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John Eliot Gardiner
ARTIST MUSICS
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Prophetess, or The History of Dioclesians  Act 5 'Make Room' [2 of Bacchus' Followers, Bacchus] 'Give to Every One' [Tenor, Bass, Chorus] Dance of Bacchanals
Prophetess, or The History of Dioclesian  Act 5 'Make Room' [2 of Bacchus' Followers, Bacchus] 'Give to Every One' [Tenor, Bass, Chorus] Dance of Bacchanals
4:9
21
Dixit Dominus in G minor, HWV 232  III. Tecum principium in die virtutis
Dixit Dominus in G minor, HWV 232  III. Tecum principium in die virtutis
3:3
22
Songs (5), Op.41  No. 1, Ich schwing mein Horn ins Jammertal
Songs (5), Op. 41  No. 1, Ich schwing mein Horn ins Jammertal
4:22
23
Choruses (4), Op. 17  No. 1, Es tont ein voller Harfenklang
Choruses (4), Op. 17  No. 1, Es tont ein voller Harfenklang
3:14
25
Cannons (13), Op. 113  No. 13, Einformig ist der Liebe Gram
Canons (13), Op. 113  No. 13, Einformig ist der Liebe Gram
2:41
27
Symphony No. 3 in F major, Op. 90  I. Allegro con brio - Un poco sostenuto
Symphony No. 3 in F major, Op. 90  I. Allegro con brio - Un poco sostenuto
11:32
33
The unexpected encounter  Bel inconnu qu'ici l'amour amène - Tu te moques, mon enfant!'
La rencontre imprévue  Bel inconnu qu'ici l'amour amène - Tu te moques, mon enfant!'
2:15
52
Symphony No. 2 in B flat major, Op. 52  II. a) Allegro moderato maestoso 'Alles, was Odem hat, lobe den Herrn'
Symphony No. 2 in B flat major, Op. 52  II. a) Allegro moderato maestoso 'Alles, was Odem hat, lobe den Herrn'
4:9
53
Symphony No. 2 in B flat major, Op. 52  II. b) Molto più moderato ma con fuoco 'Lobe den Herrn, meine Seele'
Symphony No. 2 in B flat major, Op. 52  II. b) Molto più moderato ma con fuoco 'Lobe den Herrn, meine Seele'
2:44
54
Symphony No. 2 in B flat major, Op. 52  III. a) Recitativo 'Saget es, die ihr erlöst seid durch den Herrn'
Symphony No. 2 in B flat major, Op. 52  III. a) Recitativo 'Saget es, die ihr erlöst seid durch den Herrn'
52
56
Symphony No. 2 in B flat major, Op. 52  IV. Chor. A tempo moderato 'Sagt es, die ihr erlöst seid'
Symphony No. 2 in B flat major, Op. 52  IV. Chor. A tempo moderato 'Sagt es, die ihr erlöst seid'
1:41
58
Symphony No. 2 in B flat major, Op. 52  VI. Allegro un poco agitato 'Stricke des Todes hatten uns umfangen'
Symphony No. 2 in B flat major, Op. 52  VI. Allegro un poco agitato 'Stricke des Todes hatten uns umfangen'
4:4
59
Symphony No. 2 in B flat major, Op. 52  VII. Allegro maestoso e molto vivace 'Die Nacht ist vergangen'
Symphony No. 2 in B flat major, Op. 52  VII. Allegro maestoso e molto vivace 'Die Nacht ist vergangen'
4:17
60
Symphony No. 2 in B flat major, Op. 52  VIII. a) Choral. Andante con moto 'Nun danket alle Gott'
Symphony No. 2 in B flat major, Op. 52  VIII. a) Choral. Andante con moto 'Nun danket alle Gott'
1:32
61
Symphony No. 2 in B flat major, Op. 52  VIII. b) Un poco più animato 'Lob, Ehr und Preis sei Gott'
Symphony No. 2 in B flat major, Op. 52  VIII. b) Un poco più animato 'Lob, Ehr und Preis sei Gott'
2:55
62
Symphony No. 2 in B flat major, Op. 52  IX. Andante sostenuto assai 'Drum sing' ich mit meinem Liede ewig dein Lob'
Symphony No. 2 in B flat major, Op. 52  IX. Andante sostenuto assai 'Drum sing' ich mit meinem Liede ewig dein Lob'
4:16
63
Symphony No. 2 in B flat major, Op. 52  X. Schlusschor. Allegro non troppo 'Ihr Völker! bringet her dem Herrn'
Symphony No. 2 in B flat major, Op. 52  X. Schlusschor. Allegro non troppo 'Ihr Völker! bringet her dem Herrn'
5:22
90
A Midsummer Night's Dream, incidental music, Op. 61  No. 9, Hochzeitmarsch 'Wedding March' - No. 12, Allegro vivace come primo
A Midsummer Night's Dream, incidental music, Op. 61  No. 9, Hochzeitmarsch 'Wedding March' - No. 12, Allegro vivace come primo
5:12
98
The unexpected encounter  Act II: Venez, venez, troupe brillante
La rencontre imprévue  Act II: Venez, venez, troupe brillante
1:9
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