Johann Sebastian Bach
Cantata No. 165, "O heilges Geist- und Wasserbad", BWV 165
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Composer:Johann Sebastian BachGenre:ChoralStyle:CantataCompose Date:Jun 16, 1715Publication Date:1887First Performance:Jun 16, 1715Average_duration:11:51Movement_count:6Movement ....Johann Sebastian Bach composed Cantata No. 165, O heilges Geist- und Wasserbad, BWV 165, in 1715 during his tenure as the court organist and chamber musician in Weimar. The cantata was premiered on May 21, 1715, at the court chapel in Weimar. The cantata consists of six movements and is scored for soprano, alto, tenor, and bass soloists, a four-part choir, and a small orchestra consisting of two oboes, strings, and continuo. The text is based on a hymn by Johann Heermann and focuses on the theme of baptism and the cleansing power of the Holy Spirit. The first movement is a chorale fantasia that sets the hymn tune in the soprano voice while the other voices provide a richly ornamented accompaniment. The second movement is a recitative for the bass soloist that reflects on the power of baptism to wash away sin and impurity. The third movement is an aria for the alto soloist that celebrates the transformative power of the Holy Spirit. The oboe provides a sinuous and expressive obbligato that weaves around the vocal line. The fourth movement is a duet for soprano and tenor that reflects on the joy and peace that come from being baptized. The voices intertwine in a playful and joyful manner, supported by a lively and dance-like accompaniment. The fifth movement is a recitative for the tenor soloist that reflects on the need for constant renewal and cleansing through the Holy Spirit. The final movement is a chorale that reprises the hymn tune in a simple and straightforward manner, with the choir and orchestra providing a rich and harmonious accompaniment. Overall, Cantata No. 165 is a beautiful and uplifting work that showcases Bach's mastery of choral and instrumental writing. The music is characterized by its rich harmonies, expressive melodies, and intricate counterpoint, all of which serve to convey the spiritual message of the text.More....
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Cantata no. 165, "O holy spirit and water bath", BWV 165
"O heil'ges Geist-und Wasserbad", Aria for soprano
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Sein Wort, sein Tauf, sein Nachtmahl, chorale
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Cantata no. 165, "O holy spirit and water bath", BWV 165
1. Aria. O heil'ges Geist- und Wasserbad
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Cantata no. 165, "O holy spirit and water bath", BWV 165
I. Aria. O heilges Geist- und Wasserbad
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Featured Music
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Aria (Soprano): O heilges Geist-und Wasserbad (O bath of holy water and Spirit / O, saint bain d'eau et d'Esprit)
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Recitative / Récitatif (bass / basse): Die sündige Geburt verdammter Adamserben (The sinful birth of the cursed heirs of Adam / La naissance pécheresse des héritiers damnés d'Adam)
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Aria (alto): Jesu, der aus großer Liebe (Jesus, who out of great love / Jésus, qui par grand amor )
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Recitative / Récitatif (bass / basse): Ich habe ja, mein Seelenbräutigam (I have indeed, bridegroom of my soul / J'ai en effet, fiancé de mon âme))
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Aria (tenor / Ténor): Jesu, meines Todes Tod (Jesus, death of my death / Jésus, mort de ma mort
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Cantata no. 165, "O holy spirit and water bath", BWV 165
Chorale / Choral: Sein Wort, sein Tauf, sein Nachtmahl (His word, his baptism, his supper / Sa parole, son baptême, son souper)
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Main Perform Artists
Soprano Vocal
Tenor Vocal
Counter Tenor Vocal
Alto Vocals
Bass (Vocal)