Composer

:

Agustín Barrios-Mangoré

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1914 - 1938

Average_duration

:

6:50

Movement_count

:

3

Movement ....

Agustín Barrios-Mangoré's 'La Catedral' is a three-movement suite for solo guitar, composed in the early 1920s. The exact date of composition is unknown, but it is believed to have been completed in 1924. The piece was premiered by Barrios-Mangoré himself in Buenos Aires, Argentina, in 1927. The first movement, 'Preludio Saudade', is a melancholic and introspective piece that sets the tone for the entire suite. It is characterized by its use of arpeggios and tremolo, as well as its use of dissonant harmonies and chromaticism. The movement is marked by a slow and mournful tempo, and it is often described as one of the most beautiful and haunting pieces in the guitar repertoire. The second movement, 'Andante Religioso', is a more upbeat and lively piece that is inspired by the composer's visit to the Cathedral of San Jose in Montevideo, Uruguay. The movement is characterized by its use of syncopated rhythms and its lively, dance-like melody. It is marked by a moderate tempo and is often described as a celebration of the beauty and grandeur of the cathedral. The final movement, 'Allegro Solemne', is a virtuosic and technically demanding piece that showcases the composer's mastery of the guitar. It is characterized by its use of fast and intricate arpeggios, as well as its use of harmonics and artificial harmonics. The movement is marked by a fast tempo and is often described as a tour de force of the guitar repertoire. Overall, 'La Catedral' is a masterpiece of the guitar repertoire that showcases the composer's unique style and virtuosity. It is characterized by its use of complex harmonies, intricate rhythms, and virtuosic technique, and it remains one of the most beloved and frequently performed pieces in the guitar repertoire today.

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