Composer

:

Max Reger

Genre

:

Keyboard

Style

:

Fantasia & Fugue

Compose Date

:

Sep 1900

First Performance

:

May 12, 1901

Average_duration

:

18:37

Movement_count

:

2

Movement ....

Max Reger's Chorale Fantasia Wachet auf, ruft uns die Stimme, Op. 52/2, is a monumental work for organ that was composed in 1900. The piece is based on the famous Lutheran hymn "Wachet auf, ruft uns die Stimme" (Wake, Awake, for Night is Flying) by Philipp Nicolai, which is often sung during Advent and on the last Sunday of the church year. The Chorale Fantasia is divided into three movements, each of which is based on a different verse of the hymn. The first movement is a prelude that sets the stage for the entire piece. It begins with a majestic introduction that features the full power of the organ, with a series of chords that gradually build in intensity. This leads into a more subdued section that features a solo melody played on the trumpet stop. The movement ends with a return to the opening material, but with even greater intensity and power. The second movement is a fugue that is based on the second verse of the hymn. It begins with a simple statement of the theme, which is then developed through a series of intricate counterpoint and virtuosic passages. The fugue builds to a climax before subsiding into a more reflective section that features a solo melody played on the oboe stop. The movement ends with a return to the fugue material, but with even greater complexity and intensity. The third movement is a chorale that is based on the third verse of the hymn. It begins with a simple statement of the melody, which is then developed through a series of variations that explore different harmonies and textures. The movement builds to a climax before subsiding into a more peaceful section that features a solo melody played on the flute stop. The movement ends with a return to the opening material, but with a more subdued and peaceful character. Overall, the Chorale Fantasia is a virtuosic and monumental work that showcases the full power and range of the organ. It is characterized by its intricate counterpoint, complex harmonies, and dramatic contrasts of texture and dynamics. The piece is a testament to Reger's mastery of the organ and his ability to create works of great depth and complexity.

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