant
The Master's Hospitality  The Master's Hospitality - Znamenny Chant
 
2:
8
Or Thy Mystical Supper  Of Thy Mystical Supper - Znamenny Chant
Of Thy Mystical Supper  Of Thy Mystical Supper - Znamenny Chant
 
2:45
12
Regret not for me, O Mother  Do Not Lament Me, O Mother - Znamenny Chant
Lament not for me, O Mother  Do Not Lament Me, O Mother - Znamenny Chant
2:12
14
Arise, O God  Arise, O God - Znamenny Chant
Arise, O God  Arise, O God - Znamenny Chant
 
45
17
Vechnaya Pamiat Geroyam (Eternal Memory to the Fallen Heroes)  Alliluiya i Glubinoyu mudrosti (Alleluia and With profound wisdom)
Vechnaya Pamiat Geroyam (Memory Eternal to the Fallen Heroes)  Alliluiya i Glubinoyu mudrosti (Alleluia and With profound wisdom)
 
2:51
19
Vechnaya Pamiat Geroyam (Eternal Memory to the Fallen Heroes)  Pokoy, Ghospodi, dushï usopshïh rab Tvoih (Give rest, O Lord, to the souls of Thy Servants, who have fallen asleep)
Vechnaya Pamiat Geroyam (Memory Eternal to the Fallen Heroes)  Pokoy, Ghospodi, dushï usopshïh rab Tvoih (Give rest, O Lord, to the souls of Thy Servants, who have fallen asleep)
 
1:7
23
Vechnaya Pamiat Geroyam (Eternal Memory to the Fallen Heroes)  Tï yesi Bog, soshedïy vo ad (Thou art God, who descended into Hades)
Vechnaya Pamiat Geroyam (Memory Eternal to the Fallen Heroes)  Tï yesi Bog, soshedïy vo ad (Thou art God, who descended into Hades)
 
2:21
29
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
 
7:10
30
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
 
4:29
31
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
 
2:27
32
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
 
3:26
33
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
 
1:36
34
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
 
3:38
35
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
 
3:12
36
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
 
5:9
37
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
 
3:59
38
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
 
2:51
39
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
 
2:13
40
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
 
2:45
41
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
 
3:6
42
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
 
2:1
43
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
 
5:13
44
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
 
10:38
45
Vespers, Op.37  I. Opening Exclamation & Come, Let Us Worship
Vespers, Op. 37  I. Opening Exclamation & Come, Let Us Worship
3:3
46
Vespers, Op.37  II. Bless the Lord, O My Soul
Vespers, Op. 37  II. Bless the Lord, O My Soul
5:26
47
Vespers, Op.37  III. Blessed is the Man
Vespers, Op. 37  III. Blessed is the Man
5:21
48
Vespers, Op.37  O Gladsome Light (Kyiv chant)
Vespers, Op. 37  O Gladsome Light (Kyiv chant)
2:16
50
Vespers, Op.37  Lord, now lettest Thou (Kyiv chant)
Vespers, Op. 37  Lord, now lettest Thou (Kyiv chant)
2:35
51
Vespers, Op.37  V. Lord, now lettest Thou
Vespers, Op. 37  V. Lord, now lettest Thou
4:0
54
Vespers, Op.37  Praise the Name of the Lord (Znameny chant)
Vespers, Op. 37  Praise the Name of the Lord (Znameny chant)
1:47
55
Vespers, Op.37  VIII. Praise the Name of the Lord
Vespers, Op. 37  VIII. Praise the Name of the Lord
2:8
56
Vespers, Op.37  IX. Blessed art Thou, O Lord
Vespers, Op. 37  IX. Blessed art Thou, O Lord
6:31
57
Vespers, Op.37  X. Having Beheld the Resurrection
Vespers, Op. 37  X. Having Beheld the Resurrection
3:6
58
Vespers, Op.37  XI. My Soul Magnifies the Lord
Vespers, Op. 37  XI. My Soul Magnifies the Lord
8:34
59
Vespers, Op.37  XII. The Great Doxology
Vespers, Op. 37  XII. The Great Doxology
8:12
60
Vespers, Op.37  Troparion: Today Salvation is Come (Znameny chant)
Vespers, Op. 37  Troparion: Today Salvation is Come (Znameny chant)
1:31
61
Vespers, Op.37  XIII. Troparion: Today Salvation is Come
Vespers, Op. 37  XIII. Troparion: Today Salvation is Come
2:5
62
Vespers, Op.37  Troparion: Thou didst rise from the Tomb (Znameny chant)
Vespers, Op. 37  Troparion: Thou didst rise from the Tomb (Znameny chant)
2:32
63
Vespers, Op.37  XIV. Troparion: Thou didst rise from the Tomb
Vespers, Op. 37  XIV. Troparion: Thou didst rise from the Tomb
3:30
64
Vespers, Op.37  XV. To Thee, O Victorious Leader
Vespers, Op. 37  XV. To Thee, O Victorious Leader
1:46
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