Composer

:

Vinko Globokar

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1973

Average_duration

:

9:09

"Toucher for speaking percussionist" is a contemporary composition by Slovenian-French composer Vinko Globokar. It was composed in 1974 and premiered the same year in Paris. The piece is divided into three movements, each with its own unique characteristics. The first movement, titled "Toucher," is characterized by the use of various percussion instruments, including maracas, cymbals, and a snare drum. The percussionist is also required to use their voice, speaking and whispering various phrases and sounds. The movement is marked by a sense of urgency and intensity, with the percussionist's voice and the percussion instruments blending together to create a chaotic and unpredictable soundscape. The second movement, titled "Parler," is a solo for the percussionist's voice. The percussionist is required to speak a text in French, which is a poem by the composer himself. The text is fragmented and disjointed, with the percussionist's voice rising and falling in pitch and volume. The movement is marked by a sense of introspection and contemplation, with the percussionist's voice exploring the nuances of the text. The third movement, titled "Toucher-Parler," combines the elements of the first two movements. The percussionist is required to play various percussion instruments while also speaking the text from the second movement. The movement is marked by a sense of integration and synthesis, with the percussionist's voice and the percussion instruments working together to create a cohesive and dynamic soundscape. Overall, "Toucher for speaking percussionist" is a challenging and innovative composition that pushes the boundaries of traditional percussion music. The use of the percussionist's voice adds a unique and expressive element to the piece, while the use of various percussion instruments creates a diverse and dynamic soundscape. The piece is a testament to Globokar's creativity and experimentation in the field of contemporary music.

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