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Claude Debussy
Études (6), Book 2, L. 136/7-12
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Works Info
Composer
:
Claude Debussy
Genre
:
Keyboard
Style
:
Etude
Compose Date
:
1915
Average_duration
:
24:04
Movement_count
:
6
Movement ....
Claude Debussy's Études (6), Book 2, L. 136/7-12, was composed between 1915 and 1917, during the composer's final years. The work premiered on February 22, 1917, at the Salle Gaveau in Paris, with Debussy himself at the piano. The Études (6), Book 2, is a collection of six piano pieces, each with its own unique character and technical challenges. The first piece, "Pour les degrés chromatiques," is a study in chromaticism, with rapid runs up and down the keyboard. The second, "Pour les agréments," is a study in ornamentation, with trills and other embellishments throughout. The third, "Pour les notes répétées," is a study in repetition, with a constant stream of repeated notes that gradually build in intensity. The fourth piece, "Pour les sonorités opposées," is a study in contrasting sonorities, with the left hand playing deep, resonant chords while the right hand plays light, delicate melodies. The fifth, "Pour les arpèges composés," is a study in compound arpeggios, with complex patterns of notes that require great dexterity and precision. The final piece, "Pour les accords," is a study in chords, with dense, rich harmonies that require careful voicing and balance. Overall, the Études (6), Book 2, is a testament to Debussy's mastery of the piano and his ability to create music that is both technically challenging and musically expressive. The pieces are full of Debussy's trademark impressionistic harmonies and textures, and they showcase his ability to create a wide range of moods and emotions through his music.
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Works Music
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7
Studies (6), Book 2, L. 136/7-12  Pour les degrés chromatiques (chromatic degrees)
2:40
8
Studies (6), Book 2, L. 136/7-12  Pour les agréments (ornaments)
5:48
9
Studies (6), Book 2, L. 136/7-12  Pour les notes répétées (repeated notes)
3:21
10
Studies (6), Book 2, L. 136/7-12  Pour les sonorités opposées (opposing sonorities)
6:13
11
Studies (6), Book 2, L. 136/7-12  Pour les arpèges composés (composite arpeggios)
5:1
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