Composer

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Béla Bartók

Genre

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Keyboard

Style

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Keyboard

Compose Date

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1926 - 1939

Average_duration

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15:39

Mikrokosmos Vol. 5 (18), Sz. 107/5 is a piano piece composed by Béla Bartók. It was composed in 1926 and premiered in Budapest in the same year. The piece is part of a collection of 153 progressive piano pieces that Bartók composed between 1926 and 1939. The collection is titled Mikrokosmos, which means "little world" in Greek, and it is considered one of the most important works in the piano repertoire. Mikrokosmos Vol. 5 (18), Sz. 107/5 is a short piece that lasts only 32 bars. It is written in the key of C major and has a moderate tempo. The piece is divided into two sections, each of which is repeated. The first section is characterized by a simple melody that is played in the right hand. The left hand plays a series of chords that provide a harmonic accompaniment to the melody. The second section is more complex and features a series of arpeggios that are played in both hands. The arpeggios are played in a syncopated rhythm, which gives the piece a lively and energetic feel. One of the characteristics of Mikrokosmos Vol. 5 (18), Sz. 107/5 is its use of folk elements. Bartók was known for his interest in folk music, and he often incorporated folk elements into his compositions. In this piece, the simple melody in the first section has a folk-like quality, and the syncopated rhythm in the second section is reminiscent of folk dance music. Another characteristic of the piece is its use of progressive techniques. The Mikrokosmos collection was designed to be a progressive series of piano pieces that would help students develop their technique and musicality. Mikrokosmos Vol. 5 (18), Sz. 107/5 is an example of this progressive approach, as it features a simple melody in the first section that is easy to play, but also includes more complex arpeggios in the second section that require more advanced technique. Overall, Mikrokosmos Vol. 5 (18), Sz. 107/5 is a short but lively piano piece that showcases Bartók's interest in folk music and his progressive approach to composition. It is a popular piece in the piano repertoire and is often used as a teaching tool for piano students.

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