Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Publication Date

:

1639

Average_duration

:

121:47

Movement_count

:

32

Movement ....

Heinrich Schütz's 'Kleine geistliche Concerte (Little Sacred Concertos), Part 2, SWV 306-337 (Op. 9)' is a collection of 32 sacred concertos for voices and instruments. The collection was composed in 1639 and premiered in Dresden, Germany. The concertos are divided into three sections, each with its own distinct characteristics. The first section consists of 12 concertos, which are characterized by their simple and straightforward melodies. The second section consists of 10 concertos, which are more complex and feature intricate counterpoint and chromaticism. The final section consists of 10 concertos, which are more expressive and emotional in nature. The concertos are scored for various combinations of voices and instruments, including soprano, alto, tenor, and bass voices, as well as violins, violas, cornets, trombones, and continuo. The instrumentation varies from concerto to concerto, with some featuring only voices and continuo, while others include a full ensemble of instruments. Schütz's 'Kleine geistliche Concerte' is notable for its use of the concertato style, which was popular in Italy at the time. This style features a contrast between the soloists and the full ensemble, with the soloists often singing virtuosic passages while the ensemble provides a supportive accompaniment. Overall, Schütz's 'Kleine geistliche Concerte (Little Sacred Concertos), Part 2, SWV 306-337 (Op. 9)' is a masterful collection of sacred music that showcases the composer's skill in writing for voices and instruments. Its combination of simple melodies, complex counterpoint, and emotional expression make it a significant contribution to the repertoire of sacred music.

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