Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Motet

Publication Date

:

1639

Average_duration

:

3:33

"Ich will den Herrn Loben allezeit" (I will praise the Lord at all times) is a sacred vocal work composed by Heinrich Schütz, a German composer of the Baroque era. The piece is part of his collection of sacred works known as "Symphoniae Sacrae," which was published in 1629. The work is also known as "Opus 9/1" and "SWV 306." The piece is written for four voices (soprano, alto, tenor, and bass) and is divided into two movements. The first movement is a setting of Psalm 34:2-4, which reads "I will bless the Lord at all times; his praise shall continually be in my mouth. My soul makes its boast in the Lord; let the humble hear and be glad. Oh, magnify the Lord with me, and let us exalt his name together!" The second movement is a setting of Psalm 71:6-8, which reads "Upon you I have leaned from before my birth; you are he who took me from my mother's womb. My praise is continually of you. I have been as a portent to many; but you are my strong refuge. My mouth is filled with your praise, and with your glory all the day." The first movement is characterized by its joyful and exuberant nature. The opening phrase, "Ich will den Herrn Loben allezeit" is repeated throughout the movement, with each voice taking turns singing it. The melody is simple and repetitive, but Schütz uses clever harmonies and rhythmic variations to keep the listener engaged. The second movement is more contemplative and introspective. The melody is more complex, with each voice weaving in and out of each other. The text is more personal, with the singer expressing their gratitude and dependence on God. "Ich will den Herrn Loben allezeit" was premiered in Dresden in 1629, where Schütz was the court composer for the Elector of Saxony. The piece was well-received and became a popular addition to church services throughout Germany. The work is a prime example of Schütz's skill in setting sacred texts to music. His use of simple melodies, clever harmonies, and expressive text painting make his music accessible and emotionally engaging.

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