Composer

:

Iannis Xenakis

Genre

:

Keyboard

Compose Date

:

1951

Average_duration

:

9:41

Iannis Xenakis' 'Chansons (6)' is a composition for mixed choir and orchestra, composed in 1951. The piece premiered on June 2, 1952, at the Théâtre des Champs-Élysées in Paris, conducted by Hermann Scherchen. The composition consists of six movements, each based on a different text. The texts are taken from various sources, including ancient Greek poetry, medieval French poetry, and contemporary French poetry. The movements are titled as follows: 'Nuits', 'La Chevelure', 'La Mort', 'La Grâce', 'La Beauté', and 'La Danse'. The music of 'Chansons (6)' is characterized by its use of complex rhythms, dissonant harmonies, and unconventional vocal techniques. Xenakis was known for his interest in mathematics and science, and this is reflected in the structure of the piece. The music is highly organized, with intricate patterns of rhythm and harmony that create a sense of tension and release. The first movement, 'Nuits', is based on a poem by Sappho. The music is slow and atmospheric, with the choir singing in a hushed, almost whispered tone. The second movement, 'La Chevelure', is based on a poem by Charles Baudelaire. The music is more lively and rhythmic, with the choir singing in a more forceful and declamatory style. The third movement, 'La Mort', is based on a poem by Stéphane Mallarmé. The music is dark and brooding, with the choir singing in a mournful tone. The fourth movement, 'La Grâce', is based on a poem by Paul Valéry. The music is more upbeat and energetic, with the choir singing in a more joyful and celebratory style. The fifth movement, 'La Beauté', is based on a poem by Charles Baudelaire. The music is slow and contemplative, with the choir singing in a reverential tone. The final movement, 'La Danse', is based on a poem by Stéphane Mallarmé. The music is fast and frenetic, with the choir and orchestra creating a sense of wild abandon and celebration. Overall, 'Chansons (6)' is a complex and challenging work that showcases Xenakis' unique approach to composition. The piece is a testament to his interest in mathematics and science, as well as his ability to create music that is both intellectually stimulating and emotionally powerful.

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