Insert title here

Christ on the Mount of Olives, Op. 85 No. 2 Chor: Doch weh! Die frech entehren

Christus am Ölberge, Op. 85 No. 2 Chor: Doch weh! Die frech entehren

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

2:10

Christ on the Mount of Olives, Op. 85 No. 3 Rezitativ: Verkündet, Seraph, mir dein Mund

Christus am Ölberge, Op. 85 No. 3 Rezitativ: Verkündet, Seraph, mir dein Mund

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

1:13

Christ on the Mount of Olives, Op. 85 No. 3 Duett: So ruhe denn

Christus am Ölberge, Op. 85 No. 3 Duett: So ruhe denn

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

6:1

Christ on the Mount of Olives, Op. 85 No. 4 Rezitativ: Willkommen, Tod!

Christus am Ölberge, Op. 85 No. 4 Rezitativ: Willkommen, Tod!

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

1:25

Christ on the Mount of Olives, Op. 85 No. 4 Chor: Wir haben ihn gesehen

Christus am Ölberge, Op. 85 No. 4 Chor: Wir haben ihn gesehen

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

2:15

Christ on the Mount of Olives, Op. 85 No. 5 Rezitativ: Die mich zu fangen ausgezogen

Christus am Ölberge, Op. 85 No. 5 Rezitativ: Die mich zu fangen ausgezogen

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

1:49

Christ on the Mount of Olives, Op. 85 No. 5 Chor: Hier ist er

Christus am Ölberge, Op. 85 No. 5 Chor: Hier ist er

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

2:40

Christ on the Mount of Olives, Op. 85 No. 6 Rezitativ: Nicht ungestraft

Christus am Ölberge, Op. 85 No. 6 Rezitativ: Nicht ungestraft

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

1:17

Christ on the Mount of Olives, Op. 85 No. 6 Terzett: In meinen Adern wühlen

Christus am Ölberge, Op. 85 No. 6 Terzett: In meinen Adern wühlen

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

4:48

Christ on the Mount of Olives, Op. 85 No. 6 Chor: Auf, ergreifet den Verräter!

Christus am Ölberge, Op. 85 No. 6 Chor: Auf, ergreifet den Verräter!

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

3:15

Christ on the Mount of Olives, Op. 85 No. 6 Chor: Welten singen Dank und Ehre

Christus am Ölberge, Op. 85 No. 6 Chor: Welten singen Dank und Ehre

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

1:1

Christ on the Mount of Olives, Op. 85 No. 6 Chor: Preiset ihn, ihr Engelchöre

Christus am Ölberge, Op. 85 No. 6 Chor: Preiset ihn, ihr Engelchöre

Beethoven: Missa Solemnis; Mass in C major; Christus am Ölberge Op. 85

3:3

Te Deum, Op.32 Te deum Iaudamus

Te Deum, Op. 32 Te deum Iaudamus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

20:9

Te Deum, Op.32 Judex credis esse venturus

Te Deum, Op. 32 Judex credis esse venturus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

7:51

Te Deum, Op.32 Aeterna fac cum sanctis tuis in gloria numerari

Te Deum, Op. 32 Aeterna fac cum sanctis tuis in gloria numerari

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

13:48

Te Deum, Op.32 Dignare, Domine, die isto sine peccato nos custodire

Te Deum, Op. 32 Dignare, Domine, die isto sine peccato nos custodire

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

13:32

Te Deum, H. 118, Op. 22 Te Deum. Allegro moderato

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

7:28

Te Deum, H. 118, Op. 22 Tibi omnes. Andantino

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

9:58

Te Deum, H. 118, Op. 22 Dignare. Moderato quasi andantino

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

8:40

Te Deum, H. 118, Op. 22 Christe, rex gloriae. Allegro non troppo

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

5:37

Te Deum, H. 118, Op. 22 Te ergo quaesumus. Andantino quasi adagio

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

7:38

Te Deum, H. 118, Op. 22 Judex crederis. Allegretto un poco maestoso

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

11:53

Te Deum, B. 176, Op. 103 I. Te Deum laudamus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:29

Te Deum, B. 176, Op. 103 II. Sanctus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:14

Te Deum, B. 176, Op. 103 III. Te Deum laudamus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

Te Deum, B. 176, Op. 103 IV. Tu Rex gloriae

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

5:21

Te Deum, B. 176, Op. 103 V. Aeterna fac cum sanctis tuis

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:49

Te Deum, B. 176, Op. 103 VI. Dignare Domine

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:54

Te Deum, B. 176, Op. 103 VII. Benedicamus patrem

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:55

Te Deum in C major, WAB 45 I. Te Deum laudamus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

7:20

Te Deum in C major, WAB 45 II. Te ergo quaesumus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:52

Te Deum in C major, WAB 45 III. Aeterna fac

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

1:46

Te Deum in C major, WAB 45 IV. Salvum fac populum tuum

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

7:32

Te Deum in C major, WAB 45 V. In te Domine speravi

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

6:2

Johann Gottlieb Naumann

Te Deum Te Deum for choir and orchestra

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

14:36

Te Deum in D major, HWV 283 Chorus: Allegro. Wir preisen dich, o Gott

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:44

Te Deum in D major, HWV 283 Solo & Chorus: Allegro. Alle Welt verehret dich

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:48

Te Deum in D major, HWV 283 Solo & Chorus: Larghetto e piano. Dir singt der Engel lauter Chor

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:16

Te Deum in D major, HWV 283 Chorus: Andante. Vor dir Cherubim und Seraphim

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:1

Te Deum in D major, HWV 283 Solo & Chorus: Andante, non presto - a tempo ordinario. Der hochgelobte Chor der Aposte!

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:30

Te Deum in D major, HWV 283 Solo & Chorus: Moderato. Du bist der Ehrenkönig

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

2:49

Te Deum in D major, HWV 283 Air: Larghetto e piano un poco. Als du auf dich genommen

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:5

Te Deum in D major, HWV 283 Chorus: Grave. Als du siegreich zerbrachst den Stachel des Todes

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

1:55

Te Deum in D major, HWV 283 Trio: Andante. Du sitzest zur Rechten Gottes

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:19

Te Deum in D major, HWV 283 Symphonie: Adagio

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

Te Deum in D major, HWV 283 Chorus: Largo. Und darum flehn wir

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

1:28

Te Deum in D major, HWV 283 Chorus: Largo. Nimm uns auf in deiner heil'gen Zahl

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

1:24

Te Deum in D major, HWV 283 Chorus & Solo: Allegro, non presto. Tag für Tag erschallt dein Preislied

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:17

Te Deum in D major, HWV 283 Accompagnato: Largo e piano. Verleih uns, Herr, zu schirmen uns heut von aller Sünd

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

1:56

Te Deum in D major, HWV 283 Solo & Chorus: Andante. O Herr, auf dich steht mein Hoffen

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

4:1

Georges Bizet

Te Deum Te Deum laudamus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

5:14

Georges Bizet

Te Deum Tu Rex gloriae Christe

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

3:34

Georges Bizet

Te Deum Te ergo quaesumus

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

5:22

Georges Bizet

Te Deum Fiat misericordia tua

Te Deum: Braunfels, Berlioz, Dvorák, Bruckner, Naumann, Händel, Bizet

4:29

null

Introduction Introduction

Introduction

The uncle from Boston Act I: Overture [excerpt]

Der Onkel aus Boston Act I: Overture [excerpt]

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

1:14

null

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823 Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

6:59

Children's piece, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

Kinderstück, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

null

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847 An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

2:57

Song for my good father's birthday Lied zum Geburtstag meines guten Vaters

Lied zum Gebrutstag meines guten Vaters Lied zum Geburtstag meines guten Vaters

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

1:12

null

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

5:40

Octet for strings in E flat major, Op. 20 III. Scherzo: Allegro leggierissimo [excerpt]

1:0

null

A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home

A Midsummer Night's Dream, overture, Op. 21 Overture [excerpt]

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

1:35

null

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

3:10

Est time in G minor/A major [excerpt]

Hora est in G minor/A major [excerpt]

2:22

null

1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write 1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write

2:31

The Hebrides in B minor, Op. 26 "Fingal's Cave" [excerpt]

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

1:6

null

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

4:49

Symphony No. 4 in A major, Op. 90 Italian IV. Saltarello: Presto [excerpt]

Symphony No. 4 in A major, Op. 90 "Italian" IV. Saltarello: Presto [excerpt]

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

1:8

null

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest... The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

2:8

Overture for orchestra in C major "Trumpet", Op. 101 [excerpt]

null

The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City

5:19

Paul, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Paulus, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

1:41

null

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud... Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

2:58

Motets (3) for female chorus & organ, Op. 39 No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

null

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'... The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

3:30

Organ Sonata No. 2 in C minor/C major, Op. 65/2 II. Allegro maestoso e vivace [excerpt]

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

1:5

null

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

3:11

Violin Concerto in E minor, Op.64 III. Allegro molto vivace [excerpt]

Violin Concerto in E minor, Op. 64 III. Allegro molto vivace [excerpt]

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:9

null

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:2

Hear My Prayer in G major [excerpt]

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

1:28

null

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah... Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

2:6

Elijah, Op.70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

Elijah, Op. 70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

null

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

3:37

Song Without Words for piano No. 28 in G major, Op. 62/4 Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4

1:26

O man, weep for your sin greatly, BWV 402

O Mensch, bewein dein Sünde gross, BWV 402

7:57

O world, see your life here (III), BWV 395

O Welt, sieh hier dein Leben (III), BWV 395

1:44

O man, look at Jesus Christ, BWV 403

O Mensch, schau Jesum Christum an, BWV 403

O anguish, o anxiety, and trepidation!, BWV 400

O Herzensangst, o Bangigkeit, und Zagen!, BWV 400

O we poor sinners, BWV 407

O wir armen Sünder, BWV 407

1:37

Lord Jesus Christ, true man and God, BWV 336

Herr Jesu Christ, wah'r Mensch und Gott, BWV 336

1:15

St John Passion, BWV 245 Herzliebster Jesu, was hast du verbrochen

St. John Passion, BWV 245 Herzliebster Jesu, was hast du verbrochen

1:32

So go now, my Jesus, BWV 500a

So gehst du nun, mein Jesu, hin, BWV 500a

3:8

You great man of sorrows, BWV 300

Du grosser Schmerzensmann, BWV 300

1:59

As Jesus Christ in the night, BWV 1108

Als Jesus Christus in der Nacht, BWV 1108

4:1

When the Lord Christ sat at the table, BWV 285

Da der Herr Christ zu Tische sass, BWV 285

Jesus, your love wounds, BWV 471

Jesu, deine Liebeswunden, BWV 471

1:45

Lord Jesus Christ, you are ready, BWV 333

Herr Jesu Christ, du hast bereit, BWV 333

1:6

100

Christ who saves us (II), BWV 620a

Christus, der uns selig macht (II), BWV 620a