Composer

:

Hector Berlioz

Genre

:

Choral

Style

:

Choral

Compose Date

:

Jul 1831 - 1832

Average_duration

:

52:03

Movement_count

:

6

Movement ....

Lélio, ou Le retour à la vie, H. 55, Op. 14bis is a musical work composed by Hector Berlioz. It was composed in 1831-1832 and premiered on December 9, 1832, at the Paris Conservatory. The work is a sequel to Berlioz's Symphonie fantastique, Op. 14, and is often referred to as its "supplement." Lélio consists of six movements, each with its own distinct character and style. The first movement, titled "Le pêcheur," is a choral and orchestral piece that sets the scene for the work. It is followed by "Chant de bonheur," a solo vocal piece that expresses the joy of being alive. The third movement, "La harpe éolienne," is a musical depiction of a wind harp, an instrument that produces sound when the wind blows through its strings. The fourth movement, "Fantaisie sur la Tempête de Shakespeare," is a dramatic piece that features a narrator and a chorus. It is based on Shakespeare's play The Tempest and tells the story of a shipwreck and the subsequent struggle for survival. The fifth movement, "Ballet des ombres," is a dance piece that features a solo violin and a chorus. It is a tribute to the ballets of the Romantic era. The final movement, "Marche au supplice," is a reprise of the fourth movement of Symphonie fantastique. It is a dramatic piece that depicts the protagonist's descent into madness and eventual execution. The work ends with a choral piece titled "Chant de triomphe," which celebrates the triumph of life over death. Lélio is characterized by its use of a wide range of musical styles and techniques. Berlioz was known for his innovative approach to orchestration, and Lélio is no exception. The work features a large orchestra, a chorus, and solo vocal and instrumental parts. It also includes spoken narration, which was a relatively new technique at the time. Overall, Lélio is a complex and ambitious work that showcases Berlioz's unique musical vision. It is a testament to his creativity and his ability to push the boundaries of classical music.

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