Composer

:

Franz Liszt

Genre

:

Orchestral

Style

:

Tone Poem

Compose Date

:

1853 - 1854

Publication Date

:

1857

First Performance

:

Nov 10, 1854

Average_duration

:

11:27

Franz Liszt's 'Orpheus, symphonic poem for orchestra, S. 98' was composed in 1853 and premiered in Weimar, Germany on February 16, 1854. The piece is divided into three movements and is approximately 12 minutes in length. The first movement, marked "Lento assai - Allegro vivace," begins with a mournful melody played by the cellos and basses, representing Orpheus mourning the loss of his beloved Eurydice. The music gradually builds in intensity as Orpheus descends into the underworld to retrieve her. The second section is marked by a lively, dance-like theme, representing the joy of Orpheus and Eurydice's reunion. However, the music abruptly shifts back to the mournful melody as Orpheus loses Eurydice once again. The second movement, marked "Poco adagio," is a lyrical and introspective section. The music is characterized by a haunting melody played by the English horn, representing Orpheus' sorrow and longing for Eurydice. The music gradually builds in intensity, with the full orchestra joining in, before fading away into a quiet and reflective ending. The final movement, marked "Allegro vivo - Allegro maestoso," is a triumphant and celebratory section. The music is characterized by a lively and energetic theme, representing Orpheus' successful return from the underworld. The music builds to a grand and majestic climax, with the full orchestra playing in unison, before ending with a triumphant flourish. Overall, 'Orpheus' is a masterful example of Liszt's skill in creating programmatic music. The piece effectively captures the story of Orpheus and Eurydice through its use of melody, harmony, and orchestration. The mournful and introspective sections are balanced by the lively and celebratory sections, creating a dynamic and engaging listening experience.

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