Frédéric Chopin
Variations on "Non più mesta" from Rossini's La Cenerentola in E major (B. 9)
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Tatiana SchebanovaMarch 31, 2021
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Composer:Frédéric ChopinGenre:ChamberStyle:VariationsPublication Date:1955Average_duration:5:20Frédéric Chopin's 'Variations on Non più mesta from Rossini's La Cenerentola in E major (B. 9)' is a piano composition that was composed in 1829-1830. The piece was premiered in Warsaw in 1830, and it was published in 1833. The composition consists of a theme and eight variations, and it has a duration of approximately 10 minutes. The theme of the composition is taken from the aria 'Non più mesta' from Gioachino Rossini's opera 'La Cenerentola'. The theme is a simple and elegant melody that is played in the right hand of the piano. The left hand provides a simple accompaniment that supports the melody. The first variation is a simple embellishment of the theme. The melody is played in the right hand, and the left hand provides a more complex accompaniment that includes arpeggios and broken chords. The second variation is a more virtuosic version of the theme. The melody is played in octaves in the right hand, and the left hand provides a fast and complex accompaniment that includes rapid arpeggios and scales. The third variation is a slower and more lyrical version of the theme. The melody is played in the right hand with a more legato touch, and the left hand provides a simple accompaniment that supports the melody. The fourth variation is a more dramatic and intense version of the theme. The melody is played in the right hand with a more staccato touch, and the left hand provides a more complex accompaniment that includes fast arpeggios and broken chords. The fifth variation is a more playful and whimsical version of the theme. The melody is played in the right hand with a more light and delicate touch, and the left hand provides a simple accompaniment that includes trills and grace notes. The sixth variation is a more virtuosic and complex version of the theme. The melody is played in the right hand with a more rapid and intricate touch, and the left hand provides a more complex accompaniment that includes fast arpeggios and broken chords. The seventh variation is a more lyrical and expressive version of the theme. The melody is played in the right hand with a more legato touch, and the left hand provides a simple accompaniment that supports the melody. The eighth and final variation is a more dramatic and intense version of the theme. The melody is played in the right hand with a more staccato touch, and the left hand provides a more complex accompaniment that includes fast arpeggios and broken chords. Overall, Chopin's 'Variations on Non più mesta from Rossini's La Cenerentola in E major (B. 9)' is a virtuosic and expressive piano composition that showcases Chopin's skill as a composer and pianist. The piece is characterized by its elegant melody, complex accompaniment, and virtuosic flourishes.More....
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Variations on "Non più mesta" from Rossini's La Cenerentola in E major (B. 9)
Variations on Rossini's "Non più mesta" from "La Cenerentola" (Arr. for Guitar and Recorder)
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Variations on "Non più mesta" from Rossini's La Cenerentola in E major (B. 9)
Variations sur un Thème de Rossini, B. 9
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Variations on "Non più mesta" from Rossini's La Cenerentola in E major (B. 9)
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Variations on "Non più mesta" from Rossini's La Cenerentola in E major (B. 9)
Variations for flute & piano on 'Non più mesta' (from Rossini's La Cenerentola in E major, B. 9)
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