×
Judith Howarth
ARTIST MUSICS
1
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei der Liebe, die den Füssen
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei der Liebe, die den Füssen
1:8
2
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
1:43
3
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei dem hochgeweihten Orte
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Bei dem hochgeweihten Orte
2:42
4
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Neige, neige, du Ohnegleiche
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Neige, neige, du Ohnegleiche
46
5
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
3:19
6
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
7:24
7
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Symphony No. 8 in E flat major "Symphony of a Thousand"  Part II. Final scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
6:55
27
The Yeomen of the Guard  Act I: 'When our gallant Norman foes'
The Yeomen of the Guard  Act I: 'When our gallant Norman foes'
4:17
30
The Yeomen of the Guard  Act I: 'I have a song to sing, oh!'
The Yeomen of the Guard  Act I: 'I have a song to sing, oh!'
3:23
32
The Yeomen of the Guard  Act I: 'And so, good fellow' - 'I've jibe and joke'
The Yeomen of the Guard  Act I: 'And so, good fellow' - 'I've jibe and joke'
2:7
35
The Yeomen of the Guard  Act II: 'Night has spread her pall once more'
The Yeomen of the Guard  Act II: 'Night has spread her pall once more'
4:16
37
The Yeomen of the Guard  Act II: 'Hereupon we're both agreed'
The Yeomen of the Guard  Act II: 'Hereupon we're both agreed'
1:47
39
The Yeomen of the Guard  Act II: 'Hark! What was that, sir?' - 'Who fired that shot?' 'Like a ghost his vigil keeping.' - 'The river must be dragged'
The Yeomen of the Guard  Act II: 'Hark! What was that, sir?' - 'Who fired that shot?' 'Like a ghost his vigil keeping.' - 'The river must be dragged'
3:33
40
The Yeomen of the Guard  Act II: 'A man who would woo a faie maid'
The Yeomen of the Guard  Act II: 'A man who would woo a faie maid'
3:51
41
The Yeomen of the Guard  Act II: 'When a wooer goes a-wooing'
The Yeomen of the Guard  Act II: 'When a wooer goes a-wooing'
3:9
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy