Composer

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Buxheimer Orgelbuch Anonymous

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:38

"Se la phase pale (after Dufay)" is a composition found in the Buxheimer Orgelbuch, an anonymous manuscript of organ music from the late 15th century. The piece is a variation on a chanson by Guillaume Dufay, a prominent composer of the early Renaissance. The composition is believed to have been written around 1470-1480, and it is unclear when it was first performed. The Buxheimer Orgelbuch was likely compiled for use in the court of Duke Sigismund of Austria, and it contains a wide variety of organ music from the period. "Se la phase pale" is a relatively short piece, consisting of a single movement. It is written in the style of a variation, with the original chanson melody serving as the basis for a series of elaborations and embellishments. The piece is in the key of G major and is written in a relatively simple, homophonic style. One of the most notable characteristics of "Se la phase pale" is its use of ornamentation. The piece is filled with trills, turns, and other decorative flourishes, which serve to enhance the beauty and complexity of the original melody. The organist is also given a great deal of freedom in terms of interpretation, with many of the ornaments left to the performer's discretion. Overall, "Se la phase pale (after Dufay)" is a beautiful and intricate example of Renaissance organ music. Its use of ornamentation and variation demonstrate the skill and creativity of the anonymous composer, and its inclusion in the Buxheimer Orgelbuch speaks to its enduring popularity and importance in the repertoire of the period.

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