Composer

:

Gabriel Fauré

Genre

:

Vocal

Style

:

Song Cycle

Compose Date

:

Dec 12, 1919

Publication Date

:

1919

Average_duration

:

12:44

Movement_count

:

4

Movement ....

Gabriel Fauré's 'Mirages (4), Op. 113' is a song cycle composed in 1919. It premiered on May 5, 1922, in Paris, with the composer himself accompanying the singer. The cycle consists of four songs, each with its own distinct character and mood. The first song, 'Cygne sur l'eau' (Swan on the Water), is a delicate and dreamy piece that evokes the image of a swan gliding on a calm lake. The piano accompaniment is sparse and ethereal, creating a sense of stillness and tranquility. The second song, 'Dans la forêt de septembre' (In the September Forest), is more lively and rhythmic. The piano accompaniment is more complex, with a driving rhythm that suggests the movement of the forest. The lyrics describe the beauty of the forest in autumn, with its changing colors and falling leaves. The third song, 'La mer est infinie' (The Sea is Infinite), is a haunting and melancholy piece that captures the vastness and mystery of the sea. The piano accompaniment is sparse and atmospheric, with long, sustained chords that create a sense of space and distance. The lyrics describe the sea as a place of endless longing and yearning. The final song, 'Jardin nocturne' (Nocturnal Garden), is a gentle and introspective piece that evokes the quiet beauty of a garden at night. The piano accompaniment is delicate and intricate, with a shimmering quality that suggests the play of moonlight on the flowers. The lyrics describe the garden as a place of peace and solitude, where one can escape from the noise and chaos of the world. Overall, 'Mirages (4), Op. 113' is a beautiful and evocative song cycle that showcases Fauré's mastery of melody, harmony, and mood. Each song is a miniature masterpiece in its own right, and together they form a cohesive and deeply moving work of art.

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