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classic
Georg Solti
ARTIST MUSICS
1
A Hero's Life, Op. 40  The Hero's Retreat From The World And Fulfillment
Ein Heldenleben, Op. 40  The Hero's Retreat From The World And Fulfillment
6:28
3
Thus spoke Zarathustra, Op. 30  Of The People of The Unseen World
Also sprach Zarathustra, Op. 30  Of The People of The Unseen World
3:18
10
Thus spoke Zarathustra, Op. 30  The Song of The Night-Wanderer
Also sprach Zarathustra, Op. 30  The Song of The Night-Wanderer
4:21
16
An Alpine Symphony, Op. 64  Entry into the wood/Wandering by the brook
Eine Alpensinfonie, Op. 64  Entry into the wood/Wandering by the brook
5:40
21
An Alpine Symphony, Op. 64  Lost in thicket and undergrowth
Eine Alpensinfonie, Op. 64  Lost in thicket and undergrowth
1:13
23
An Alpine Symphony, Op. 64  Dangerous moments/On the summit
Eine Alpensinfonie, Op. 64  Dangerous moments/On the summit
5:12
26
An Alpine Symphony, Op. 64  The sun is gradually obscured
Eine Alpensinfonie, Op. 64  The sun is gradually obscured
47
29
An Alpine Symphony, Op. 64  Thunder and tempest descent
Eine Alpensinfonie, Op. 64  Thunder and tempest descent
3:35
41
Othello  Mia madre aveva una povera ancella (Canzone del salice)...Ave Maria
Otello  Mia madre aveva una povera ancella (Canzone del salice)...Ave Maria
12:44
43
Traviata  Act 1. Libiamo ne' liete calici
La Traviata  Act 1. Libiamo ne' liete calici
3:6
44
Traviata  Act 1. Un di felice, eterea
La Traviata  Act 1. Un di felice, eterea
3:26
45
Traviata  Act 1. E' strano! ... Ah, fors'è lui ... Follie! ... Sempre libera
La Traviata  Act 1. E' strano! ... Ah, fors'è lui ... Follie! ... Sempre libera
11:
46
Traviata  Act 2. Scene 1. Lunge da lei ... De' miei bollenti spiriti
La Traviata  Act 2. Scene 1. Lunge da lei ... De' miei bollenti spiriti
3:55
47
Traviata  Act 2. Scene 1. Pura siccome un angelo ... Ah! Dite alla giovine
La Traviata  Act 2. Scene 1. Pura siccome un angelo ... Ah! Dite alla giovine
15:37
48
Traviata  Act 2. Scene 1. Di Provenza il mar, il suol
La Traviata  Act 2. Scene 1. Di Provenza il mar, il suol
4:19
49
Traviata  Act 2. Scene 2. Invitato a qui seguirmi, verrà desso? ... Ogni suo aver tal femmina per amor mia sp
La Traviata  Act 2. Scene 2. Invitato a qui seguirmi, verrà desso? ... Ogni suo aver tal femmina per amor mia sp
10:13
50
Traviata  Act 3. Teneste la promessa ... Addio del passato
La Traviata  Act 3. Teneste la promessa ... Addio del passato
7:10
51
Traviata  Act 3. Parigi, o cara
La Traviata  Act 3. Parigi, o cara
4:24
52
Traviata  Act 3. Ah, Violetta! - Voi? Signor? - Mio padre! ... Prendi; quest'è l'immagine
La Traviata  Act 3. Ah, Violetta! - Voi? Signor? - Mio padre! ... Prendi; quest'è l'immagine
6:45
63
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
65
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
66
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
67
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
69
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
73
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
74
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
75
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
76
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
77
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
79
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
81
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
82
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
84
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
85
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
89
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
91
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
93
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
94
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
95
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
96
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
97
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
99
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
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