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1
Francesco Geminiani
Francesco Geminiani
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Adagio
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Adagio
Veracini, Geminiani: Violin Sonatas
2:14
2
Francesco Geminiani
Francesco Geminiani
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Allegro
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Allegro
Veracini, Geminiani: Violin Sonatas
4:18
3
Francesco Geminiani
Francesco Geminiani
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Largo
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Largo
Veracini, Geminiani: Violin Sonatas
2:27
4
Francesco Geminiani
Francesco Geminiani
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Allegro assai
Sonata for violin & continuo No. 1 in D major, Op. 4/1
Allegro assai
Veracini, Geminiani: Violin Sonatas
2:11
5
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Joyful Mysteries. Sonata 1: Mariae Verkündigung (The Annunciation)
Mystery Sonatas (16), C. 90-105
The Five Joyful Mysteries. Sonata 1: Mariae Verkündigung (The Annunciation)
Heinz Ignaz Franz Biber: Mysteriensonaten
5:28
6
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Joyful Mysteries. Sonata 2: Mariae Besuch bei Elisabeth (The Visitation)
Mystery Sonatas (16), C. 90-105
The Five Joyful Mysteries. Sonata 2: Mariae Besuch bei Elisabeth (The Visitation)
Heinz Ignaz Franz Biber: Mysteriensonaten
4:12
7
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Joyful Mysteries. Sonata 3: Jesu Geburt (The Nativity)
Mystery Sonatas (16), C. 90-105
The Five Joyful Mysteries. Sonata 3: Jesu Geburt (The Nativity)
Heinz Ignaz Franz Biber: Mysteriensonaten
5:53
8
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Joyful Mysteries. Sonata 4: Reinigung Mariae (Beschneidung Jesu) (The Presentation)
Mystery Sonatas (16), C. 90-105
The Five Joyful Mysteries. Sonata 4: Reinigung Mariae (Beschneidung Jesu) (The Presentation)
Heinz Ignaz Franz Biber: Mysteriensonaten
6:51
9
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Joyful Mysteries. Sonata 5: Wiederfindung des zwölfjährigen Jesus im Tempel (The Finding i
Mystery Sonatas (16), C. 90-105
The Five Joyful Mysteries. Sonata 5: Wiederfindung des zwölfjährigen Jesus im Tempel (The Finding i
Heinz Ignaz Franz Biber: Mysteriensonaten
6:19
10
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Sorrowful Mysteries. Sonata 6: Jesus am Ölberg (The Agony in the Garden)
Mystery Sonatas (16), C. 90-105
The Five Sorrowful Mysteries. Sonata 6: Jesus am Ölberg (The Agony in the Garden)
Heinz Ignaz Franz Biber: Mysteriensonaten
6:44
11
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Sorrowful Mysteries. Sonata 7: Die Geißelung (The Scouring of Jesus)
Mystery Sonatas (16), C. 90-105
The Five Sorrowful Mysteries. Sonata 7: Die Geißelung (The Scouring of Jesus)
Heinz Ignaz Franz Biber: Mysteriensonaten
6:34
12
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Sorrowful Mysteries. Sonata 8: Die Dornenkrönung (The Crowning of Jesus with Thorns)
Mystery Sonatas (16), C. 90-105
The Five Sorrowful Mysteries. Sonata 8: Die Dornenkrönung (The Crowning of Jesus with Thorns)
Heinz Ignaz Franz Biber: Mysteriensonaten
5:47
13
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Sorrowful Mysteries. Sonata 9: Die Kreuztragung (Jesus carries his Cross)
Mystery Sonatas (16), C. 90-105
The Five Sorrowful Mysteries. Sonata 9: Die Kreuztragung (Jesus carries his Cross)
Heinz Ignaz Franz Biber: Mysteriensonaten
6:59
14
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Sorrowful Mysteries. Sonata 10: Die Kreuzigung (The Crucifixion)
Mystery Sonatas (16), C. 90-105
The Five Sorrowful Mysteries. Sonata 10: Die Kreuzigung (The Crucifixion)
Heinz Ignaz Franz Biber: Mysteriensonaten
8:25
15
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 11: Die Auferstehung (The Resurrection)
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 11: Die Auferstehung (The Resurrection)
Heinz Ignaz Franz Biber: Mysteriensonaten
7:14
16
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 12: Christi Himmelfahrt (The Ascension)
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 12: Christi Himmelfahrt (The Ascension)
Heinz Ignaz Franz Biber: Mysteriensonaten
5:46
17
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 13: Sendung des Heiligen Geistes (The Descent of the Holy Ghost
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 13: Sendung des Heiligen Geistes (The Descent of the Holy Ghost
Heinz Ignaz Franz Biber: Mysteriensonaten
6:29
18
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 14: Himmelfahrt Mariae (The Assumption of Our Lady)
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 14: Himmelfahrt Mariae (The Assumption of Our Lady)
Heinz Ignaz Franz Biber: Mysteriensonaten
8:4
19
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 15: Krönung Maria im Himmel (The Crowning of the blessed Virgin
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 15: Krönung Maria im Himmel (The Crowning of the blessed Virgin
Heinz Ignaz Franz Biber: Mysteriensonaten
9:52
20
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mystery Sonatas (16), c.90-105
The Five Glorious Mysteries. Sonata 16: Passacaglia
Mystery Sonatas (16), C. 90-105
The Five Glorious Mysteries. Sonata 16: Passacaglia
Heinz Ignaz Franz Biber: Mysteriensonaten
9:6
21
Giovanni Bononcini
Giovanni Bononcini
Ninth Symphony & figured bass
Adagio
Sinfonia nona & basso continuo
Adagio
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:12
22
Giovanni Bononcini
Giovanni Bononcini
Ninth Symphony & figured bass
Allegro
Sinfonia nona & basso continuo
Allegro
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:39
23
Giovanni Bononcini
Giovanni Bononcini
Ninth Symphony & figured bass
Grave
Sinfonia nona & basso continuo
Grave
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:26
24
Giovanni Bononcini
Giovanni Bononcini
Ninth Symphony & figured bass
Vivace
Sinfonia nona & basso continuo
Vivace
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:18
25
Giovanni Bononcini
Giovanni Bononcini
Wheno spoke
Aria: Quando parli
Quando parli
Aria: Quando parli
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
4:51
26
Giovanni Bononcini
Giovanni Bononcini
Wheno spoke
Recitativo: Ma la mia morte
Quando parli
Recitativo: Ma la mia morte
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
46
27
Giovanni Bononcini
Giovanni Bononcini
Wheno spoke
Aria: Son contento di provare
Quando parli
Aria: Son contento di provare
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:
28
Giovanni Bononcini
Giovanni Bononcini
Wheno spoke
Recitativo - Arios: E dolce il mio martire
Quando parli
Recitativo - Arios: E dolce il mio martire
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:33
29
Giovanni Bononcini
Giovanni Bononcini
Ungrateful Barbara Ninfa
Preludio
Barbara Ninfa ingrate
Preludio
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
4:24
30
Giovanni Bononcini
Giovanni Bononcini
Ungrateful Barbara Ninfa
Recitativo: Barbara ninfa ingrata
Barbara Ninfa ingrate
Recitativo: Barbara ninfa ingrata
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
53
31
Giovanni Bononcini
Giovanni Bononcini
Ungrateful Barbara Ninfa
Aria: Era meglio lasciarmi morire
Barbara Ninfa ingrate
Aria: Era meglio lasciarmi morire
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
4:32
32
Giovanni Bononcini
Giovanni Bononcini
Ungrateful Barbara Ninfa
Recitativo: Veglio senza riposo
Barbara Ninfa ingrate
Recitativo: Veglio senza riposo
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:2
33
Giovanni Bononcini
Giovanni Bononcini
Ungrateful Barbara Ninfa
Aria: Se tanti miei dolori
Barbara Ninfa ingrate
Aria: Se tanti miei dolori
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:48
34
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Grave
Sinfonia duodecima & basso continuo
Grave
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:43
35
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Allegro
Sinfonia duodecima & basso continuo
Allegro
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:17
36
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Largo - [-]
Sinfonia duodecima & basso continuo
Largo - [-]
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:35
37
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Grave - Presto
Sinfonia duodecima & basso continuo
Grave - Presto
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:20
38
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Grave - Vivace
Sinfonia duodecima & basso continuo
Grave - Vivace
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:24
39
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Grave
Sinfonia duodecima & basso continuo
Grave
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
31
40
Giovanni Bononcini
Giovanni Bononcini
Twelfth symphony & continuo
Allegro
Sinfonia duodecima & basso continuo
Allegro
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:1
41
Giovanni Bononcini
Giovanni Bononcini
All sue pene intorno
Recitativo - Arioso: Alle sue pene intorno
Alle sue pene intorno
Recitativo - Arioso: Alle sue pene intorno
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:59
42
Giovanni Bononcini
Giovanni Bononcini
All sue pene intorno
Aria: Chi mi dà qualche saetta
Alle sue pene intorno
Aria: Chi mi dà qualche saetta
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:27
43
Giovanni Bononcini
Giovanni Bononcini
All sue pene intorno
Recitativo: Sì, sì contro Cupido
Alle sue pene intorno
Recitativo: Sì, sì contro Cupido
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:17
44
Giovanni Bononcini
Giovanni Bononcini
All sue pene intorno
Aria: Chi la piglia con amore
Alle sue pene intorno
Aria: Chi la piglia con amore
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
3:31
45
Giovanni Bononcini
Giovanni Bononcini
All sue pene intorno
Aria: Chi la piglia con amore
Alle sue pene intorno
Aria: Chi la piglia con amore
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
3:1
46
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Preludio
Ecco Dorinda il giorno
Preludio
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:27
47
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Recitativo: Ecco Dorinda il giorno
Ecco Dorinda il giorno
Recitativo: Ecco Dorinda il giorno
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:44
48
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Aria: Lungi da te ben mio
Ecco Dorinda il giorno
Aria: Lungi da te ben mio
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:2
49
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Aria: Navicella che lunge dal porto
Ecco Dorinda il giorno
Aria: Navicella che lunge dal porto
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
2:35
50
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Recitativo - Arioso: Mà quale entro il mio seno
Ecco Dorinda il giorno
Recitativo - Arioso: Mà quale entro il mio seno
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
1:41
51
Giovanni Bononcini
Giovanni Bononcini
Ecco Dorinda il day
Aria: S'io non t'amassi tanto
Ecco Dorinda il giorno
Aria: S'io non t'amassi tanto
Giovanni Bononcini: Barbara Ninfa Ingrata; Cantatas
4:40
52
François Couperin
François Couperin
The Piedmontese (The Nations)
Gravement
La Piémontoise (Les Nations)
Gravement
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
2:29
53
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Pierced to the bottom of the heart, H. 457
Percé jusques au fond du Cœur (Stances du Cid)
Percé jusques au fond du coeur, H. 457
Percé jusques au fond du Cœur (Stances du Cid)
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:45
54
Marc-Antoine Charpentier
Marc-Antoine Charpentier
That I feel fierce fighting, H. 459
Que je sens de rudes combats (Stances du Cid)
Que je sens de rudes combats, H. 459
Que je sens de rudes combats (Stances du Cid)
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:48
55
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Father, mistress, honour, love, H. 458
Père, maîtresse, honneur, amour (Stances du Cid)
Père, maîtresse, honneur, amour, H. 458
Père, maîtresse, honneur, amour (Stances du Cid)
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:55
56
François Couperin
François Couperin
The Spanish, for 2 violins & continuo (Les Nations)
Passacaille
L'Espagnole, for 2 violins & continuo (Les Nations)
Passacaille
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
4:35
57
François Couperin
François Couperin
The Spanish, for 2 violins & continuo (Les Nations)
Air, gracieusement
L'Espagnole, for 2 violins & continuo (Les Nations)
Air, gracieusement
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
3:55
58
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Love is made by the fire, H. 446
Auprès du feu l'on fait l'amour
Auprès du feu l'on fait l'amour, H. 446
Auprès du feu l'on fait l'amour
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:38
59
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Stream that feeds this wood, H. 466
Ruisseau qui nourrit dans ce bois
Ruisseau qui nourris ce bois, H. 466
Ruisseau qui nourrit dans ce bois
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
2:17
60
Marc-Antoine Charpentier
Marc-Antoine Charpentier
No, no, I don't love him anymore, H. 455
Non, non je ne l'aime plus
Non, non, je ne l'aime plus, H. 455
Non, non je ne l'aime plus
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
4:42
61
Jacques Morel
Jacques Morel
Tomb of Mademoiselle…
Tombeau de Mademoiselle...
Tombeau de Mademoiselle…
Tombeau de Mademoiselle...
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
5:24
62
Michel Lambert
Michel Lambert
My Shepherdess Is Tender and Faithful
Ma bergère
Ma Bergere Est Tendre et Fidelle
Ma bergère
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
3:19
63
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Without fear in this wood, H. 467
Sans frayeur
Sans frayeur dans ce bois, H. 467
Sans frayeur
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
2:29
64
François Couperin
François Couperin
The Spanish, for 2 violins & continuo (Les Nations)
Gravement
L'Espagnole, for 2 violins & continuo (Les Nations)
Gravement
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
57
65
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Give Me Back My Pleasures, H. 463
Rendez-moi nes plaisirs
Rendez-moi mes plaisirs, H. 463
Rendez-moi nes plaisirs
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
2:4
66
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Love, you may redouble my alarms, H. 445
Amour, vous avez beau redoubler mes alarmes
Amour vous avez beau redoubler mes alarmes, H. 445
Amour, vous avez beau redoubler mes alarmes
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:40
67
François Couperin
François Couperin
The Piedmontese (The Nations)
Vivement et marqué
La Piémontoise (Les Nations)
Vivement et marqué
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:8
68
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Ah! how short the sunny days are, H. 442
Ah qu'ils sont courts les beaux jours
Ah! qu'ils sont courts les beaux jours, H. 442
Ah qu'ils sont courts les beaux jours
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:4
69
François Couperin
François Couperin
The Piedmontese (The Nations)
Air
La Piémontoise (Les Nations)
Air
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
1:6
70
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Go home, too indiscreet sighs, H. 464
Rentrez trop indiscrets soupirs
Rentrez, trop indiscrets soupirs, H. 464
Rentrez trop indiscrets soupirs
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
3:26
71
Marc-Antoine Charpentier
Marc-Antoine Charpentier
Let's retreat, let's flee, H. 465
Retirons-nous fuyons
Retirons-nous, fuyons, H. 465
Retirons-nous fuyons
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
2:15
72
Michel Lambert
Michel Lambert
Your disdain every day
Vos mépris chaque jour
Vos mespris chaque jour
Vos mépris chaque jour
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
3:54
73
François Couperin
François Couperin
Imperial (The Nations)
Chaconne
L'impériale (Les Nations)
Chaconne
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour
5:30
74
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 5 in E minor, C. 142
I. —
Sonata for violin & continuo No. 5 in E minor, C. 142
I. —
Biber, H.I.F. - Berio, L.: Music for violins
2:17
75
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 5 in E minor, C. 142
II. Variatio
Sonata for violin & continuo No. 5 in E minor, C. 142
II. Variatio
Biber, H.I.F. - Berio, L.: Music for violins
5:13
76
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 5 in E minor, C. 142
III. Aria
Sonata for violin & continuo No. 5 in E minor, C. 142
III. Aria
Biber, H.I.F. - Berio, L.: Music for violins
3:10
77
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 3 in F major, C. 140
I. Adagio - Presto
Sonata for violin & continuo No. 3 in F major, C. 140
I. Adagio - Presto
Biber, H.I.F. - Berio, L.: Music for violins
1:50
78
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 3 in F major, C. 140
II. Aria
Sonata for violin & continuo No. 3 in F major, C. 140
II. Aria
Biber, H.I.F. - Berio, L.: Music for violins
5:31
79
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 3 in F major, C. 140
III. Variatio
Sonata for violin & continuo No. 3 in F major, C. 140
III. Variatio
Biber, H.I.F. - Berio, L.: Music for violins
5:15
80
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 6 in C minor, C. 143
I. —
Sonata for violin & continuo No. 6 in C minor, C. 143
I. —
Biber, H.I.F. - Berio, L.: Music for violins
1:25
81
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 6 in C minor, C. 143
II. Passacaglia
Sonata for violin & continuo No. 6 in C minor, C. 143
II. Passacaglia
Biber, H.I.F. - Berio, L.: Music for violins
6:31
82
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for violin & continuo No. 6 in C minor, C. 143
III. Gavotte
Sonata for violin & continuo No. 6 in C minor, C. 143
III. Gavotte
Biber, H.I.F. - Berio, L.: Music for violins
5:15
83
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
I. Praeludium: Allegro
Harmonia Artificiosa-Ariosa (7), C. 62-68
I. Praeludium: Allegro
Biber, H.I.F. - Berio, L.: Music for violins
1:14
84
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
II. Allamande
Harmonia Artificiosa-Ariosa (7), C. 62-68
II. Allamande
Biber, H.I.F. - Berio, L.: Music for violins
2:7
85
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
III. Amener: Presto
Harmonia Artificiosa-Ariosa (7), C. 62-68
III. Amener: Presto
Biber, H.I.F. - Berio, L.: Music for violins
1:5
86
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
IV. Balletto
Harmonia Artificiosa-Ariosa (7), C. 62-68
IV. Balletto
Biber, H.I.F. - Berio, L.: Music for violins
46
87
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
V. Gigue
Harmonia Artificiosa-Ariosa (7), C. 62-68
V. Gigue
Biber, H.I.F. - Berio, L.: Music for violins
29
88
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
VI. Ciacona: Canon in unisono
Harmonia Artificiosa-Ariosa (7), C. 62-68
VI. Ciacona: Canon in unisono
Biber, H.I.F. - Berio, L.: Music for violins
3:39
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