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Dimitry Bortnyansky
Concerto No. 15 "Come, O ye people, let us sing"
Works Info
Composer
:
Dimitry Bortnyansky
Genre
:
Miscellaneous
Style
:
Concerto
Average_duration
:
6:52
Dimitry Bortnyansky's Concerto No. 15, "Come, O ye people, let us sing," is a choral masterpiece that was composed in the late 18th century. The piece was premiered in 1799 and is considered one of Bortnyansky's most famous works. The concerto is divided into three movements, each with its own unique characteristics. The first movement, marked "Allegro," is a lively and energetic piece that features the full choir singing in unison. The music is characterized by its fast-paced rhythms and intricate harmonies, which create a sense of excitement and anticipation. The movement is also notable for its use of dynamic contrasts, with the choir alternating between loud and soft passages to create a sense of drama and tension. The second movement, marked "Andante," is a slower and more contemplative piece that features a solo soprano singing a beautiful melody. The music is characterized by its gentle, flowing rhythms and delicate harmonies, which create a sense of peace and tranquility. The movement is also notable for its use of ornamentation, with the soprano adding flourishes and embellishments to the melody to create a sense of beauty and elegance. The third movement, marked "Allegro," is a lively and joyful piece that features the full choir singing in harmony. The music is characterized by its fast-paced rhythms and lively melodies, which create a sense of celebration and exuberance. The movement is also notable for its use of call-and-response, with the choir alternating between singing as a group and responding to each other in smaller groups to create a sense of unity and community. Overall, Bortnyansky's Concerto No. 15 is a masterful work that showcases the composer's skill in creating complex and beautiful choral music. The piece is characterized by its intricate harmonies, dynamic contrasts, and use of ornamentation, and is a testament to Bortnyansky's status as one of the greatest choral composers of his time.
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