Composer

:

Orlande de Lassus

Genre

:

Vocal

Style

:

Madrigal

Publication Date

:

1555

Average_duration

:

4:48

Madonna mia pieta, S. x/61 is a sacred choral work composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece is a setting of the text "Madonna mia pieta" which translates to "My Lady, have mercy" and is a prayer to the Virgin Mary. The exact date of composition is unknown, but it is believed to have been written in the late 16th century. The piece was likely composed for use in the liturgy of the Catholic Church, as Lassus was a devout Catholic and his music was often used in religious services. Madonna mia pieta, S. x/61 is a four-part choral work, with each voice part singing different lines of the text. The piece is written in a homophonic style, meaning that all four voices sing the same rhythm and melody at the same time. This creates a rich, full sound that is characteristic of Renaissance choral music. The piece is divided into three movements, each with its own distinct character. The first movement is slow and mournful, with the voices singing in a low register to create a somber atmosphere. The second movement is faster and more rhythmic, with the voices singing in a higher register to create a sense of urgency. The final movement returns to the slow, mournful character of the first movement, bringing the piece to a peaceful conclusion. Overall, Madonna mia pieta, S. x/61 is a beautiful example of Renaissance choral music. Its rich harmonies, homophonic style, and use of different vocal registers create a powerful emotional impact that is still felt today.

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