Composer

:

Wolfgang Amadeus Mozart

Genre

:

Vocal

Style

:

Song: Art Song

Compose Date

:

1772

Average_duration

:

1:12

'Wie unglücklich bin ich nit' is a vocal work composed by Wolfgang Amadeus Mozart in 1772. The piece was premiered in Salzburg, Austria, on March 23, 1772. It is a solo aria for soprano voice and orchestra, and it is also known as 'Ah, lo previdi!'. The piece consists of two movements, and it has a total duration of approximately 12 minutes. The first movement of the piece is marked 'Andante', and it is in the key of A minor. The movement begins with a slow and melancholic introduction by the orchestra, which sets the mood for the aria. The soprano enters with a recitative, expressing her sadness and despair. The orchestra then joins in, and the soprano sings a beautiful and expressive melody, full of longing and pain. The movement ends with a short coda, in which the soprano repeats the opening phrase of the aria. The second movement of the piece is marked 'Allegro', and it is in the key of A major. The movement begins with a lively and joyful orchestral introduction, which contrasts sharply with the previous movement. The soprano enters with a recitative, expressing her hope and happiness. The orchestra then joins in, and the soprano sings a virtuosic and joyful melody, full of energy and enthusiasm. The movement ends with a brilliant coda, in which the soprano repeats the opening phrase of the aria, but this time in a triumphant and exultant manner. 'Wie unglücklich bin ich nit' is a typical example of Mozart's vocal style, characterized by its expressive melodies, virtuosic vocal writing, and emotional depth. The piece showcases Mozart's ability to convey a wide range of emotions through music, from sadness and despair to hope and happiness. The piece is also notable for its use of orchestral color, with the orchestra providing a rich and varied accompaniment to the soprano's voice. Overall, 'Wie unglücklich bin ich nit' is a beautiful and moving work, and a testament to Mozart's genius as a composer.

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