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M
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classic
Grigory Sokolov
ARTIST MUSICS
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Piano Sonata No. 28 in A major, Op. 101  Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
Piano Sonata No. 28 in A major, Op. 101  Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
4:50
10
Piano Sonata No. 28 in A major, Op. 101  Langsam und sehnsuchtvoll. Adagio ma non troppo, con affetto
Piano Sonata No. 28 in A major, Op. 101  Langsam und sehnsuchtvoll. Adagio ma non troppo, con affetto
3:40
11
Piano Sonata No. 28 in A major, Op. 101  Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro. ma non troppo e con fermezza
Piano Sonata No. 28 in A major, Op. 101  Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro. ma non troppo e con fermezza
7:34
16
Etudes (12) for piano, Op. 25  No. 13 in A flat major, "Aeolian Harp" - "Shepherd Boy"
Etudes (12) for piano, Op. 25  No. 13 in A flat major, "Aeolian Harp" - "Shepherd Boy"
2:26
44
The Art of the Fugue, BWV 1080  Contapunctus 14 per Aumentationem in Contrario motu
The Art of the Fugue, BWV 1080  Contapunctus 14 per Aumentationem in Contrario motu
6:21
46
The Art of the Fugue, BWV 1080  Contapunctus 16 alla Decima Contrapunto alla Terza
The Art of the Fugue, BWV 1080  Contapunctus 16 alla Decima Contrapunto alla Terza
4:57
47
The Art of the Fugue, BWV 1080  Contapunctus 17 alla Duodecima in Contrapunto alla Quinta
The Art of the Fugue, BWV 1080  Contapunctus 17 alla Duodecima in Contrapunto alla Quinta
8:9
78
Piano Sonata No. 28 in A major, Op. 101  Etwas lebhaft und mit der innigsten empfindung
Piano Sonata No. 28 in A major, Op. 101  Etwas lebhaft und mit der innigsten empfindung
4:50
98
The Art of the Fugue, BWV 1080  Canon 14 per Augmentationem in Contrario motu
The Art of the Fugue, BWV 1080  Canon 14 per Augmentationem in Contrario motu
6:21
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