Composer

:

Ernst von Dohnányi

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1924

Publication Date

:

1927

First Performance

:

Nov 15, 1927

Average_duration

:

11:53

Movement_count

:

3

Movement ....

Ernst von Dohnányi's 'Ruralia Hungarica (3) for violin & piano, Op. 32c' is a three-movement work that was composed in 1924. The piece was premiered in Budapest on November 23, 1924, with the composer himself on the piano and the violinist Jenő Hubay. The first movement, marked Allegro moderato, is a lively and energetic dance in the style of a csárdás, a traditional Hungarian folk dance. The violin and piano take turns playing the melody, with the piano providing a rhythmic accompaniment. The movement is characterized by its use of syncopation and frequent changes in tempo, which give it a lively and unpredictable feel. The second movement, marked Andante, is a lyrical and expressive piece that showcases the violin's singing qualities. The piano provides a gentle accompaniment, with delicate arpeggios and soft chords. The movement is notable for its use of chromaticism, which adds a sense of tension and drama to the music. The final movement, marked Allegro vivace, is a fast and playful dance that brings the piece to a lively and joyful conclusion. The violin and piano engage in a lively dialogue, with the violin playing rapid runs and trills while the piano provides a driving rhythmic accompaniment. The movement is characterized by its use of syncopation and frequent changes in tempo, which give it a lively and unpredictable feel. Overall, 'Ruralia Hungarica (3) for violin & piano, Op. 32c' is a lively and engaging work that showcases Dohnányi's skill at incorporating traditional Hungarian folk music into his compositions. The piece is notable for its use of syncopation, chromaticism, and frequent changes in tempo, which give it a lively and unpredictable feel.

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