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1
Henry Purcell
Henry Purcell
She loves and she confesses too, line 413
She loves and she confesses too, Z. 413
The Complete Secular Solo Songs of Henry Purcell
2:24
2
Henry Purcell
Henry Purcell
Amintas to my grievance I see Z. 356
Amintas, to my grief I see, Z. 356
The Complete Secular Solo Songs of Henry Purcell
1:35
3
Henry Purcell
Henry Purcell
Corinna is divinely fair, line 365
Corinna is divinely fair, Z. 365
The Complete Secular Solo Songs of Henry Purcell
1:47
4
Henry Purcell
Henry Purcell
Amintor heedless of his flock Z. 357
Amintor, heedless of his flocks, Z. 357
The Complete Secular Solo Songs of Henry Purcell
2:26
5
Henry Purcell
Henry Purcell
He himself courts his own gelding Z. 372
He himself courts his own ruin, Z. 372
The Complete Secular Solo Songs of Henry Purcell
1:12
6
Henry Purcell
Henry Purcell
Well, what purpose should I speak Z. 468
No, to what purpose should I speak, Z. 468
The Complete Secular Solo Songs of Henry Purcell
4:25
7
Henry Purcell
Henry Purcell
Sylvia 'tis true you're fair Z. 512
Sylvia, 'tis true you're fair, Z. 512
The Complete Secular Solo Songs of Henry Purcell
1:42
8
Henry Purcell
Henry Purcell
Lovely Albina's come ashore, Z. 394
Lovely Albina's come ashore, Z. 394
The Complete Secular Solo Songs of Henry Purcell
2:28
9
Henry Purcell
Henry Purcell
Spite of the godhead powerful love Z. 417
Spite of the godhead, pow'rful love, Z. 417
The Complete Secular Solo Songs of Henry Purcell
1:1
10
Henry Purcell
Henry Purcell
If music be the food of love, song, line 379
If music be the food of love, song, Z. 379
The Complete Secular Solo Songs of Henry Purcell
3:51
11
Henry Purcell
Henry Purcell
Phyllis I can't forgive it Z. 408
Phyllis, I can ne'er forgive it, Z. 408
The Complete Secular Solo Songs of Henry Purcell
37
12
Henry Purcell
Henry Purcell
Bacchus is a power divine, line 360
Bacchus is a power divine, Z. 360
The Complete Secular Solo Songs of Henry Purcell
3:4
13
Henry Purcell
Henry Purcell
From silent shades and the Elysian groves, Z. 370
From silent shades and the Elysian groves, Z. 370
The Complete Secular Solo Songs of Henry Purcell
4:18
14
Henry Purcell
Henry Purcell
Let formal lovers still pursue Z. 391
Let formal lovers still pursue, Z. 391
The Complete Secular Solo Songs of Henry Purcell
1:10
15
Henry Purcell
Henry Purcell
I came, I saw, and was undone, line 375
I came, I saw, and was undone, Z. 375
The Complete Secular Solo Songs of Henry Purcell
4:38
16
Henry Purcell
Henry Purcell
Who can behold Florella's charms? Line 441
Who can behold Florella's charms?, Z. 441
The Complete Secular Solo Songs of Henry Purcell
2:9
17
Henry Purcell
Henry Purcell
Cupid, the slyest rogue alive, Z. 367
Cupid, the slyest rogue alive, Z. 367
The Complete Secular Solo Songs of Henry Purcell
2:34
18
Henry Purcell
Henry Purcell
If prayers and tears, line 380
If prayers and tears, Z. 380
The Complete Secular Solo Songs of Henry Purcell
7:44
19
Henry Purcell
Henry Purcell
In Cloris all soft charms, line 384
In Cloris all soft charms, Z. 384
The Complete Secular Solo Songs of Henry Purcell
2:31
20
Henry Purcell
Henry Purcell
Let us kind Lesbia give away Z. 466
Let us, kind Lesbia, give away, Z. 466
The Complete Secular Solo Songs of Henry Purcell
1:26
21
Henry Purcell
Henry Purcell
Love is now becoming a trade Z. 393
Love is now become a trade, Z. 393
The Complete Secular Solo Songs of Henry Purcell
1:8
22
Henry Purcell
Henry Purcell
Ask me to loveNo. more song Z. 358
Ask me to love No. more, song, Z. 358
The Complete Secular Solo Songs of Henry Purcell
1:38
23
Henry Purcell
Henry Purcell
O solitude, my sweetest choice, line 406
O solitude, my sweetest choice, Z. 406
The Complete Secular Solo Songs of Henry Purcell
5:36
24
Henry Purcell
Henry Purcell
Olinda in the shades unseen, line 404
Olinda in the shades unseen, Z. 404
The Complete Secular Solo Songs of Henry Purcell
1:5
25
Henry Purcell
Henry Purcell
Pious Celinda goes to prayers, line 410
Pious Celinda goes to prayers, Z. 410
The Complete Secular Solo Songs of Henry Purcell
1:2
26
Henry Purcell
Henry Purcell
When Strephon found his passion vain Z. 435
When Strephon found his passion vain, Z. 435
The Complete Secular Solo Songs of Henry Purcell
1:11
27
Henry Purcell
Henry Purcell
The fatal hour comes on apace, line 421
The fatal hour comes on apace, Z. 421
The Complete Secular Solo Songs of Henry Purcell
3:51
28
Henry Purcell
Henry Purcell
Sawney is a bonny lad, Z. 412
Sawney is a bonny lad, Z. 412
The Complete Secular Solo Songs of Henry Purcell
1:54
29
Henry Purcell
Henry Purcell
Young Thyrsis' fate, ye hills and groves, Z. 473
Young Thyrsis' fate, ye hills and groves, Z. 473
The Complete Secular Solo Songs of Henry Purcell
5:49
30
William Lawes
William Lawes
Royal Consort in D major for 2 Theorbos
Ecco
Royal Consort in D major for 2 Theorbos
Ecco
Discover Music of the Baroque Era
3:
31
Samuel Barber
Samuel Barber
Agnus Dei, Op.11
Agnus Dei, Op. 11
Renaissance: Music For Inner Peace
8:26
32
John Tavener
John Tavener
The Lamb
The Lamb
Renaissance: Music For Inner Peace
3:35
33
John Sheppard
John Sheppard
Free our
Libera nos
Renaissance: Music For Inner Peace
3:25
34
Claudio Monteverdi
Claudio Monteverdi
The favola of Orfeo
Prologo: La Musica
La favola d'Orfeo
Prologo: La Musica
Monteverdi: Flaming heart
5:41
35
Claudio Monteverdi
Claudio Monteverdi
I temper the zither (from Book 7), SV 117
Tempro la cetra (from Book 7), SV 117
Monteverdi: Flaming heart
9:17
36
Claudio Monteverdi
Claudio Monteverdi
Ahi, com'a un vago sol gentile giro (from Book 5), SV 101
Ahi, com'a un vago sol cortese giro (from Book 5), SV 101
Monteverdi: Flaming heart
5:15
37
Claudio Monteverdi
Claudio Monteverdi
With what sweetness, scented lips (from Book 7), SV 139
Con che soavità, labbra odorate (from Book 7), SV 139
Monteverdi: Flaming heart
5:12
38
Claudio Monteverdi
Claudio Monteverdi
Am I speaking, wretch, or am I silent? (from Book 7), SV 136
Parlo, miser'o taccio? (from Book 7), SV 136
Monteverdi: Flaming heart
4:43
39
Claudio Monteverdi
Claudio Monteverdi
Move slender, semi-dramatic soles to my beautiful sound
Volgendo il ciel
Movete al mio bel suon le piante snelle, semi-dramatic
Volgendo il ciel
Monteverdi: Flaming heart
10:59
40
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Recit. Dunque sarà pur vero
Agrippina condotta a morire, HWV 110
Recit. Dunque sarà pur vero
Fedel e Costante: Handel Italian Cantatas
1:5
41
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Aria. Orrida, oscura l'etra
Agrippina condotta a morire, HWV 110
Aria. Orrida, oscura l'etra
Fedel e Costante: Handel Italian Cantatas
3:3
42
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Recit. Ma pria che d'empia morte
Agrippina condotta a morire, HWV 110
Recit. Ma pria che d'empia morte
Fedel e Costante: Handel Italian Cantatas
56
43
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Aria. Renda cenere il tiranno
Agrippina condotta a morire, HWV 110
Aria. Renda cenere il tiranno
Fedel e Costante: Handel Italian Cantatas
2:35
44
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Recit. Sì, sì, del gran tiranno
Agrippina condotta a morire, HWV 110
Recit. Sì, sì, del gran tiranno
Fedel e Costante: Handel Italian Cantatas
1:17
45
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Arioso. Come, o Dio
Agrippina condotta a morire, HWV 110
Arioso. Come, o Dio
Fedel e Costante: Handel Italian Cantatas
6:20
46
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Aria. Se infelice al mondo vissi
Agrippina condotta a morire, HWV 110
Aria. Se infelice al mondo vissi
Fedel e Costante: Handel Italian Cantatas
6:7
47
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Recit. Trema l'ingrato figlio
Agrippina condotta a morire, HWV 110
Recit. Trema l'ingrato figlio
Fedel e Costante: Handel Italian Cantatas
1:2
48
George Frederick Handel
George Frederick Handel
Agrippina led to her death, HWV 110
Aria. Su lacerate il seno
Agrippina condotta a morire, HWV 110
Aria. Su lacerate il seno
Fedel e Costante: Handel Italian Cantatas
2:28
49
George Frederick Handel
George Frederick Handel
Filli's night thoughts (In the dessert of oblivion), HWV 134
Pensieri notturni di filli (Nel dolce dell'oblio), HWV 134
Fedel e Costante: Handel Italian Cantatas
7:32
50
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Sonata & recit. Tu fedel?
Tu fedel? Tu constante?, HWV 171
Sonata & recit. Tu fedel?
Fedel e Costante: Handel Italian Cantatas
3:23
51
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Aria. Cento belle ami fileno
Tu fedel? Tu constante?, HWV 171
Aria. Cento belle ami fileno
Fedel e Costante: Handel Italian Cantatas
5:18
52
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Recit. L'occchio nero vivace
Tu fedel? Tu constante?, HWV 171
Recit. L'occchio nero vivace
Fedel e Costante: Handel Italian Cantatas
53
53
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Aria. Se Licori, Fili ed io
Tu fedel? Tu constante?, HWV 171
Aria. Se Licori, Fili ed io
Fedel e Costante: Handel Italian Cantatas
1:29
54
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Recit. Ma, se non hai più
Tu fedel? Tu constante?, HWV 171
Recit. Ma, se non hai più
Fedel e Costante: Handel Italian Cantatas
44
55
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Aria. Se non ti piace amarmi
Tu fedel? Tu constante?, HWV 171
Aria. Se non ti piace amarmi
Fedel e Costante: Handel Italian Cantatas
4:6
56
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Recit. Ma il tuo genio incostante
Tu fedel? Tu constante?, HWV 171
Recit. Ma il tuo genio incostante
Fedel e Costante: Handel Italian Cantatas
48
57
George Frederick Handel
George Frederick Handel
Are you doing? Tu constante?, HWV 171
Aria. Sì crudel, ti lascierò
Tu fedel? Tu constante?, HWV 171
Aria. Sì crudel, ti lascierò
Fedel e Costante: Handel Italian Cantatas
1:9
58
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Recit. Dietro l'orme fugaci
Armida Abbandonata, HWV 105
Recit. Dietro l'orme fugaci
Fedel e Costante: Handel Italian Cantatas
1:3
59
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Aria. Ah, crudele!
Armida Abbandonata, HWV 105
Aria. Ah, crudele!
Fedel e Costante: Handel Italian Cantatas
4:47
60
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Recit. Per te mi struggo, infido
Armida Abbandonata, HWV 105
Recit. Per te mi struggo, infido
Fedel e Costante: Handel Italian Cantatas
26
61
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Recit. O voi, dell' incostante
Armida Abbandonata, HWV 105
Recit. O voi, dell' incostante
Fedel e Costante: Handel Italian Cantatas
51
62
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Aria. Venti, fermate, si
Armida Abbandonata, HWV 105
Aria. Venti, fermate, si
Fedel e Costante: Handel Italian Cantatas
2:30
63
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Aria. Ma che parlo, che dico?
Armida Abbandonata, HWV 105
Aria. Ma che parlo, che dico?
Fedel e Costante: Handel Italian Cantatas
52
64
George Frederick Handel
George Frederick Handel
Armida Abandoned, HWV 105
Aria. In tanti affanni miei
Armida Abbandonata, HWV 105
Aria. In tanti affanni miei
Fedel e Costante: Handel Italian Cantatas
4:13
65
Henry Purcell
Henry Purcell
King Arthur
Chaconne
King Arthur
Chaconne
Purcell: Phantasies, Ayres & Chaconys
3:29
66
Matthew Locke
Matthew Locke
Suite for 3-part consort & continuo No. 4 in B flat major
Fantasie
Suite, for 3-part consort & continuo No. 4 in B flat major
Fantasie
Purcell: Phantasies, Ayres & Chaconys
3:22
67
Matthew Locke
Matthew Locke
Suite for 3-part consort & continuo No. 4 in B flat major
Courante
Suite, for 3-part consort & continuo No. 4 in B flat major
Courante
Purcell: Phantasies, Ayres & Chaconys
1:18
68
Matthew Locke
Matthew Locke
Suite for 3-part consort & continuo No. 4 in B flat major
Ayre
Suite, for 3-part consort & continuo No. 4 in B flat major
Ayre
Purcell: Phantasies, Ayres & Chaconys
2:41
69
Matthew Locke
Matthew Locke
Suite for 3-part consort & continuo No. 4 in B flat major
Sarabande
Suite, for 3-part consort & continuo No. 4 in B flat major
Sarabande
Purcell: Phantasies, Ayres & Chaconys
1:17
70
Henry Purcell
Henry Purcell
Fantasy for 4 viols in F major, line 737
Fantasy for 4 viols in F major, Z. 737
Purcell: Phantasies, Ayres & Chaconys
3:50
71
Henry Purcell
Henry Purcell
Fantasy for 4 viols in C minor, line 738
Fantasy for 4 viols in C minor, Z. 738
Purcell: Phantasies, Ayres & Chaconys
4:10
72
Matthew Locke
Matthew Locke
Work(s)
Theatre suite: The Fantastick
Work(s)
Theatre suite: The Fantastick
Purcell: Phantasies, Ayres & Chaconys
1:53
73
Matthew Locke
Matthew Locke
Work(s)
Theatre suite: Aire
Work(s)
Theatre suite: Aire
Purcell: Phantasies, Ayres & Chaconys
40
74
Matthew Locke
Matthew Locke
Work(s)
Theatre suite: Symphony at the descending of Venus
Work(s)
Theatre suite: Symphony at the descending of Venus
Purcell: Phantasies, Ayres & Chaconys
1:42
75
Matthew Locke
Matthew Locke
Work(s)
Theatre suite: Act Tune
Work(s)
Theatre suite: Act Tune
Purcell: Phantasies, Ayres & Chaconys
39
76
Matthew Locke
Matthew Locke
Work(s)
Theatre suite: Symphony
Work(s)
Theatre suite: Symphony
Purcell: Phantasies, Ayres & Chaconys
1:15
77
Henry Purcell
Henry Purcell
Prelude for violin in G minor, ZN 773
Prelude for violin in G minor, ZN 773
Purcell: Phantasies, Ayres & Chaconys
1:11
78
Henry Purcell
Henry Purcell
Chaconne, lines 627/16
Chaconne, Z. 627/16
Purcell: Phantasies, Ayres & Chaconys
2:41
79
Matthew Locke
Matthew Locke
Suite, for 3-part consort & continuo No. 3 in D minor
Fantasie
Suite, for 3-part consort & continuo No. 3 in D minor
Fantasie
Purcell: Phantasies, Ayres & Chaconys
5:23
80
Matthew Locke
Matthew Locke
Suite, for 3-part consort & continuo No. 3 in D minor
Courante
Suite, for 3-part consort & continuo No. 3 in D minor
Courante
Purcell: Phantasies, Ayres & Chaconys
1:30
81
Matthew Locke
Matthew Locke
Suite, for 3-part consort & continuo No. 3 in D minor
Ayre
Suite, for 3-part consort & continuo No. 3 in D minor
Ayre
Purcell: Phantasies, Ayres & Chaconys
2:21
82
Matthew Locke
Matthew Locke
Suite, for 3-part consort & continuo No. 3 in D minor
Sarabande
Suite, for 3-part consort & continuo No. 3 in D minor
Sarabande
Purcell: Phantasies, Ayres & Chaconys
1:5
83
Henry Purcell
Henry Purcell
Fantasy for 4 rapes in G major, Z. 742
Fantasy for 4 viols in G major, Z. 742
Purcell: Phantasies, Ayres & Chaconys
3:32
84
Henry Purcell
Henry Purcell
Fantasy for 4 viols in D minor, line 743
Fantasy for 4 viols in D minor, Z. 743
Purcell: Phantasies, Ayres & Chaconys
3:44
85
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: Overture
Work(s)
Theatre suite: Overture
Purcell: Phantasies, Ayres & Chaconys
3:17
86
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: Courtin tuune
Work(s)
Theatre suite: Courtin tuune
Purcell: Phantasies, Ayres & Chaconys
2:41
87
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: Air
Work(s)
Theatre suite: Air
Purcell: Phantasies, Ayres & Chaconys
1:10
88
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: The Triumphing Dance
Work(s)
Theatre suite: The Triumphing Dance
Purcell: Phantasies, Ayres & Chaconys
2:10
89
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: Gigue
Work(s)
Theatre suite: Gigue
Purcell: Phantasies, Ayres & Chaconys
1:24
90
Henry Purcell
Henry Purcell
Work(s)
Theatre suite: Air - dance
Work(s)
Theatre suite: Air - dance
Purcell: Phantasies, Ayres & Chaconys
1:21
91
Henry Purcell
Henry Purcell
Fantasy upon a ground in D major /F major, Z. 731
Fantasia upon a ground in D major /F major, Z. 731
Purcell: Phantasies, Ayres & Chaconys
4:52
92
Montpellier MS Anonymous
Montpellier MS Anonymous
Is mihi nonum
Est mihi nonum
The Mystery of Do-Re-Mi
3:51
93
Montpellier MS Anonymous
Montpellier MS Anonymous
I've got a full flask
I've a full flask
The Mystery of Do-Re-Mi
3:45
94
Guido d'Arezzo
Guido d'Arezzo
Out queant laxis
Ut queant laxis
The Mystery of Do-Re-Mi
55
95
Anonymous
Anonymous
The Division Flute
Part 1. Reading's Ground
The Division Flute
Part 1. Reading's Ground
The Division Flute
4:57
96
Anonymous
Anonymous
The Division Flute
Part 1. Pauls Steeple - a division on a Ground
The Division Flute
Part 1. Pauls Steeple - a division on a Ground
The Division Flute
4:30
97
Anonymous
Anonymous
The Division Flute
Part 1. Faronells Ground
The Division Flute
Part 1. Faronells Ground
The Division Flute
2:41
98
Anonymous
Anonymous
The Division Flute
Part 1. Old Simon the King
The Division Flute
Part 1. Old Simon the King
The Division Flute
2:25
99
Anonymous
Anonymous
The Division Flute
Part 1. Tollet's Ground
The Division Flute
Part 1. Tollet's Ground
The Division Flute
7:34
100
Anonymous
Anonymous
The Division Flute
Part 1. Green sleeves to a Ground
The Division Flute
Part 1. Green sleeves to a Ground
The Division Flute
3:40
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