Composer

:

Francis Poulenc

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

1936 - 1937

Average_duration

:

14:04

Movement_count

:

9

Movement ....

Francis Poulenc's 'Tel jour, telle nuit, FP 86' is a song cycle composed in 1937 for voice and piano. The premiere of the work took place on May 18, 1937, in Paris, with the composer himself at the piano and Pierre Bernac as the vocalist. The cycle consists of eight movements, each of which sets a poem by Paul Éluard. The first movement, 'Bonne journée,' is a cheerful and lively piece that sets the tone for the rest of the cycle. The second movement, 'Une ruine coquille vide,' is a melancholic and introspective piece that explores themes of loss and emptiness. The third movement, 'Le front comme un drapeau perdu,' is a passionate and intense piece that expresses the pain of separation and the longing for reunion. The fourth movement, 'Une roulotte couverte en tuiles,' is a playful and whimsical piece that evokes the image of a gypsy caravan. The fifth movement, 'A toutes brides,' is a fast-paced and energetic piece that celebrates the joy of life and the freedom of the open road. The sixth movement, 'Une herbe pauvre,' is a gentle and contemplative piece that reflects on the beauty of nature and the passing of time. The seventh movement, 'Je n'ai envie que de t'aimer,' is a tender and romantic piece that expresses the depth of the composer's love for his partner. The final movement, 'Figure de force brûlante et farouche,' is a powerful and dramatic piece that celebrates the strength and resilience of the human spirit. Overall, 'Tel jour, telle nuit' is a highly expressive and emotional work that showcases Poulenc's mastery of melody, harmony, and text setting. The cycle is characterized by its wide range of moods and emotions, from joy and playfulness to melancholy and introspection, and its use of vivid imagery and evocative language. It remains one of Poulenc's most beloved and frequently performed works.

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