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Genevieve Lacey
Artist Info
Role
:
Composer  
Birth
:
1972 in Papua, New Guinea
 
Genevieve Lacey is a renowned Australian classical musician who has made a significant contribution to the world of music through her exceptional skills as a recorder player, composer, and artistic director. Born on 23rd May 1971 in Sydney, Australia, Lacey grew up in a family of musicians, which played a significant role in shaping her musical career. Lacey's love for music began at a young age, and she started playing the recorder when she was just five years old. She later went on to study music at the Sydney Conservatorium of Music, where she honed her skills as a recorder player. Lacey's talent was evident from an early age, and she quickly gained recognition as one of the most promising young musicians in Australia. In 1995, Lacey was awarded a Churchill Fellowship, which allowed her to travel to Europe to study with some of the world's leading recorder players. During her time in Europe, Lacey had the opportunity to work with renowned musicians such as Marion Verbruggen, Walter van Hauwe, and Kees Boeke, among others. This experience helped to shape her musical style and gave her a deeper understanding of the recorder's potential as a solo instrument. Lacey's career as a professional musician began in the late 1990s when she started performing with some of Australia's leading orchestras, including the Australian Chamber Orchestra and the Melbourne Symphony Orchestra. She quickly gained a reputation as one of the country's most talented recorder players, and her performances were praised for their technical brilliance and emotional depth. In 2000, Lacey released her debut album, entitled "Bowerbird," which showcased her exceptional skills as a recorder player and composer. The album was a critical success and helped to establish Lacey as one of Australia's most promising young musicians. Over the years, Lacey has performed at some of the world's most prestigious music festivals and venues, including the Edinburgh International Festival, the BBC Proms, and the Lincoln Center in New York. She has collaborated with some of the world's leading musicians, including the Australian Chamber Orchestra, the London Philharmonic Orchestra, and the Academy of Ancient Music. Lacey's performances have been praised for their technical brilliance, emotional depth, and innovative approach to music. She is known for her ability to push the boundaries of what is possible with the recorder, and her performances often incorporate elements of improvisation and experimentation. In addition to her work as a performer, Lacey is also an accomplished composer and artistic director. She has composed music for a wide range of ensembles, including orchestras, choirs, and chamber groups. Her compositions are known for their intricate harmonies, complex rhythms, and innovative use of the recorder. Lacey has also served as the artistic director of several music festivals, including the Canberra International Music Festival and the Four Winds Festival. In this role, she has helped to promote the work of emerging musicians and composers and has played a significant role in shaping the Australian music scene. Throughout her career, Lacey has received numerous awards and accolades for her contributions to the world of music. In 2011, she was awarded the Australia Council Fellowship for Music, which is one of the country's most prestigious music awards.
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Recent Artist Music
1
The Recorder after Vivaldi  Act 2. Concerto in F for recorder and strings, RV 442. 1. Allegro non molto
 
2:51
8
Re-Invention for recorder No. 1 (after Bach's Invention No. 8)  Re-invention No. 1 for descant recorder (based on Invention No. 8 in F major by J.S. Bach)
 
4:24
14
Stone well moder  Estampie - Stond wel, moder, under roode
4:19
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