Composer

:

Arnold Schoenberg

Genre

:

Vocal

Style

:

Song Cycle

Compose Date

:

1901

Average_duration

:

23:07

Movement_count

:

8

Movement ....

Arnold Schoenberg's "Brettl-Lieder" is a song cycle composed in 1901-1902. The premiere of the work took place on December 22, 1901, at the Kabarett Fledermaus in Vienna. The cycle consists of fourteen songs, each with its own unique character and style. The "Brettl-Lieder" were composed during a period of transition in Schoenberg's career. He was moving away from the traditional tonal system and experimenting with new forms of expression. The songs reflect this experimentation, with a mix of tonal and atonal elements, as well as a variety of musical styles. The first song in the cycle, "Galathea," is a playful and lighthearted piece, with a simple melody and a bouncy rhythm. The second song, "Gigerlette," is more complex, with a shifting tonality and a more intricate melody. The third song, "Arie aus dem Spiegel von Arkadien," is a haunting and melancholy piece, with a slow, mournful melody and a somber mood. The fourth song, "Der genügsame Liebhaber," is a humorous and satirical piece, with a jaunty melody and a playful tone. The fifth song, "Einfältiges Lied," is a simple and straightforward piece, with a gentle melody and a peaceful mood. The sixth song, "Gebet," is a solemn and reverent piece, with a slow, meditative melody and a spiritual tone. The seventh song, "Enthauptung," is a dramatic and intense piece, with a driving rhythm and a powerful melody. The eighth song, "Der Schildwache Nachtlied," is a quiet and introspective piece, with a gentle melody and a contemplative mood. The ninth song, "Der verlorene Haufen," is a lively and energetic piece, with a fast-paced rhythm and a lively melody. The tenth song, "Der Wassermann," is a dark and eerie piece, with a haunting melody and a mysterious mood. The eleventh song, "Der kleine Leutnant des lieben Gottes," is a humorous and satirical piece, with a jaunty melody and a playful tone. The twelfth song, "Der Soldat," is a solemn and mournful piece, with a slow, mournful melody and a somber mood. The thirteenth song, "Der verlassene Liebhaber," is a poignant and emotional piece, with a slow, mournful melody and a sad mood. The final song, "Cabaretlied," is a lively and upbeat piece, with a fast-paced rhythm and a joyful melody. Overall, the "Brettl-Lieder" are a fascinating and eclectic collection of songs, showcasing Schoenberg's early experimentation with new forms of expression. The cycle is notable for its mix of tonal and atonal elements, as well as its wide range of musical styles and moods.

More....