Marc-Antoine Charpentier
Messe à 8 voix et 8 violons et flûtes, H. 3
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Composer:Marc-Antoine CharpentierGenre:ChoralStyle:ChoralCompose Date:1670 - 1671Average_duration:48:38Movement_count:8Movement ....Marc-Antoine Charpentier's 'Messe à 8 voix et 8 violons et flûtes, H. 3' is a sacred choral work composed in the Baroque era. It was composed in the late 1670s and premiered in Paris, France, in 1680. The work is divided into six movements, each with its own unique characteristics. The first movement, Kyrie, is a solemn and majestic piece that begins with a choral chant in unison. The violins and flutes then enter, adding a rich texture to the piece. The second movement, Gloria, is a joyful and celebratory piece that features a lively choral section and intricate instrumental interludes. The third movement, Credo, is a complex and intricate piece that features a variety of musical textures and harmonies. The fourth movement, Sanctus, is a peaceful and contemplative piece that features a soaring choral section and delicate instrumental accompaniment. The fifth movement, Agnus Dei, is a somber and introspective piece that features a plaintive choral section and mournful instrumental accompaniment. The final movement, Deo Gratias, is a triumphant and joyful piece that features a lively choral section and exuberant instrumental interludes. Overall, Charpentier's 'Messe à 8 voix et 8 violons et flûtes, H. 3' is a masterful example of Baroque choral music. Its intricate harmonies, complex textures, and rich instrumental accompaniment make it a true masterpiece of the genre.More....
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Mass à 8 voix et 8 violons et flûtes, H. 3
Kyrie. Kyrie eleison (includes Ritournelle des Mores from Le Malade imaginaire, H. 495)
4:9
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Mass à 8 voix et 8 violons et flûtes, H. 3
Prélude da capo - Kyrie da capo - Sinfonie pour finir le Kyrie
4:27
Main Perform Artists
Bass Vocal
Counter Tenor Vocal
Bass Vocal
Tenor Vocal
Soprano Vocal
Soprano Vocal
Counter Tenor Vocal