Composer

:

Heinrich Schütz

Genre

:

Choral

Publication Date

:

1650

Average_duration

:

01:59:17

Movement_count

:

21

Movement ....

Heinrich Schütz's 'Symphoniae Sacrae, Book 3' is a collection of 21 motets, catalogued as SWV 398-418 (Op. 12). The work was composed in 1650 and premiered in Dresden, Germany. The motets are written for various vocal combinations, including solo voices, duets, trios, and larger ensembles, accompanied by basso continuo. The first movement, "Sicut Moses," is a grandiose setting of the biblical text from Deuteronomy, featuring a double choir and brass instruments. The second movement, "Cantate Domino," is a joyful and lively piece for double choir and instruments, celebrating the glory of God. The third movement, "Laudate pueri," is a setting of Psalm 113, featuring a solo soprano and a virtuosic instrumental accompaniment. Other notable movements include "Ego sum resurrectio," a solemn and contemplative piece for double choir and basso continuo, and "Saul, Saul, was verfolgst du mich," a dramatic setting of the conversion of St. Paul, featuring a solo tenor and a richly textured instrumental accompaniment. Schütz's 'Symphoniae Sacrae, Book 3' is characterized by its rich harmonies, expressive melodies, and varied textures. The composer's use of chromaticism and dissonance adds depth and complexity to the music, while his skillful handling of vocal and instrumental forces creates a powerful and emotional impact. Overall, 'Symphoniae Sacrae, Book 3' is a masterful collection of motets that showcases Schütz's skill as a composer and his deep devotion to the Christian faith. Its enduring popularity and influence have made it a cornerstone of the Baroque choral repertoire.

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